Jack Wagner dating

Is Jack Wagner Dating Anyone After His Divorce With EX? Well, it's common for iconic Hollywood figures to often pop up in the headlines for either a dating relationship or a divorce after a failed marriage. Similar is the case of American actor Jack Wagner who came to huge controversy after his divorce with the love of his life. He stars alongside his ex-wife on 'When Calls The Heart.' Talk about being on good terms! Jack was married to Kristina Wagner, his former co-star on General Hospital, from 1993 until their divorce in 2006.Their GH characters, Frisco and Felicia, were an immensely popular couple on the show and their real-life romance only added to the fan intrigue. . The ex-spouses ended up becoming co-stars ... Later, he started dating Heather Locklear in 2007. The pair who engaged in August 2011 called off their engagement on 15 November 2011. In 2013, he confirmed his relationship with The Bold and the Beautiful co-star Ashley Jones. Jack Wagner's Net Worth. Wagner's net worth is estimated to be $9.8 million as of 2019. Jack Wagner worth. The 60-year-old American soap opera actor has done well. Jack Wagner’s net worth is $10 million.There are many sources that talk about Jack Wagner’s net worth, his salary, and income, but online estimates of his worth vary. Ashley Jones and Jack Wagner were married from 2005 to 2014 (9 years).. On Screen Matchups. Ashley Jones and Jack Wagner were in The Bold and the Beautiful (1987) together.. About. Ashley Jones is a 43 year old American Actress. Born Ashley Aubra Jones on 3rd September, 1976 in Memphis, Tennessee, she is famous for The Young and the Restless, The Bold and the Beautiful and True Blood. in a ... Who is Jack Wagner dating? Jack Wagner is currently married to Ashley Jones. The couple started dating in 2012 and have been together for around 8 years, 4 months, and 16 days. The American Soap Opera Actor was born in MO on October 3, 1959. Actor who brought life to The Bold and the Beautiful’s Dominick Marone for nearly 1500 episodes. Hollywood is filled with numerous couples that meet while working on projects. Jack and Kristina Wagner are one of them. Get familiar with Kristina Wagner who is now divorced from ex husband, Jack Wagner. Jack Wagner is a man who barely needs any introduction, especially to soap opera fans. Jack Wagner was previously married to Kristina Wagner (1993 – 2006) and Bridget Forrester (2005 – 2010). He has been engaged to Heather Locklear (2011). Jack Wagner has been in relationships with Laurie Landry (1987), Hilary Edson (1985 – 1986), Peggy Trentini and Nicole. Jack Wagner has been in relationships with Laurie Landry (1987), Hilary Edson (1985 - 1986), Peggy Trentini and Nicole.. Jack Wagner has had encounters with Coleen Sexton (1999 - 2000) and Kimberly Foster (1985).. About. Jack Wagner is a 60 year old American Actor. Born Peter John Wagner on 3rd October, 1959 in Washington, Missouri, he is famous for Frisco Jones on General Hospital, The Bold ... Image: Jack Wagner with his ex-fiance, Heather Locklear Source: US Weekly. They became engaged in August 2011, after dating for 4 years. However, on 15 November 2011, Jack and his fiance called off their engagement. Moreover, Wagner has dated his former The Brave and the Lovely co-star Ashley Jones, 43. From 2013 till 2015 they dated each other.

Gloria Solutions manual( SOLUTIONS MANUAL+ TEST BANKS 2020-2021)

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2020.06.29 17:58 RedWizard52 Submissions Open! Whetstone: Amateur Magazine of Pulp Sword and Sorcery

CALL FOR SUBMISSIONS / WHETSTONE / Issue 2
WHETSTONE is an amateur fantasy magazine that seeks to discover, inspire, and publish emerging authors who are enthusiastic about the tradition of “pulp sword and sorcery.” Writers in this tradition include (but are not limited to) the following: Robert E. Howard, Fritz Leiber, Jack Vance, Michael Moorcock, Karl Edward Wagner, David C. Smith, and many more. “Pulp sword and sorcery” emphasizes active protagonists, supernatural menaces, and preindustrial (mostly ancient and medieval) settings. Some “pulp sword and sorcery” straddles the line between historical and fantasy fiction; at Whetstone, however, we emphatically prefer “secondary world settings,” other worlds liberated from the necessity of historical accuracy. See our first issue, available at our webpage.
About the editor: Dr. Jason Ray Carney is a lecturer in the Department of English of Christopher Newport University in Newport News, Virginia. He is the co-editor of the academic journal The Dark Man: Journal of Robert E. Howard and Pulp Studies and the area chair of the "Pulp Studies" section of the Popular Culture Association. He serves as the Academic Coordinator for the Robert E. Howard Foundation.
Length: We prefer compressed stories that are nevertheless cohesive narratives (1500 to 2500 words). These limits are firm. No more, no less.
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To submitters: We promise to read submissions with close attention and care in acknowledgement of your hard work.
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Dates:
· Submission deadline for Whetstone Issue 2: Saturday, September 5th, 2020, 11:59p.
· Editorial decisions: Saturday, October 3rd, 2020
· Publication of inaugural issue: Saturday, December 5th, 2020
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submitted by RedWizard52 to fantasywriters [link] [comments]


2020.06.17 01:28 Jjustingraham My Sex Therapist is AMAZING

I can’t orgasm.
(I promise there’s a reason I’m telling you this).
I never have; not when I discovered masturbation, not when I had sex for the first time with Jenny McPherson in the 1987 Jeep Wrangler Dad bought me, not when I realized I was bisexual and hooked up with my RA Alex Whitford in college.
I’ve been with - I think, I’m not exactly sure - eight different people in my life. I’m 34, have a decent job, am reasonably well off and somewhat good looking. But because of my weird inability, I struggle to be with, or stay with, anyone.
One of my exes took it personally that he couldn’t get me there. He wore it like a black armband and made it his mission to be my first, as it were. H/we tried everything - toys, roleplay, domination, hanging from the ceiling like bats, etc. No dice. Eventually, he got so frustrated that he called me in tears after seven or eight sour apple jacks and told me that he couldn’t deal with “my issue” anymore..
That was three years ago and I haven’t been with anyone since (well, until a few months ago, but I’ll get to that). I’d dated, yeah, but never felt comfortable letting things progress to that, you know, stage. The weird thing is that I enjoy the act. It’s fun, it’s exhilarating, I love it. But I can’t finish. I thought it was a blessing when I was in highschool (when you are under the illusion that ‘going’ for five hours at stretch is God’s gift to women), but as I’ve gotten older, it has wrecked my love life and become a psychological block to every aspect of my life. Did you know that it’s hard to pick what to watch on Netflix on a Tuesday night - even if you don’t have a roommate - because you’re wondering if tonight, porn might finally work?
Before you ask: nope. No trauma. No abuse. No violence. No creepy uncles or creepy aunts. I’ve never had anything approaching a bad experience. There’s nothing physically wrong with me either - Doctor after Doctor has given me the thumbs up. I just live in a world where everybody else has seen Star Wars and I physically can’t (though, man, I would love to get back the 2 hours I wasted on Rise of Skywalker. What kind of bullshit was that?).
Everything changed when I met Rita.
Tall. Blonde. Gorgeous smile. Green eyes. A delicate neck. A wicked sense of humor.. Soft skin. Super into Reboot like a good mid eighties kid. The works.
I met her at my company (obviously I’m not going to tell you where I work) Christmas party - she was on the seventh floor while I was on the sixth for the last four years, yet we’d never run into each other in the elevator or the parking lot. I vaguely remembered her name from our department conference calls but she was on a different team, so we’d never spoken. What a mistake.
We had insane chemistry from the beginning. You know how it goes - when you’re apart all you can do is daydream about each other or you’re connected at the hip digitally. When you’re in person, you’re connected at the hip(s) physically. That good, good, good shit.
She was the one. I’d never met anyone like her. She was challenging. She was sexy. She was passionate. She was amazing in bed.
Here comes the yeah....but...
I still couldn’t finish.
I tried to put it off when we first got together, because my frustrations had curdled into a black cloud of anxiety. I didn’t want to disappoint her or do anything to compromise our blossoming relationship, but eventually I succumbed. We spent a cloudless Saturday rock climbing before beer, dinner and wine loosened me up enough to do what I’d been desperate to do from the moment I met her.
I did try to set her expectations though, before we jumped in.
“I don’t know how to say this, but I’ve never orgasmed before.”
She laughed. I mean, girls struggle with it, right? But guys? You never hear about that. At first, she thought I was a virgin. But I set her straight quickly. She cocked a gorgeous eyebrow.
“Not even by yourself?”
“No. Never.”
She pulled me close enough to smell the lingering sweat on her freshly washed skin.
“Let’s see if we can’t fix that.”
She was athletic, adventurous, amazing. But as much as I rose to the occasion and loved every minute of it, I didn’t finish.
She enjoyed herself, but was disappointed by the end. They always are. Being in this situation creates a weird power dynamic in the relationship:
I can do it for them ---> they can’t do it for me ---> they need me more than I need them → resentment
She suggested that we pull back a little and focus on our emotional connection, so we did. It didn’t work. She suggested that maybe I was holding back because I was too in my head. So we got drunk and high while camping in the desert. Nada.
I saw it bothering her, and watching her wheels spin trying to crack the code made me dread sex. I hated that I made her feel inadequate, and tenderly broached the subject after a night of snuggling on the couch.
“I don’t want you to feel like you have to be with me, if I’m not fulfilling what you need.”
She insisted it didn’t matter, but it clearly did. We remained physically affectionate, but sex itself started to dry up. That weighed on me because she was clearly a super sexual person; I figured that if I was ever going to do something about this, now was the time.
I started researching sex therapists. It sounds weird to even say I typed the phrase ‘sex therapists’ into google, but I did. I looked at a few different options, before I settled on one whom I liked.
(I’m going to give her a pseudonym, because outing her on Reddit doesn’t seem right - let’s call her Dr. Jane Goodtime).
Dr. Goodtime was young - maybe a couple of years ahead of Rita and I. She was, for the lack of a better term, bananas hot, which...might have played a part in me selecting her. I had no idea if she was good at her job, but her qualifications and experience looked real, and spectacular. While stalking her online, I found a Youtube of client testimonials. They looked starstruck.
One was a nebbish, dweeby looking guy, wide eared and buck toothed - like the MAD Magazine mascot come to life. His eyes just lit up as he gushed over Dr. Goodtime’s methods - “she helped me discover that my hang ups didn’t mean I had to be alone, or that I was unlovable. She made me realize that I deserved pleasure as much as anyone.”
Heck, if it worked for him, I was set.
I talked with Rita about it before I booked an appointment. As much as we were into each other, we’d still only be dating for a couple of months and hadn’t talked about being together long term, so I wasn’t surprised when she decided not to join me. Talking about this kind of stuff is intensely personal and weirdly icky, and I respected her discomfort.
I scheduled my appointment for a Saturday afternoon, as work was always hectic and I never left before 7 pm. Rita spent the night and planned to head back to her place to get some groceries and do some cleaning when I left, so I was more than a little surprised when she changed her mind at the last minute.
“I’m so proud of you for doing this; even if it’s not about us and just about finding your own peace of mind. The least I can do is support you and be a part of that experience.”
I was blown away then and am so grateful now that she decided to come with me. It’s bizarre to imagine how different things might’ve turned out if she hadn’t. She really was the one.
I’m getting side tracked.
Dr. Goodtime’s office was uptown in the old carpet factory district. A little out of the way, but the high rents downtown had chased a lot of businesses towards the edges of Blount County. So what if the exterior of the redbrick building made it look like corpses were hung on hooks in the freezer out back? That was just the charm of the place, right?
The building was a couple of stories, so I assumed it was rented out by multiple different businesses; to my surprise, there was a single receptionist at the base of the stairs in the middle of a wide open lobby that encompassed the entire ground floor. Rattan dividers parceled the lobby (it had to be, I dunno, at least 1200 square feet, I can never guesstimate these things) into 20 - 30 cubicles gated with heavy looking curtains. Low, pulsing music issued from somewhere, barely concealing the sound of moans. Rita heard it too, and later joked that the receptionist might have been watching porn on his phone behind the desk.
The receptionist, a trim looking guy with a millennialese fade, waved at us from across the lobby.
“Richard Wagner?”
(Not my real name, by the way).
We signed in as I clocked that, despite the wacky art-project vibe of the place, the only sign indicating the business was Dr. Goodtime’s name and qualifications on a slick graphite slate above the receptionist’s head. Nothing indicating she was a sex therapist. He told us we could head upstairs, so we did.
The second floor was plush - thick carpets, comfy looking loveseats, tropical plants, floor to ceiling windows overlooking the distant downtown skyline. Rita whistled, then pointed -
“You can see the office from here!”
She was right. Our building shimmered in the distance as my fingers interlaced with hers. It was hard not to be completely sincere, looking into her eyes then.
“Thank you for being here with me. I am…” I couldn’t find any words.
She understood. Her hand tightened around mine as she kissed my cheek.
“Don’t mention it.”
Dr. Goodtime’s office didn’t have a door. Instead, a frosted glass wall ran along the length of the top floor directly in front of the stairs, coming to a stop three feet away from the side wall. Her name was stencilled into the glass, which was dramatically backlit by what I later realized were the windows inside her office. The wall glowed orange, red and yellow, shapes and colors throbbing and floating as the sunshine drifted inside. An incredible shadow rose up, huge at first before shrinking to the size of a person as Dr. Goodtime poked her head out the opening on the side.
Smart gray blazer, puffy cream top, hair down, relaxed. She radiated good vibes that I couldn’t help but catch, even as her face subtly shifted to one of surprise when she saw us.
“Richard Wagner?”
(Not my name).
“Yes! Dr. Goodtime?”
She nodded and beckoned us to follow her - “Right this way.”
Rita’s eyebrow arched as we followed her. She ducked her head and whispered “Through the looking glass” as I suppressed a smile.
Dr. Goodtime’s office was industrial chic. You know the look - high ceilings, floor to ceiling windows, exposed ductwork, rough brick, light wood. Away from her desk was a sitting area with another twin to the loveseats in the waiting area. In the corner was a large empty space with a rolled up yoga mat and some kettlebells. She motioned for us to sit and eased herself into the chair opposite. A wireframe and glass coffee table with mason jars and a metal carafe divided us. When she spoke, her voice sounded like honey.
“It’s good to meet you Richard - always nice to put a voice on the phone to a face. I presume this is Rita?
Rita looked at me and smiled. “That’s me.”
Dr. Goodtime nodded. “I wasn’t aware this was going to be a group session. That’s good though, it’s best to have us all here at once. Communication is the key to a strong partnership whether in or out of the bedroom. Feel free to help yourself to some water.”
I nodded and poured a glass for Rita and myself. “Thank you Doctor -”
“Before we begin,” she softly interjected, “let’s dispense with formalities. Call me Jane.”
I hoped I didn’t blush like an idiot. She punctuated her statement with a smile that felt like it was handmade and delivered straight to me. I shuffled on the couch and found Rita’s hand again.
“Uh, thanks Jane. I’m not really sure where to begin.”
“Beginning at the beginning is always a good way to start.” Her eyes twinkled as she placed her phone on the table and started to Record the session.
Rita gripped my hand supportively and bounced it on her lap.
My face felt hot. I was so, so embarrassed, picking an attractive therapist was a mistake. My voice threatened to run into the back of a clenched throat and die there before I poked a hole in the road block.
“I, uh, I’ve never orgasmed before.”
“Okay, can you continue?”
My neck grew hot. I tugged at the collar.
“It, I, I’ve never, uh, I’ve never been able to. I never have.”
I paused, unsure how to continue. She prompted me -
“Are you able to achieve an erection? Or is it orgasming that’s the issue?”
Rita laughed her soft, beautiful laugh - “him getting hard isn’t the problem.”
Dr. Goodtime smiled gently at her, like a very tired mother patting her daughter on the head. “It’s so good of you to be supportive of Richard, but we need to let him share, alright?”
Chastened, Rita nodded, and looked at me.
I didn’t know what to say, so I stared at the floorboards, wondering how deep into the Earth I could bury myself.
After a moment, Dr. Goodtime softly crept back in.
“Richard, I can see that this is difficult for you. I want you to relax for two reasons; first, this is a safe space - you can feel free to share all of your positive and negative emotions here, that’s why we’ve designed our offices so that I’m the only one on this floor. None of what you say leaves this room.
“Second, you’re clearly hurting. Pain and stress doesn’t just impact your ability to make love, it impacts your ability to live your life the way you want to live it. And I have to be honest with you, this type of dysfunction is normal. People just don’t talk about it - they carry it like a dark mark on their souls; if they were able to talk about it, they’d realize that it’s really not a big deal, and seek out the right treatment.”
The tension oozed out of me, every muscle in my body loosening as I opened up and started to talk more freely than I ever had before. If this wasn’t abnormal, maybe there wasn’t anything wrong with me after all.
The first two sessions were more focused on my history and the state of our relationship; the third was when things started to change.
Dr. Goodtime suggested after our second visit that Rita not attend the next session; she really wanted to dig into my psychology and thought I might feel more comfortable if it was just one on one. “The sessions after that are more fun,” she winked. “We get into the things that you actually want to do!”
We had sex after the second session. While I still didn't get there, something about it felt different, as though I were experiencing it on a deeper level.
Rita curled up to me under the covers and rested a hand on my chest.
“After that, I don’t think I have anything to worry about sending you to see Jane yourself.”
I kissed her fingers. “Believe me, you have nothing to worry about.”
When I arrived for the third session, the receptionist smiled and waved me on without any of the formal paperwork. Before I headed upstairs, I glanced at the rattan dividers, which were now oriented differently in the lobby. I still heard the low music and moans, echoing from somewhere unspecific. I gestured at the dividers -
“What are those?”
He smiled, and mimed his lips being locked shut.
***
“Can you talk about your most vivid previous sexual partner? Apart from Rita?”
I thought about that for a moment, before one face popped into my head.
“Erroll. I think that was his name. We hooked up after a night out a few years ago.”
“What made you think of him?”
“It was probably the most intense I’ve ever had.”
“Why’s that?”
“He was into BDSM. Like, in a heavy way. I’m not, but I’m always willing to experiment. But while we were in the middle of it - he was behind me - he slipped on a dog collar without telling me. When I reacted, he pulled the leash and choked me.”
Dr. Goodtime nodded -
“You said during our initial session that you haven’t had any traumatic experiences in the past. That sounds traumatic.”
I understood what she meant. "It wasn’t something I expected, or wanted; I know it was wrong and I shouldn’t have allowed him to do that. I wouldn’t dream of doing that to anybody myself, but...something about it really heightened the experience for me. It was, like, incredibly intense and incredibly sexy. When I think about it now, it doesn’t feel like a trauma.”
She nodded. “What happened after?”
“I left. Never saw him again.”
“Do you think of him as someone who got away?”
“No. But I think about what we did quite often.”
“Have you experimented with BDSM since then?”
“Here and there, but I feel weird asking someone to choke me. It makes me feel like a freak.”
Freak is an ugly word, you shouldn’t minimize something that works for you. Would you want Rita to do that to you?”
"I don't know."
"What if I did it to you?"
"Excuse me?"
"What if I choked you?"
What the fuck?
"I, uh…during sex?"
She sat back.
"I'm not propositioning you Richard. This would be purely in the pursuit of allowing you to recreate an experience."
"I'm not sure if I…"
I trailed off.
She smiled. "Actually, I have a better idea."
My head twisted in knots as I headed home. When I talked to Rita about the session I excluded that part, but kept turning it over in my mind, while fresh visions of the one night stand bled through.
After I brushed my teeth before bed, I stared at my neck in the mirror. Watching my Adam's apple gently bob, I carefully laced my fingers around my neck and began to press with the heels of my palm. As the pressure grew, I imagined my hands were a cool, leather belt.
What did she mean by a 'better idea'? I was apprehensive but intrigued. She was a stunning woman, but so was Rita. And I didn't want to lose Rita.
I should've told Rita, but...what was there to tell? That Dr. Goodtime might have hit on me, but not really? Honestly, I wasn't even that turned off by the idea. It definitely intrigued me.
My vision started to blur so I released my grip. The air rushed into my lungs and caught fire, as I began coughing violently. The red marks from the heels of my palms faded as Rita knocked on the door.
"You okay Richard?"
I pressed my forehead against the ceramic sink, trying to reboot my brain. I rasped -
"Yeah! All good!"
It was then that I realized I had a raging hard-on.
***
At our fourth session, the receptionist stopped us from heading upstairs.
"Follow me."
He took us to one of the rattan cubicles and pushed open the curtain.
It was hot. The smell of essential oils hung in the air, and I noticed that on the inside of the curtain was a thicker plastic curtain that trapped the heat inside. Where the heat came from, I have no idea. There was a fine muslin wrap that ran over the top of the dividers, which filtered the light from the lobby.
Inside was a bed, with a wicker chair at the foot of it. There was also a clothes horse and a dark wooden chest in the corner. When we opened it, it was filled with different toys and...equipment.
"Why don't you guys undress to whatever level you feel comfortable. Dr. Goodtime will be with you shortly."
After the Receptionist left, Rita looked like she'd stepped in shit..
"Does she actually want us to have sex while she watches? Kinda pervy."
I wasn't sure how I felt about it. But something about the aroma of spices in the air made me light headed. I sat down heavily on the bed as Rita grabbed my shoulder in alarm.
"You okay babe?"
"Yeah, uh, I'm alright. It's just hot in here."
Rita sat down next to me and I placed my hand on her lap.
"Look, Rita…"
The curtain pulled back as Dr. Goodtime stepped in, then drew it shut again.
She was dressed all in leather, studded with silver tabs and tassels. Her outfit covered her from head to foot; with how hot the room was, I have no idea how she didn't faint immediately. She smiled.
"Hi guys. I know this might be a little strange, so if you're not interested in continuing, that's fine. But I think that we can do some roleplay in a safe environment that can help Richard. Would you like to try?"
Rita looked nervous, but threw it back to me. "What do you think Rich?"
Is this what Dr. Goodtime meant by a better idea? I didn’t know how to react, but something inside urged me to keep going. I nodded.
"If you're game for it, I'd like to try."
Rita smiled that devilish smile she had.
We undressed and began to make out. The oppressive heat quickly became part of the experience, as Dr. Goodtime alternatively watched us from the chair and also stood next to the bed. She kept running her fingers along her arm, the sound of the leather fabric rustling became a part of the soundtrack.
In the distance, I heard the familiar low, pulsing music. It wormed into my brain.
Rita climbed on top of me as we kissed. Her green eyes filled my world as she whispered.
"I love you."
It sounds crazy to say, but that was the first time she'd ever said it to me. And in that moment, I was filled with nothing else.
"I love you too."
Dr. Goodtime appeared like a ghost over Rita's shoulder, and handed her something.
"Put this on him."
It was a dog collar with a metal chain on it. My body swelled with anticipation as Rita took it and looked at me. Her face asked me if it was okay; I nodded, and she slipped it on. Dr. Goodtime leaned in close to her, and whispered.
"Choke him."
So she did. Lightly at first, then harder. We began to move together as she continued to pull the chain.
It was heaven, but as much as I was enjoying it, I knew that I wasn't going to get there. Pinpricks of light started to flash in the corners of my eyes before the force on the collar began to slacken.
Dr. Goodtime prodded Rita.
"Continue."
Rita looked back at her and shook her head.
"No, I don’t want to."
For the first time, Dr. Goodtime appeared to get frustrated.
"He’s so close Rita, look at his face. Do this for him."
I tried to say it was okay, but my throat was too swollen to say anything. Rita took that as evidence she should stop.
“It’s too much for him, he can’t breathe.”
Dr. Goodtime’s eyes widened - she looked insulted.
“Listen to me bitch! Choke him!”
Rita, angered, snarled at her.
"NO!"
Dr. Goodtime stepped back towards the wooden chest as we continued. In the corner of my eye, I saw her grab something that gleamed before - with a practiced, unhurried gesture - she slit Rita's throat.
Rita's eyes snapped open in shock as the blood spurted out of her neck and ran down her front. The arterial spray hit me in the face - I didn't understand what was happening, but my eyes were fixed upon hers, which began to well up with tears as she clasped her hands to her neck.
Dr. Goodtime dropped the butterfly knife and grabbed Rita's arms, forcing her to keep bleeding. Rita's body began to shake from the blood loss, when it happened.
Something rose from deep within me and exploded within the love of my life, who slumped on me, our skin slick with her blood. Her fingers pressed against my chest as she cried and gurgled softly -
"Help...me…"
Before long, she fell silent.
I lay there, spent and stunned. Dr. Goodtime's face, shining in blood, looked down at me with the ghost of a grin.
"Well?"
I could hardly breathe as tears rolled down my cheeks.
"Thank you. It was everything I ever dreamed of."
submitted by Jjustingraham to Odd_directions [link] [comments]


2020.06.15 21:00 film_nerd406 The X-Men Season 6 - Nowhere Left To Go (PART A)

Season 6 - Nowhere Left To Go (PART A)
Executive Producer - Damon Lindelof

Episode 1 - Save Me
We start off in black for a few seconds, until all the sudden, a bright, blinding light quickly fills the entire screen, and as it does, we begin to hear strange voices which the audience can't quite make out at the moment. Before long, these noises become clearer, and as we realize that it's the bustle of cars and wind, the camera begins to slowly pans out from the birght light, showing that it's the sun. It's currently a bright, sunny day with not a cload in the sky. Children play on the streets as parents watch over, and overall, it seems to be a nice, peaceful setting. A paperboy throws a newspaper to a doorstep, and we see that it's March of 1987, right in between the fourth and fifth seasons. However, unlike many of the other houses, this particular house in completley uncared for, and out of nowhere, someone walks onto the doorstep. The camera pans up to the man's face, and as he enters the house, we see that it's actually Hank McCoy (David Oyelowo), who hasn't fallen off the brink of insanity yet but has already had a mental breakdown. Without even knocking, Hank enters the house to find an old, dying man (Louis Gosset Jr.), who Hank sits across from while the man doesn't make eye contact with him. Hank sighs, and after a breif moment of silence, adresses the man as his father, saying that, "I know mom died a couple weeks ago... and I also know you don't have much time left. So, please. Talk to me." Hank's father stays silent for a minute, staring off into the distance and not even acknowledging Hank's existence until Hank tells him, "Please, Dad. I can't let things end like this." Upon hearing this, Hank's father slowly turns towards him, and with a look of pure rage in his eyes hatefully tells his son, "Get the hell out of my house you dirty mutant." Hank hesitates for a moment, then preparing to say something back but instead walking out, holding back tears as he angirly slams the door shut. CUT TO BLACK. After a couple of secdonds, we abruptly cut to a wide shot of a vast forest somewhere in New York, and the camera slowly begins to pan into the forest. Eventually, we come across a large camp that been set up, comprised of many cabins and stations, and we also see people bustling about, who we soon realize are all mutants. The camera stops upon coming across Raven Darkholme (Lupita Nyong'o) eating lunch at a table and as, she looks out into the distance, large text appears on the screen reading, "October, 1988." Erik Lensherr (Edward Norton) walks up to Raven and sits down next to her, remarking how they've finally neared accomplishing their major goal. As Erik says this, we realize whats going on: this is the base of The Brotherhood Of Mutants. Nearby, Hank sits alone in his cabin, covered in blue fur and looking extremley montorous and deformed. Now, Hank is completley mentally broken, only a shell of his former self after being experimented on and tortured for weeks on end during the horrific events of season 5. Meanwhile, at the school, The X-Men are broken up about what happened to Hank, especially Charles Xavier (David Tennant), who blames himself for Hank's mental collapse. In his office, Charles talks to Jean Grey (Florence Pugh), saying that he could've been there for Hank but he wasn't, and now, everything's gone wrong. However, Jean tells Charles that there's nothing they can do to change this and they still have a chance to get back Hank, then tearfully hugging Charles before walking out. Soon after this, Jean arrives at her house where she's greeted by her husband Scott Summers (Timothee Chalamet), who tries to stay optimistic despite all the troubling throughts going through his head. But, as the situation gets worse and worse, Scott finds it harder to stay positive, and has begun to become much more depressed and hopeless. Many of the other students feel the same way, including Anna Marie (Sophia Lillis) and Bobby Drake (Jack Dylan Grazer), who feel things are now just as bad as after Warren Worthington's death. Because of this, Anna and Bobby feel as if this will end up the same way as it did back then, and as this happens, Kurt Wagner (Choi Woo-Shik) is more angry and outraged than ever. After finding out about The X-Men keeping his father's death from him, Kurt has become extremley distrustful of his teammates, making the tension between all of them even worse than it already is. At the same time, Ororo Iquadi (Danai Gurira) and Logan Howeltt (Aaron Paul) have made there relationship public, but now, Ororo is starting to lose passion and love for Logan. Elsewhere, Erik meets with Sebastain Shaw (Jon Hamm), who co-leads The Brotherhood, having new recruits in Arkady Rossovich (Pedro Pascal), Mortimer Toynbee (Daniel Radcliffe), and Fredrick Dukes (Lavell Crawford). The group also contains John Allerdyce (Jesse Plemmons), David Claremont (Lucas Hedges), and Victor Howlett (James McAvoy), the latter of whom is still distraught that Logan didn't recognize him at the end of season 5. Despite this, Logan, although he didn't recognize his brother, can't get the encounter with Victor out of his head, having a sense of familarity towards Victor but not knowing why. As Logan thinks about this, we see Anna once again attempting to control her powers, which she's been focusing all her attention on over the past few months. Several days later, dozens of rioters attack a young mutant when suddenly, Sebastain Shaw arrives with The Brotherhood behind him, then sadistically telling his followers to slaughter the protesters. The nine mutants, in addition to Shaw, charge towards the rioters, and we see Erik and Raven aren't actually killing anybody while Shaw, using his powers of energy absortion, ruthlessly murders the rioters. Hank watches this unfold, not doing anything until he ends up seeing a rioter trying to escape, causing a mentally unstable Hank to jump towards the rioter and horrifically rip him to pieces. Hank then slowly steps back, his face now splattered with blood as he grimaces before walking away from the mutialated corpse in front of him. CUT TO BLACK.

Episode 2 - Killer Queen
One day after the brutual ending of episode 1, Charles aimlessly flips through the channels on the television, when he suddenly stops upon coming across footage of dozens of bloody corpses in the streets. The news reporter says that these were once rioters who ended up being murdered by a gorup calling themselves The Brotherhood, and upon hearing this, Charles looks down in sadness before turning off the television. As Charles wheels himself to the window, he thinsk about how Hank and erik were most likely involved in the murders, wondering how the two of them could've possibly fallen so low. A single tears falls from Charles eyes as he sorowfully looks into the distance, and right at that moment, we cut to David Claremont creepily sitting alone in the outskirts of the camp. David balls up his fist, then opening up his glowing eyes and easily lifting every object around him with his mind, then screaming in rage as he crushes the objects. Afterwards, David breathes heavily, and we get a look at the scars on his face left by Nathan Essex's torture. Clearly, David has lived a life of pain and anger, and all of this has only made it worse. Nearby, Arkady, Mortimer, and Dukes practice their powers, with Arkady possesing superhuman reflexes and speed, Toad having superhuman agility and a freakishly large tounge, and Dukes having superhuman strength. However, Arkady ends up insulting Dukes, resulting in the two of them having a short scuffle, which Shaw chuckles at from the window of his cabin, which is much larger than the other ones. Afterwards, Shaw pours himself a glass of whiskey, sipping it as he walks across the room to a table where Erik sits, telling Shaw to take a seat before he adresses why he needed to meet with Shaw. With a worried look on his face, Erik tells Shaw that they've made themsleves look like complete savages and need to create a better public image, to which Shaw insultingly laughs. After taking another sip from his whiskey, Shaw says that, "Isn't our goal to rule over the human race, not to have a good public image? Who gives a shit about that, Erik? For god's sake, lighten up." Erik sighs, knowing nothing he can say will convince someone as egotistical as Shaw otherwise, and so he walks out of the cabin, frustrated as Raven watches from nearby. Over the past month or so, Raven begun to notice that Shaw is slowly taking away Erik's power from him, and now wants nothing more than for Shaw to be gone and Erik to get his power back. Raven also knows that Shaw has no remorse or morals, putting all of them in danger and feeling as if he's turned the majority of the group into sadistic murderers like himself. That night, Scott lays with Jean in bed, neither of them able to fall asleep, and after noticing that Jean isn't asleep either, Scott begins to talk about what's on his mind. For a little bit, Scott and Jean make eachother laugh, but this all changes when Jean brings up a story about Hank, causing both of them to go silent. Saddened, Scott talks about how Hank used to be such a mentor to all of them and asks Jean how this all could've happened, and Jean suddenly bursts into tears, saying, "I just want all of this to be okay..." Several hours later, Ororo peacefully watches the sunrise at the school's garden, something that she's alaways done in order to calm her mind, this time worrying about her relationship with Logan. While Ororo felt happy with Logan at first, she know beggining to lose feelings for him and wondering if they only started dating becuase of their shared amount of guilt. Despite all of this, Ororo tries to tell herself that she does love Logan, but she's unable to convince herself that her and Logan are actually meant to be together. All the sudden, Ororo is startled when Logan sits next to her, who chuckles upon seeing her reaction and tells Ororo that he didn't meant to scare her. In response, Ororo smiles at Logan, and he puts his arm around her as they silently watch the sunrise together, with Logan feeling peaceful while Ororo only feels more anxious. After about a minute, Logan interupts the silence by saying that this is where they first kissed, to which Ororo looks at Logan and prepares to say something, only to not find words. With the atmosphere becoming suddenly akward between Logan and Ororo, Ororo gets up and walks off, leaving Logan alone in the garden, who curses himself for ruining to moment between the two of them. Meanwhile, Victor attempts to sleep, then grimacing upon seeing that the sun is coming up. Victor slowly gets up and closes his blinds, only for the light to keep shining through. Frustrated, Victor sits down in his bed, feeling like nothing goes right for him and continuing to ponder about why Logan didn't acknowledge, not knowing about Logan's amnesia. Once again, Victor finds feelings of anger and rage towards Logan, wanting nothing more than to kill his brother until he remembers that he got the chance to do so but didn't even say anything. Later that afternoon, Kurt thinks about how badly he wants revenge on Scott for not telling him about his father's death before reminding himself that his life would be much worse without the school. Wanting to distract himself, Kurt heads to the lounge, passing by Bobby and Anna, who the camera focuses on as they talk to eachother about their guilt. Bobby tells Anna about all the times he could've been there for Hank but wasn't, while Anna feels the same way, pestimistically telling Bobby, "Well at least you tried to be there for him." Elsewhere, Hank sulks in his cabin, drinking as much alcohol as he can until his mind feels numb and he can barley remember who he is, trying to do everything he can to forget what happened. But Hank is constnatly reminded of this whenever he looks at himself, then throwing the bottle at the wall and completley shattering it as he screams in rage. Hank then heads towards the remains, picking up a glass shard and holding it to his throat, only to back out before falling to the ground and bursting into tears. As he slams his head against the wall, Hank tearfully screams out in anguish, looking up and asking why this all had to happen to him. FADE TO BLACK.

Episode 3 - Under Pressure
Early in the morning, Erik rumuges through his things, clearly looking for the something and refusing to give up until he finds it, becoming more and more desperate with each passing second. Eventually, Erik coems acorss the item, optimstically smiling upon seeing it: an old photo of him and Charles in front of the school which he's secretley kept over all these years. Despite everything that happens, Erik still misses leading the school with Charles and having somewhere he truly belonged; recently beggining to wish he was back there with the people he cares about. However, Erik tells himself that he's foolish for thinking that, saying that nobody at the school wants him back there and he at least has someone he can trust in Raven, convincing himself that he's better off here. Erik then puts the picture away and slowly walks outside as we cut to the school, where Kurt watches the sunrise, trying to follow Ororo's advice in doing this in order to calm his mind. But Kurt's head still races with thoughts, especially those about his father, although these are much less than anxiety and anger producing than usual, finally thinking rationally about the ordeal. Kurt remembers about how his father abanonded him at a young age and never truly cared for him, knowing that if his father was still here was still here he wouldn't want to see Kurt anyways. In this moment, Kurt finally acknowledges that his father was a terrible person and that his death was entirley accidental, having been told the circumstances a few months prior. Following this epiphany, Kurt slowly gets up and peacefully closes his eyes before teleporting back to his room, now coming to terms with what happened. Several hours later, Scott makes breakfast for him and Jean, but the meal ends up being extremley akward with neither of them talking the entire time, and we notice a depressed look in Jean's eyes. Afterwards, Jean tells Scott that she has to go the school, rushing off without even saying goodbye, and as she arrives on the doorstep, she suddenly collapses to the ground in tears. At the same time, Ororo ends up passing by Jean, and upon seeing her, sits down next to Jean and asks why she's crying. With tears in her eyes, Jean tells Ororo that she feels like her relationship with Scott is falling apart, and as she hears this, Ororo relates this to her situation with Logan. However, instead of saying anything about this, Ororo simply puts her arm around Jean, telling her that it's going to be alright as Jean wipes the tears from her eyes. Meanwhile, Raven meets with John, telling him that the situation is urgent as they go onto the outskirts of the camp, and after making sure nobody can hear them, Raven begins talking. With a worried look on her face, Raven says that Shaw is seemingly trying to overthrow Erik and they can't let this happen, but in response, John becomes enraged. As he yells at Raven, John tells her that he knows she's trying to topple The Brotherhood and take control, angirly saying he's suspected this for months know. Although Raven continually says that what John is saying isn't true, he only becomes more enraged, then walking away and leaving Raven paranoid about what John might do next. That afternoon, Anna, unable to fully control her abilities, decides to talk to Charles about this, who eagerly agrees to help Anna, now having something to distract him from the dire sitution at hand. Additionally, Charles hasn't trained one his students in a while, and feels a great sense of fufillment from helping Anna, who practices her powers in a special location right outside the mansion. Despite Charles' help, Anna becomes increasingly frustrated with each time she fails, but Charles urges her to continue, saying that it will all be worth it in the end. Back at the camp, Shaw calls Victor into hsi cabin, saying that he sees Victor as one of his most trusted advisors and needs to discuss The Brotherhood's next course of action with him. But, as Shaw talks, Victor stays silent, looking at the window as still thinks about why Logan didn't acknowledge him, and begins to wonder if something happened to Logan that he doesn't know about. Right at that moment, Shaw slaps Victor across the face, demanding for him to pay attention, and as Victor opens his mouth to speak, Shaw yells at him to get out. Victor complies with Shaw's demands, walking out of the cabin while Shaw goes into a fit of rage, knocking down every object around him as his temper overcomes him. As this happens, Erik slowly enters Hank's cabin, shocked to find everything in it destroyed after what happened at the end of the previous episode, with Hank now sitting in a corner of the room. A broken Hank tells Erik to leave, but Erik instead approches Hank, saying that he can't keep acting like this and reminds Hank of the great person he once was. However, as Erik talks, Hank suddenly slashes Erik across the face, telling him with barred teeth, "I told you to get the hell out..." As a look of sadness appears in his eyes, Erik slowly leaves, looking back at Hank one last time before shutting the door behind him, with Hank once again pushing away everyone that cares about him. In the school's hallways, Charles strolls through in his wheelchair, feeling more optimistic than he has throughout the past few months after getting to truly help one of his students. Charles admires at the portraits and pictures in the hallways, but stops upon coming across one particular photo: him, Erik, and Hank in front of the school.Upon seeing this, Charles is reminded of how it's not too late to get Hank back and remembers how much Hank means to him as well as how important Hank was to the school. Charles then continues his stroll, hopeful for the future and knowing he can't give up on Hank no matter what happens next. CUT TO BLACK.

Episode 4 - Bohemian Rhapsody
Not long after the events of episode 3, John runs to Shaw's cabin, demanding to be let in and telling Shaw he has something extremley important to tell him. After a moment of contemplation, Shaw cautiously lets John in, who takes a seat and says that he heavily suspects Raven is trying to take Shaw out of power and replace him as the leader of The Brotherhood. As he sits down across to John, Shaw asks John where he came up with that, and John tells Shaw about his conversation with Raven during the fourth episode. John goes on to say that Raven needs to be taken out as soon as possible, but Shaw tells John that they need to give this some time and wait until they know for certain Raven is working against them. Upon hearing this, John nods, then leaving the cabin as Shaw's paranoia begins to take over, wondering if Raven really is trying to overthrow him, and if anyone else is trying to do the same. Shaw grips his gun tighter, nervously looking out the window with the blinds barley open before we cut to Logan, who sits in his room that evening with a lot to reflect on. No matter what Logan does, he's unable to get his encounter with Victor out of his head, knowing that he had a sense of familarity towards Victor but he can't figure out why. At the same time, Logan worries that he's constant distraction with trying to figure out what's happening is interfering with relationship with Ororo, noticing that they've been spending much less time together. Logan attempts to focus his attention on his relationship, but continues to ponder about the encounter, leaving Ororo increasingly saddened and angered at Logan, who feels as if he's purposley ignoring her. As Ororo sulks, she spots Kurt far away, approaching him and wanting to talk about her troubles, only to find that he's even more upset than she is. While trying to hold back tears, Kurt tells Ororo that he's turned against his teammates just for someone that never cared about him in the first place, tearfully asking why his father abonded him. After Kurt says this, Ororo looks down in sadness as she tells Kurt that there's no reason for why the bad things happen, but what she's learned is that the best thing to do is to move on. Kurt then silently nods, telling Ororo that he just wants to move past this, to which Ororo assures Kurt that he will, and then, he can truly live his best life. Meanwhile, Hank stands alone in the middle of the forest, wondering why everything had to come to this as he balls up his fist and screams in rage, with his shouts echoing throughout the enitre forest. Hank then falls to his knees, and as tears begin to form in his yellow eyes, we cut back to the school, where Charles continues helping Anna master her powers. As Anna gets better with each attempt, she becomes more and more optimistic, knowing that it won't be long before she's finally completley in control of her powers and won't hurt anyone ever again. From afar, Bobby watches this unfold as he sits in the garden, happy that at least Anna is finding joy right now and reminded that life can still be great. Later, Bobby reflects on all of this, remebering how when he ran away with Erik he had felt like he deserved to be there for the devastating events he thought were his fault, and knows Hank feels the same way. After realizing this, Bobby thinks about how if he was able to come back from that, so can Hank, meaning that hope isn't lost and there's still a way that this can all turn out okay. On the other hand, Jean is feeling worse than ever, and that night, as she lays with Scott, Jean suddenly bursts into tears, propmting a worried Scott to ask what's wrong. As tears stream down from her eyes, Jean asks Scott if he still loves her, to which Scott says that Jean's the love of his life and she's being ridicoulous for even thinking about that. Upon hearing this, Jean nods but still continues to cry, asking for everything to be okay to which Scott says, "I hope it is too. But it might not be, so I think we just have to accept that." Jean says nothing in response, and Scott stares up at the celeing fan as Jean cries in his arms, and although he doesn't show it, he's just as upset as Jean is. Elsewhere, Charles lays awake at night, unable to fall asleep as he painfully flashbacks to something, but we don't know what it is and it's implyed he's keeping something from everyone. As the flashbacks continue, Charles closes his eyes as tight as he can until it all stops, and right at that moment, he suddenly begins reading the mind of someone. Charles widens his eyes, and as a look of deep realization comes across his face, he tearfully says to himself, "He's still here... oh god. What have I done?" The following morning, Raven, wanting Erik to know about her suspcions, eats breakfast with him and mentions Shaw, asking Erik if he feels as if Shaw's trying him out of power. After Raven says this, Erik goes silent before looking down in sadness and simply saying, "Yes. Raven, you're the only one I can trust right now and... I just don't know what to do." In response, Raven says that they just need to get out here and go back to the way things were all those years ago in Conneticut, but Erik tells Raven, "Things will never go back to the way they were." That afternoon, Hank finds David sitting the outskirts of the camp, tapping him on the shoulder and startling David, who angirly asks Hank what he wants. With a sorrowful look in his eyes, Hank tells David that he needs punishment for his actions, giving David a wad of cash and saying to beat him to a pulp. David grimaces before blasting Hank with a ray of energy that knocks him ot the ground, then teleporting on top of Hank and standing on his arm as he punches him dozens of times. Soon, Hank's body is covered with bruises, looking up as David winds back his hand and brutually delivers the final punch that knocks Hank unconcious. CUT TO BLACK.

Next: Season 6 Part B
submitted by film_nerd406 to nandovmovies [link] [comments]


2020.06.13 01:57 Jjustingraham My Sex Therapist is AMAZING

This story was written originally for nosleep (hence the confessional, first person style), but was rejected. Would love everyone's feedback!
***
I can’t orgasm.
(I promise there’s a reason I’m telling you this).
I never have; not when I discovered masturbation, not when I had sex for the first time with Jenny McPherson in the 1987 Jeep Wrangler Dad bought me, not when I realized I was bisexual and hooked up with my RA Alex Whitford in college.
I’ve been with - I think, I’m not exactly sure - eight different people in my life. I’m 34, have a decent job, am reasonably well off and somewhat good looking. But because of my weird inability, I struggle to be with, or stay with, anyone.
One of my exes took it personally that he couldn’t get me there. He wore it like a black armband and made it his mission to be my first, as it were. H/we tried everything - toys, roleplay, domination, hanging from the ceiling like bats, etc. No dice. Eventually, he got so frustrated that he called me in tears after seven or eight sour apple jacks and told me that he couldn’t deal with “my issue” anymore..
That was three years ago and I haven’t been with anyone since (well, until a few months ago, but I’ll get to that). I’d dated, yeah, but never felt comfortable letting things progress to that, you know, stage. The weird thing is that I enjoy the act. It’s fun, it’s exhilarating, I love it. But I can’t finish. I thought it was a blessing when I was in highschool (when you are under the illusion that ‘going’ for five hours at stretch is God’s gift to women), but as I’ve gotten older, it has wrecked my love life and become a psychological block to every aspect of my life. Did you know that it’s hard to pick what to watch on Netflix on a Tuesday night - even if you don’t have a roommate - because you’re wondering if tonight, porn might finally work?
Before you ask: nope. No trauma. No abuse. No violence. No creepy uncles or creepy aunts. I’ve never had anything approaching a bad experience. There’s nothing physically wrong with me either - Doctor after Doctor has given me the thumbs up. I just live in a world where everybody else has seen Star Wars and I physically can’t (though, man, I would love to get back the 2 hours I wasted on Rise of Skywalker. What kind of bullshit was that?).
Everything changed when I met Rita.
Tall. Blonde. Gorgeous smile. Green eyes. A delicate neck. A wicked sense of humor.. Soft skin. Super into Reboot like a good mid eighties kid. The works.
I met her at my company (obviously I’m not going to tell you where I work) Christmas party - she was on the seventh floor while I was on the sixth for the last four years, yet we’d never run into each other in the elevator or the parking lot. I vaguely remembered her name from our department conference calls but she was on a different team, so we’d never spoken. What a mistake.
We had insane chemistry from the beginning. You know how it goes - when you’re apart all you can do is daydream about each other or you’re connected at the hip digitally. When you’re in person, you’re connected at the hip(s) physically. That good, good, good shit.
She was the one. I’d never met anyone like her. She was challenging. She was sexy. She was passionate. She was amazing in bed.
Here comes the yeah....but...
I still couldn’t finish.
I tried to put it off when we first got together, because my frustrations had curdled into a black cloud of anxiety. I didn’t want to disappoint her or do anything to compromise our blossoming relationship, but eventually I succumbed. We spent a cloudless Saturday rock climbing before beer, dinner and wine loosened me up enough to do what I’d been desperate to do from the moment I met her.
I did try to set her expectations though, before we jumped in.
“I don’t know how to say this, but I’ve never orgasmed before.”
She laughed. I mean, girls struggle with it, right? But guys? You never hear about that. At first, she thought I was a virgin. But I set her straight quickly. She cocked a gorgeous eyebrow.
“Not even by yourself?”
“No. Never.”
She pulled me close enough to smell the lingering sweat on her freshly washed skin.
“Let’s see if we can’t fix that.”
She was athletic, adventurous, amazing. But as much as I rose to the occasion and loved every minute of it, I didn’t finish.
She enjoyed herself, but was disappointed by the end. They always are. Being in this situation creates a weird power dynamic in the relationship:
I can do it for them ---> they can’t do it for me ---> they need me more than I need them → resentment
She suggested that we pull back a little and focus on our emotional connection, so we did. It didn’t work. She suggested that maybe I was holding back because I was too in my head. So we got drunk and high while camping in the desert. Nada.
I saw it bothering her, and watching her wheels spin trying to crack the code made me dread sex. I hated that I made her feel inadequate, and tenderly broached the subject after a night of snuggling on the couch.
“I don’t want you to feel like you have to be with me, if I’m not fulfilling what you need.”
She insisted it didn’t matter, but it clearly did. We remained physically affectionate, but sex itself started to dry up. That weighed on me because she was clearly a super sexual person; I figured that if I was ever going to do something about this, now was the time.
I started researching sex therapists. It sounds weird to even say I typed the phrase ‘sex therapists’ into google, but I did. I looked at a few different options, before I settled on one whom I liked.
(I’m going to give her a pseudonym, because outing her on Reddit doesn’t seem right - let’s call her Dr. Jane Goodtime).
Dr. Goodtime was young - maybe a couple of years ahead of Rita and I. She was, for the lack of a better term, bananas hot, which...might have played a part in me selecting her. I had no idea if she was good at her job, but her qualifications and experience looked real, and spectacular. While stalking her online, I found a Youtube of client testimonials. They looked starstruck.
One was a nebbish, dweeby looking guy, wide eared and buck toothed - like the MAD Magazine mascot come to life. His eyes just lit up as he gushed over Dr. Goodtime’s methods - “she helped me discover that my hang ups didn’t mean I had to be alone, or that I was unlovable. She made me realize that I deserved pleasure as much as anyone.”
Heck, if it worked for him, I was set.
I talked with Rita about it before I booked an appointment. As much as we were into each other, we’d still only be dating for a couple of months and hadn’t talked about being together long term, so I wasn’t surprised when she decided not to join me. Talking about this kind of stuff is intensely personal and weirdly icky, and I respected her discomfort.
I scheduled my appointment for a Saturday afternoon, as work was always hectic and I never left before 7 pm. Rita spent the night and planned to head back to her place to get some groceries and do some cleaning when I left, so I was more than a little surprised when she changed her mind at the last minute.
“I’m so proud of you for doing this; even if it’s not about us and just about finding your own peace of mind. The least I can do is support you and be a part of that experience.”
I was blown away then and am so grateful now that she decided to come with me. It’s bizarre to imagine how different things might’ve turned out if she hadn’t. She really was the one.
I’m getting side tracked.
Dr. Goodtime’s office was uptown in the old carpet factory district. A little out of the way, but the high rents downtown had chased a lot of businesses towards the edges of Blount County. So what if the exterior of the redbrick building made it look like corpses were hung on hooks in the freezer out back? That was just the charm of the place, right?
The building was a couple of stories, so I assumed it was rented out by multiple different businesses; to my surprise, there was a single receptionist at the base of the stairs in the middle of a wide open lobby that encompassed the entire ground floor. Rattan dividers parceled the lobby (it had to be, I dunno, at least 1200 square feet, I can never guesstimate these things) into 20 - 30 cubicles gated with heavy looking curtains. Low, pulsing music issued from somewhere, barely concealing the sound of moans. Rita heard it too, and later joked that the receptionist might have been watching porn on his phone behind the desk.
The receptionist, a trim looking guy with a millennialese fade, waved at us from across the lobby.
“Richard Wagner?”
(Not my real name, by the way).
We signed in as I clocked that, despite the wacky art-project vibe of the place, the only sign indicating the business was Dr. Goodtime’s name and qualifications on a slick graphite slate above the receptionist’s head. Nothing indicating she was a sex therapist. He told us we could head upstairs, so we did.
The second floor was plush - thick carpets, comfy looking loveseats, tropical plants, floor to ceiling windows overlooking the distant downtown skyline. Rita whistled, then pointed -
“You can see the office from here!”
She was right. Our building shimmered in the distance as my fingers interlaced with hers. It was hard not to be completely sincere, looking into her eyes then.
“Thank you for being here with me. I am…” I couldn’t find any words.
She understood. Her hand tightened around mine as she kissed my cheek.
“Don’t mention it.”
Dr. Goodtime’s office didn’t have a door. Instead, a frosted glass wall ran along the length of the top floor directly in front of the stairs, coming to a stop three feet away from the side wall. Her name was stencilled into the glass, which was dramatically backlit by what I later realized were the windows inside her office. The wall glowed orange, red and yellow, shapes and colors throbbing and floating as the sunshine drifted inside. An incredible shadow rose up, huge at first before shrinking to the size of a person as Dr. Goodtime poked her head out the opening on the side.
Smart gray blazer, puffy cream top, hair down, relaxed. She radiated good vibes that I couldn’t help but catch, even as her face subtly shifted to one of surprise when she saw us.
“Richard Wagner?”
(Not my name).
“Yes! Dr. Goodtime?”
She nodded and beckoned us to follow her - “Right this way.”
Rita’s eyebrow arched as we followed her. She ducked her head and whispered “Through the looking glass” as I suppressed a smile.
Dr. Goodtime’s office was industrial chic. You know the look - high ceilings, floor to ceiling windows, exposed ductwork, rough brick, light wood. Away from her desk was a sitting area with another twin to the loveseats in the waiting area. In the corner was a large empty space with a rolled up yoga mat and some kettlebells. She motioned for us to sit and eased herself into the chair opposite. A wireframe and glass coffee table with mason jars and a metal carafe divided us. When she spoke, her voice sounded like honey.
“It’s good to meet you Richard - always nice to put a voice on the phone to a face. I presume this is Rita?
Rita looked at me and smiled. “That’s me.”
Dr. Goodtime nodded. “I wasn’t aware this was going to be a group session. That’s good though, it’s best to have us all here at once. Communication is the key to a strong partnership whether in or out of the bedroom. Feel free to help yourself to some water.”
I nodded and poured a glass for Rita and myself. “Thank you Doctor -”
“Before we begin,” she softly interjected, “let’s dispense with formalities. Call me Jane.”
I hoped I didn’t blush like an idiot. She punctuated her statement with a smile that felt like it was handmade and delivered straight to me. I shuffled on the couch and found Rita’s hand again.
“Uh, thanks Jane. I’m not really sure where to begin.”
“Beginning at the beginning is always a good way to start.” Her eyes twinkled as she placed her phone on the table and started to Record the session.
Rita gripped my hand supportively and bounced it on her lap.
My face felt hot. I was so, so embarrassed, picking an attractive therapist was a mistake. My voice threatened to run into the back of a clenched throat and die there before I poked a hole in the road block.
“I, uh, I’ve never orgasmed before.”
“Okay, can you continue?”
My neck grew hot. I tugged at the collar.
“It, I, I’ve never, uh, I’ve never been able to. I never have.”
I paused, unsure how to continue. She prompted me -
“Are you able to achieve an erection? Or is it orgasming that’s the issue?”
Rita laughed her soft, beautiful laugh - “him getting hard isn’t the problem.”
Dr. Goodtime smiled gently at her, like a very tired mother patting her daughter on the head. “It’s so good of you to be supportive of Richard, but we need to let him share, alright?”
Chastened, Rita nodded, and looked at me.
I didn’t know what to say, so I stared at the floorboards, wondering how deep into the Earth I could bury myself.
After a moment, Dr. Goodtime softly crept back in.
“Richard, I can see that this is difficult for you. I want you to relax for two reasons; first, this is a safe space - you can feel free to share all of your positive and negative emotions here, that’s why we’ve designed our offices so that I’m the only one on this floor. None of what you say leaves this room.
“Second, you’re clearly hurting. Pain and stress doesn’t just impact your ability to make love, it impacts your ability to live your life the way you want to live it. And I have to be honest with you, this type of dysfunction is normal. People just don’t talk about it - they carry it like a dark mark on their souls; if they were able to talk about it, they’d realize that it’s really not a big deal, and seek out the right treatment.”
The tension oozed out of me, every muscle in my body loosening as I opened up and started to talk more freely than I ever had before. If this wasn’t abnormal, maybe there wasn’t anything wrong with me after all.
The first two sessions were more focused on my history and the state of our relationship; the third was when things started to change.
Dr. Goodtime suggested after our second visit that Rita not attend the next session; she really wanted to dig into my psychology and thought I might feel more comfortable if it was just one on one. “The sessions after that are more fun,” she winked. “We get into the things that you actually want to do!”
We had sex after the second session. While I still didn't get there, something about it felt different, as though I were experiencing it on a deeper level.
Rita curled up to me under the covers and rested a hand on my chest.
“After that, I don’t think I have anything to worry about sending you to see Jane yourself.”
I kissed her fingers. “Believe me, you have nothing to worry about.”
When I arrived for the third session, the receptionist smiled and waved me on without any of the formal paperwork. Before I headed upstairs, I glanced at the rattan dividers, which were now oriented differently in the lobby. I still heard the low music and moans, echoing from somewhere unspecific. I gestured at the dividers -
“What are those?”
He smiled, and mimed his lips being locked shut.
***
“Can you talk about your most vivid previous sexual partner? Apart from Rita?”
I thought about that for a moment, before one face popped into my head.
“Erroll. I think that was his name. We hooked up after a night out a few years ago.”
“What made you think of him?”
“It was probably the most intense I’ve ever had.”
“Why’s that?”
“He was into BDSM. Like, in a heavy way. I’m not, but I’m always willing to experiment. But while we were in the middle of it - he was behind me - he slipped on a dog collar without telling me. When I reacted, he pulled the leash and choked me.”
Dr. Goodtime nodded -
“You said during our initial session that you haven’t had any traumatic experiences in the past. That sounds traumatic.”
I understood what she meant. "It wasn’t something I expected, or wanted; I know it was wrong and I shouldn’t have allowed him to do that. I wouldn’t dream of doing that to anybody myself, but...something about it really heightened the experience for me. It was, like, incredibly intense and incredibly sexy. When I think about it now, it doesn’t feel like a trauma.”
She nodded. “What happened after?”
“I left. Never saw him again.”
“Do you think of him as someone who got away?”
“No. But I think about what we did quite often.”
“Have you experimented with BDSM since then?”
“Here and there, but I feel weird asking someone to choke me. It makes me feel like a freak.”
Freak is an ugly word, you shouldn’t minimize something that works for you. Would you want Rita to do that to you?”
"I don't know."
"What if I did it to you?"
"Excuse me?"
"What if I choked you?"
What the fuck?
"I, uh…during sex?"
She sat back.
"I'm not propositioning you Richard. This would be purely in the pursuit of allowing you to recreate an experience."
"I'm not sure if I…"
I trailed off.
She smiled. "Actually, I have a better idea."
My head twisted in knots as I headed home. When I talked to Rita about the session I excluded that part, but kept turning it over in my mind, while fresh visions of the one night stand bled through.
After I brushed my teeth before bed, I stared at my neck in the mirror. Watching my Adam's apple gently bob, I carefully laced my fingers around my neck and began to press with the heels of my palm. As the pressure grew, I imagined my hands were a cool, leather belt.
What did she mean by a 'better idea'? I was apprehensive but intrigued. She was a stunning woman, but so was Rita. And I didn't want to lose Rita.
I should've told Rita, but...what was there to tell? That Dr. Goodtime might have hit on me, but not really? Honestly, I wasn't even that turned off by the idea. It definitely intrigued me.
My vision started to blur so I released my grip. The air rushed into my lungs and caught fire, as I began coughing violently. The red marks from the heels of my palms faded as Rita knocked on the door.
"You okay Richard?"
I pressed my forehead against the ceramic sink, trying to reboot my brain. I rasped -
"Yeah! All good!"
It was then that I realized I had a raging hard-on.
***
At our fourth session, the receptionist stopped us from heading upstairs.
"Follow me."
He took us to one of the rattan cubicles and pushed open the curtain.
It was hot. The smell of essential oils hung in the air, and I noticed that on the inside of the curtain was a thicker plastic curtain that trapped the heat inside. Where the heat came from, I have no idea. There was a fine muslin wrap that ran over the top of the dividers, which filtered the light from the lobby.
Inside was a bed, with a wicker chair at the foot of it. There was also a clothes horse and a dark wooden chest in the corner. When we opened it, it was filled with different toys and...equipment.
"Why don't you guys undress to whatever level you feel comfortable. Dr. Goodtime will be with you shortly."
After the Receptionist left, Rita looked like she'd stepped in shit..
"Does she actually want us to have sex while she watches? Kinda pervy."
I wasn't sure how I felt about it. But something about the aroma of spices in the air made me light headed. I sat down heavily on the bed as Rita grabbed my shoulder in alarm.
"You okay babe?"
"Yeah, uh, I'm alright. It's just hot in here."
Rita sat down next to me and I placed my hand on her lap.
"Look, Rita…"
The curtain pulled back as Dr. Goodtime stepped in, then drew it shut again.
She was dressed all in leather, studded with silver tabs and tassels. Her outfit covered her from head to foot; with how hot the room was, I have no idea how she didn't faint immediately. She smiled.
"Hi guys. I know this might be a little strange, so if you're not interested in continuing, that's fine. But I think that we can do some roleplay in a safe environment that can help Richard. Would you like to try?"
Rita looked nervous, but threw it back to me. "What do you think Rich?"
Is this what Dr. Goodtime meant by a better idea? I didn’t know how to react, but something inside urged me to keep going. I nodded.
"If you're game for it, I'd like to try."
Rita smiled that devilish smile she had.
We undressed and began to make out. The oppressive heat quickly became part of the experience, as Dr. Goodtime alternatively watched us from the chair and also stood next to the bed. She kept running her fingers along her arm, the sound of the leather fabric rustling became a part of the soundtrack.
In the distance, I heard the familiar low, pulsing music. It wormed into my brain.
Rita climbed on top of me as we kissed. Her green eyes filled my world as she whispered.
"I love you."
It sounds crazy to say, but that was the first time she'd ever said it to me. And in that moment, I was filled with nothing else.
"I love you too."
Dr. Goodtime appeared like a ghost over Rita's shoulder, and handed her something.
"Put this on him."
It was a dog collar with a metal chain on it. My body swelled with anticipation as Rita took it and looked at me. Her face asked me if it was okay; I nodded, and she slipped it on. Dr. Goodtime leaned in close to her, and whispered.
"Choke him."
So she did. Lightly at first, then harder. We began to move together as she continued to pull the chain.
It was heaven, but as much as I was enjoying it, I knew that I wasn't going to get there. Pinpricks of light started to flash in the corners of my eyes before the force on the collar began to slacken.
Dr. Goodtime prodded Rita.
"Continue."
Rita looked back at her and shook her head.
"No, I don’t want to."
For the first time, Dr. Goodtime appeared to get frustrated.
"He’s so close Rita, look at his face. Do this for him."
I tried to say it was okay, but my throat was too swollen to say anything. Rita took that as evidence she should stop.
“It’s too much for him, he can’t breathe.”
Dr. Goodtime’s eyes widened - she looked insulted.
“Listen to me bitch! Choke him!”
Rita, angered, snarled at her.
"NO!"
Dr. Goodtime stepped back towards the wooden chest as we continued. In the corner of my eye, I saw her grab something that gleamed before - with a practiced, unhurried gesture - she slit Rita's throat.
Rita's eyes snapped open in shock as the blood spurted out of her neck and ran down her front. The arterial spray hit me in the face - I didn't understand what was happening, but my eyes were fixed upon hers, which began to well up with tears as she clasped her hands to her neck.
Dr. Goodtime dropped the butterfly knife and grabbed Rita's arms, forcing her to keep bleeding. Rita's body began to shake from the blood loss, when it happened.
Something rose from deep within me and exploded within the love of my life, who slumped on me, our skin slick with her blood. Her fingers pressed against my chest as she cried and gurgled softly -
"Help...me…"
Before long, she fell silent.
I lay there, spent and stunned. Dr. Goodtime's face, shining in blood, looked down at me with the ghost of a grin.
"Well?"
I could hardly breathe as tears rolled down my cheeks.
"Thank you. It was everything I ever dreamed of."
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2020.06.11 14:49 film_nerd406 The X-Men Season 5 - Sinister Insidiousness (PART A)

Season 5 - Sinister Insidiousness (PART A)
Executive Producer - Damon Lindelof

Episode 1 - Sunshine Of Your Love
We open up on black, completley silent until we slowly begin to hear strange noises, and before long, we're able to make out what these loud noises are. While the screen stays black, we can hear the bustle of cars, footsteps, voices, but one voice is louder than the others, which seems to be that of a man, likely middle-aged. As everything begins to focus on the voice, we cut to a news reporter, who's the voice we were hearing. The reporter talks to the camera that's filming him, adressing the destructive sight around him. From his surrondings, we can tell that the rpoter is somehwere in Harlem, with a great amount of rubble behind him. Soon, we realize what's going on. It's currently early 1986, and the remains of The Hellfire Club's base of operations is behind the news reporter, having been destroyed after the massive earthquake caused by Erik Lensherr's physcic attack. As the reporter talks about the earthquake that caused the destruction of many buildings like this one, the camera slolwy begins to pan out the area to show even more destruction. The camera then pans to the streets nearby, where we see somebody walking around the area. Suddenly, a police officer stops the man, telling him that he's not allowed to be here. As the man begins talking, we pan up to his face, but just from his voice we can already tell who he is: Victor Howlett (James McAvoy). Victor's body has since regerated after being decapitated by his brother, and as the officer tries to get him to move, Victor angirly says, "I can go wherever the hell I want." Victor begins to take his hands out of his pockets, revealing long, sharp claws on each finger, allowing Victor to easily kill anybody he wants. Enraged, a bloodthirsty Victor preapres to attack him, then deciding that it's not worth the trouble, complying to the officer and leaving the scene. Victor continues to survey the area, and we soon realize that he's looking for Logan (Aaron Paul), who he desperatley wants revenge on, having been forcefully searching for him for over two years now, but to no avail. Victor stops by at a television showing a report about the X-Men's battle with the Hellfire Club, and upon seeing Logan there, grimaces as he balls up his fist in rage. CUT TO BLACK. After a couple seconds of complete darkness, we slowly fade into a wide shot of the school, which is busting with a large array of students on a hot, summer day. On a bech near the school's garden, Scott Summers (Timothee Chalamet), looking extremley optimistic as he casually reads a newspaper, with the date on it showing that it's now June of 1988. Scott looks happilly into the distance, and Jean Grey (Florence Pugh) sits down next to him, who Scott proposed to about a year and a half prior. Scott and Jean begin to discuss their upcoming wedding, which is taking place in only a few days and both are eaglery, yet also nervously, anticipating it. Many students at the school who are close to Scott and Jean are attending it, as well as their mentor Charles Xavier (David Tennant), who is finally content with his life. Charles has given up on finding Erik, who hasn't made a public appearence in over two years, causing Charles to become much less anxious, instead fully focusing on caring for his students and the school. At the same time, Ororo Iquadi (Danai Gurira) and Kurt Wagner (Choi Woo-Shik) have joined the school, both feeling extreme guilt for aiding Apocyalypse even if it wasn't their choice. Logan, who's now fully integrated into the school and teaches a self defense class, pays close attention to Kurt, and we see that Logan and Scott have been making sure Kurt doesn't find out the truth about his father. The two now meet on a weekly basis, and while Scott feels like Kurt should know what happened, Logan reminds him that Kurt will leave the school if he finds out that The X-Men accidentally caused his fathers death. As this happens, unlike many of the other X-Men, Hank McCoy (David Oyelowo) is mentally worse than ever following his mental breakdown at the end of the fourth season. Now, Hank has stepped from being a proffesor at the school, unable to focus and constantly feeling enraged and depressed. Later, Hank sees a news report about a protest against mutants, bursting into a fit of rage about how all the work The X-Men did to help stop prejudice against mutants has been undone after Apocalypse's attack. Meanwhile, Anna Marie (Sophia Lillis) feels extreme guilt after using her powers to stop Apocalypse as this was the first time she ever used her powers to kill somebody. Anna keeps tells herself that it was the only way to defeat Apocalypse, but is still unable to get thoughts of regret and guilt out of her head. Ororo is also feeling guilty, being much more angry at herself than Kurt is and not able to bare the thought that she's killed dozens, perhaps even hundreds, of people. Elsewhere, Bobby Drake (Jack Dylan Grazer) has begun confiding in Logan, and talks to him about he seems to be the only one who still cares about finding Erik. Bobby says that Erik inflicted pain on so many people and that they need to find him before he does something like that again, to which Logan says that Erik is most likely dead, so at this point, it doesn't even matter. Several days later, in a beautiful church, Scott and Jean's wedding takes place, and as Scott waits for Jean to walk up on the stand, he's dissapointed to see that Hank is absent. Soon Jean walks up, and after they exchange vows, Scott and Jean happilly kiss eachother as everyone cheers. Right at that moment, we cut to a forest, and text on the screen reads, "DECEMBER, 1986." All the sudden, a tired Nathan Essex (John Cho) walks out of the woods, cleary searching for something in particular. Essex then looks up in front of him, sadistically smiling before heading into the site ahead: Bolivar Trask's now-abandoned mutant testing facility. CUT TO BLACK.

Episode 2 - Badge
We slowly fade into the small town Cornwall, Conneticut. There's not much noise other than the wind, and only a few cars and people on the street. The camera quickly begins to pan into the woods, zooming past the entire town unttil it comes to a stop at a cabin in the middle of the dense woods, and we see several lights on inside. We cut to inside the cabin, where we two hear familar voices nearby, and before the camera shows them we already know who they are: Erik Lensherr (Edward Norton) and Raven Darkholme (Lupita Nyong'o). John Allerdyce (Jesse Plemmons) then walks into the room, and the three uncharecteristically proceed peacefully eat dinner together, which doesn't consit of much. With all of them being fugitives, Raven is the only one able to go out into the town, disgusing herself and robbing stores in order to get food as they don't have much money. In the corner of the room sits Erik's metal helmet, and from the dust beggining to appear on it, we can tell that it's been at least a couple of months since Erik last wore it. Ever since the events of season 3, Erik, Raven, and John have gone into hiding, staying in this cabin where they live a peaceful life and have begun to become dissillusioned with their cause. On the other hand, Raven is still adamant on completing their mission, but Erik tells her that the world will only see them the same way that they view Apocalypse. As everyone continues eating, we cut to the mutant testing facility, which Essex has rebuilt into a super lab and has been using to expirment on mutants ever since December of 1986. Dozens of mutants are caged in the facility, being expirmented and tortured by Essex on a weekly basis, who sadistically takes a great amount of joy in this. Having finally reached his life's dream of becoming a mutant, Essex now wants to bring the mutant race to their maximum potential, even if it means bringing a great amount of harm to them in the process. Later that night, Ororo finds herself unable to sleep, thinking about how many people would still be alive if it weren't for her and continuing to feel guilty for her actions. The following morning, Ororo talks to Kurt about all of this, feeling as if since he went through the same expirence he may feel a similar way. However, Kurt tells Ororo that she has to move on, saying that there's nothing they can do to change what happened and they weren't even in control of what they were doing. Additionally, Kurt reminds Ororo about how bad their situations once were, but now they're able to be at this school and get a fresh start. In response, Ororo becomes enraged, telling Kurt that they need to be held responsible for what they did even if they weren't in control, saying that this isn't just something they casually move on from. Angry at Ororo for suddenly burst into rage, Kurt begins to yell at her, asking why she even said anything if she wasn't going to like the answer she got. Ororo prepares to say something back, but instead balls up her fist and slowly walks away, and as she does, we notice that she's holding back tears. Meanwhile, Scott and Jean are happier than ever following their wedding, and we see the small house that they live in together right outside the school. Both now work as proffesors at the school in order to get paid and to maintain relationships with the people at the school, with Scott teaching civics and Jean teaching a class on tactics. As they eat lunch, Scott asks Jean about their honeymoon, to which Jean says that while she wants to have one, they need to stay here and help lead X-Men. After talking with Jean about the matter for a little bit more, Scott agrees with his wife, also realizing that they likely can't afford to take a trip somewhere with their current finicial situation. Back at the school, Bobby finds Hank cleaning his things out his former classroom, and we see that he's punched a massive hole in the wall. After thinking about how mentally unwell Hank has been over the past two years, Bobby walks into the room and approaches Hank, who angirly asks what Bobby wants. While staying calm, Bobby says that Hank has been going down a dark path latley, telling Hank that the worst mistake of his life was going down that route, urging Hank not to do the same. All the sudden, Hank screams at Bobby, telling him, "Shut the hell up! I don't give a damn what you think, so get out!" As Hank looks at him with rage in his eyes, Bobby sadly leaves the classroom, not wanting to give up on Hank but not knowing any way to help him get better. At the same time, Anna reflects on the past few years, eventually deciding that she need to fully control her powers in order to stop anyone from getitng hurt becuase of her again. As this happens, Raven finds Erik sitting alone, and, with a nervous look in her eyes, asks why they've become like this. Erik asks Raven what she's talking about, to which Raven says that they cared so much about their cause, but have now completley given up. After a short moment of hesitation, Erik tells Raven that they're all more at peace than ever before and can't let their lives be ruined again by reckless actions. Elsewhere, Ororo goes out into the public in order to get food, only to be harrased by the people on the streets, who recognize her as one of the horsemen, telling her that she should be in prison. As Ororo continues walking with tears in her eyes, everything cut back to Essex, who wishes to take control of the world but can't seem to figure out how. Essex then has an epihany, saying that he needs to create a 'four horsemen' of his own, and as Essex says this, the camera pans to one of the cells, where we see none other than Victor Howlett. CUT TO BLACK.

Episode 3 - Crossroads
Everything starts off in January of 1987, where we see Victor trudging towards a certain point, his eyes and blood filled with rage as his claws sharpen, growing from about three inches to eight inches. As Victor bares his teeth, he slowly begins to walk towards a driveway, one that seems very familar to the audience. Victor then sadistically smiles, and the camera pans up to reveal that he's arrived at the school, finally about to get his revenge on Logan after nearly four years of searching of him. But, right as Victor begins to walk towards the gate, a loud, booming voice begins to circulate through his head, causing Victor to fall to the ground in pain. Before long, we recognize this voice as that of Nathan Essex, who then quietly walks out of the woods and uses his powers to lift Victor of the ground. Victor can do nothing but widen his eyes at Essex as he's levitated towards him, trying to do everything he can to attack Essex but he's unable to move. As he looks Victor directly in the eyes, Essex pulls out a needle and stabs Victor in the neck with it, knocking Victor unconcious and allowing for Essex to take him. We cut back to where things left off, in which Vicotr is now being held captive in Essex's testing facility, having been the very first mutant Essex captured, who now has dozens of more 'test subjects'. As the camera moves towards Victor, he winces as he flashes back to him first coming to the facility and being injected with a mysterious serum. This serum, which Essex has now perfected and tested on himself, is able to amplify mutant powers to their maximum potential, and as we get a closer look at Victor, we see the effects the serum has had on him. Now, Victor's claws have turned into full talons and his entire body has become monstourous in terms of size and strength, making Victor a practical killing machine. Seeing that Victor is his strongest mutant, Essex has decided to make him his first horsman, now attempting to use his telepathic abilties to find three other powerful mutants. Elsewhere, Kurt wakes up from a vivid nightmare about his father, who he hasn't seen since he has a toddler. Unable to fall back asleep, Kurt begins to wonder about what happened to his father, and starts to become focused on finding him, something that he's wanted to do his whole life but now has the chance to do so. The following morning, we see Erik, Raven, and John eating breakfats together, but a rift has begun to form between Raven and Erik, who barley speak to eachother the entire meal. Afterwards, Raven slowly walks toward Erik's old helmet, wiping off the dust and flashing back to how determined and powerful they once were. With her hands shaking, Raven slides on the helmet, but right as she does, Erik walks in, causing her to immediatly put it back where it was. Back at the school, Logan opens his blinds, sheilding his eyes upon seeing the bright, shining sun which brings a blinding light into Logan's room. Logan quickly shuts the blinds, then instead turning on his lights and, feeling as if he has nothing better to do, starts cleaning out his room. However, while this mostly clears Logan's mind,, much of his current inner-peace goes away after he finds his military dog tag that Stryker gave him in one of his drawers. Logan grimaces, tightly gripping the dog tag before throwing it out in the trash, not wanting any reminders of his past and wishing to instead focus on the future. As this happens, Hank sits alone in his room, with many painful thoughts circulating throughout his head when suddenly, he begins to hear an deep, grinding voice.Hank looks beside him to see the creature from his sleep paralysis, which he has vivid hallucinatiosn of nearly every day, with each one getting worse as he falls deeper into insanity. Hank balls up his fist and in a fit of rage, tries to punch the creature, forgetting that it's jsut a hallucination and punching a large hole in the wall. All the sudden, as Hank looks at his bleeding knuckles, he recoils in pain as Essex's voice appear in his head, and throughout the school, so does every other student. Meanwhile, Essex uses his powers to find his four horsemen, reading the minds of every mutant in the world until he decides on three: David Claremont, John Allerdyce, and Hank McCoy. Right as the mental attack ceases, Charles immediatly assembles The X-Men in order to try to figure out what happened, and both Anna and Bobby are reminded of Erik's mental attack in the third season. As he thinks about these events, Bobby flashes back to being held in captivity by John, and as she sees Bobby wincing in pain, Anna puts her arm around Bobby to comfort him. At the same time, Hank remains unfocused, frustrating Charles, although he doesn't say anything about it as he's used to Hank acing like this by now. That night, we see David Claremont (Lucas Hedges) in his home, when suddenly, Essex bursts through the door, demanding for David to come with him. David, using his powers of telekenisis and teleportation, evades Essex's attacks, and ends up choking him with a peice of rebar. David sadistically watches as Essex grasps for air, but right as Essex is about to die, he levitates a table from acorss the room and hits David in the head with it, knocking him unconscious. Following this, Essex quickly gets up and catches his breath before dragging David into his jet, now having two horsemen left to go. CUT TO BLACK.

Episode 4 - Strange Brew
Late at night, Erik flips through the channels on his television, not really thinking about much until he stops at one particular news report, which causes Erik's eyes to widen. Erik slowly gets up and walks towards the television, and as he does, we see the news report: footage of a young mutant's corpse who was previously murdered by a group of supremisits. With a look of rage in his eyes, Erik balls up his fist, destroying every metal object in the room and beggining to remember why he started all of this in the first place. Elsewhere, David wakes up in Essex's lab, chained to a chair and attempting to escape, only to find that a mutant inhibitor in on his neck. As David does everything he can to try to get out, Essex walks over to him, grinning ear to ear and holding the serum in his hand, mencaingly telling David to sit still. Suddenly, Essex injects the serum into David's neck, who screams in pain as he's DNA changes and shifts, bringing David's powers to their maximum potential. Afterwards, Essex takes thje mutant inhibitor off of David, and begins to test out his abilities, amazed to discover David's new destructive abilities. Now, David can warp reality around him, mind control others, shape shift, and teleport, and Essex chackles as he realizes he's just created one of the most powerful mutants alive. Nearby, Victor watches all of this unfold, painfully flashing back to being tortured by Essex, and as the camera pans toward Victor, we see brutual scars across his face. Victor begins to scream out, and right at that moment, everything cuts to the school, where Jean and Charles attempt to figure out who was behind the mental attack from episode 3. Jean remarks how the voice seemed eerily familar, and her eyes widen as she has a sudden ephihany, to which Charles asks what she's talking about. In response, Jean says that the voice was from from The Hellfire Club and one of Apocalypse's horsemen, then remembering the name and uttering the words, "Nathan Essex..." As this happens, Kurt continues to get flashbacks of his father, becoming even more determined to find him and wanting closure on why his father left him, as well as who his father truley is. However, this ends up being much harder than Kurt thought as he can't seem to find any information and if he goes into the public he's constantly harrased for being one of the horsmen and his appearance. Despite this, Kurt becomes increasingly focused on finding anything about his father, while Ororo has a similar amount of relfection on her past, although she doesn't feel any ambiguity towards it. Ororo truly realizes how diffrent her life is now to how it was a couple years ago, in which she was homeless in a poor African village. As she looks into the distance, Ororo knows that she's better off now than ever before, and for the first time, she's able to have a fresh start at life. Meanwhile, Hank attempts to fix the hole he punched in the wall of the room, but his shaking hands cause him to drop the materials, snapping the putty knife in half out of frustration. Upon seeing the bropekn putty knife, Hank sighs, when suddenly, the creature appears behind him again, and although Hank tries to tell himself it's not real, the hallucination continues. The creature creepily puts it's hand on Hank's shoulder, who tries to ignore it only for the hallucination to become more and more vivid. Before long, Hank forgets that this is just a vision, and the creature starts to channel all of Hank's anger and rage, especially that towards Charles. The creature tells Hank that Charles has never been there for him when he needs him and only berates him, then telling Hank, "Why don't we just... kill him?" At the same time, things aren't going so well for Anna either, who flashes back to the people she's hurt becuase of her powers and once again tries to control them. A look of anger appears in Hank's eyes before he yells at the creature, causing it to dissapear. As Hank realizes he's fell victim to this again, he collapses to the ground with tears streaming down from his eyes. After concentrating all her focus on her powers, Anna slowly inches her hand towards a nearby rosebush in her room, nervously closing her eyes as she waits to see what happens. To Anna's shock, the rosebush stays alive, but it then withers and dies after a couple of seconds, causing the flicker of hope in Anna's face to be replaced with a look of disappointment. Back with Jean and Charles, the two become confident that Essex is behind this, remembering that he got away and about his telepathic abilities. Similar to how they found Alexander in the fourth season, Charles and Jean combine their powers in an attempt to find Essex, and before long, they begin to reach him. However, Essex senses Charles and Jean's prescence, using his powers to block them out before grimacing and looking over his plans, thinking about how he needs to get his horsemen sooner rather than later. Following this, Essex walks outside and gets in his jet, heading towards a cabin in the woods, and soon, we realize what he's doing. Inside the cabin, Erik, Raven, and John sit, when all the sudden, Essex bursts in, quickly blasting the three mutants off the ground before they can even process what's happening. John shoots a wave of flames at Essex, who catches the blast in midair and fires it back at John, severley deforming his face and causing him to scream in pain. Essex then destroys the cabin, trapping Erik and Raven under rubble while he takes a tortured John back to his lab, who's face is now unrecognizable. Soon after this, Essex injects John with the serum, then walking away as John yells in the background, knowing there's only mutant left until his horsmen are complete... Hank McCoy. CUT TO BLACK.

Next: Season 5 Part B
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2020.06.07 18:19 film_nerd406 The X-Men Season 4 - Apocalypse (PART A)

Season 4 - Apocalypse (PART A)
Executive Producer - Damon Lindelof

Episode 1 - Bad Obsession
Everything opens up on black, and all we can hear is the beating of footsteps in the dirt, getting louder and louder with each stride. Before long, we cut to what's going on, and we see two people walking through the woods, although their faces aren't shown. Throughout the area, we see old cabins with no electricity and the orginal American flag hanging on them. Soon, we realize that this is long before the events of the show, which is clarified when large letters showing the year appear on the screen, which read, "1781." As the two men walk through the area, the people in the town seem to recognize, and are mysteriously horrified to see them, with many running inside and hiding. A burnt cigar is thrown on the ground by one of the men, and the camera slowly pans up to revela who they are: Logan (Aaron Paul) and Victor Howlett (James McAvoy). Two hundred years before he lost his memory and had his bones grafted with adimantium, Logan is still known as James Howlett, but he's not so diffrent in personality. Logan and Victor look quite younger than when we previously saw them, although they're still very much recognizable and seem to be in their mid 20's. Eventually, Logan and Victor stop at a lone cabin, then grimacing as they looking each other in the eyes and burst through the door of the cabin. Inside the cabin sits a man (Michael Shannon), quite elderly for the time but only about halfway through his life in today's standards. The man recognizes Logan and Victor, and we find out that he's actually their father. As the man taunts his sons, Victor nods at Logan, who then approaches his father and puts his fist on his chest. Suddenly, Logan releases his claws, brutally murdering his father beofre walking away, his claws now soaked with blood as Victor sadistically watches. CUT TO BLACK. Everything stays in a void for a couple seconds, with no sound or color, just complete darkness. Out of nowhere, a burst of light takes place, filling the entire screen until the camera pans down from the sky, with the burst of light haven been that of the bright sun. In a small deset, which seems to be somehwere in Egypt, a lone traveler wonders throughout the desert, wearing heavy clothing to protect himself from the unbearable heat. The man walks into a market, and from a date on a newspaper stand, we can make out that it's currently November of 1986, several months after the events of season 3. Eventually, the man finds a place to sit in the shade, immediatly sitting down upon getting to it and takes off the attire covering up his face, revealing that he's actually Nathan Essex (John Cho). Essex takes off his satchel and opens it up, and as he lifts out the items and books inside, we see the reason Essex has come here. These books, items, and papers contain legends of En Sabah Nur, also known as Apocalypse, who according to the legends is a mutant god, destined to bring an age of mutants ruling over humanity. After doing some more research and finding the location of Apocalypse's apparent tomb, Essex puts the items back in his satchel and heads off, confident that these stories aren't just myths. As Essex walks away, we cut to the school, where things are getting back to normal now that Charles Xavier (David Tennant) woke up from his coma. Yet this has come at a price, as the reason for Charles waking up was becuase of Erik Lensherr's (Edward Norton) mental attack using Cerebro, which killed hundreds and left devastating earthquakes around the world. Now, Charles is determined to locate Erik, attempting to focus the majority of his attention on finding his former ally, but he's distracted with taking care of his students and looking after the school. At the same time, the school has new recruits in Alexander Summers (Charlie Heaton) and Remy LeBeau (Lakeith Stanfeild), the first of whom is the brother of Scott Summers (Timothee Chalamet). One night, Alexander has dinner with Scott and Jean Grey (Florence Pugh), and Scott prepares to ask Alexander something when Jean arrives, causing Scott to be interrupted. As this happens, Bobby Drake (Jack Dylan Grazer) is finally reunited with his freinds, the closest of whom is Anna Marie (Sophia Lillis). Both Bobby and Anna have shared greif for the death of Warren Worthington, but unlike Anna, Bobby hasn't been given time to mourn and accept Warren's death, resulting in him still grieving. In a conversation with Anna, Bobby blames himself for Warren's death, to which Anna says that she once thought that herself, but now knows that she's being irrational and nobody is to blame for what happened. Concurrently, Logan is also pleased to be back at the school, but despite everything he does, he continues to be ineffectual at finding inner-peace. Later, Alexander lays in bed, continuing to suffer from insomnia and plauged by voices, which warn him of an, "Apocalypse to come." Although Alexander is terrifed of these voices and believes them to be premonitions of something, he decides not to tell anyone about them, which results in the voices getting worse and worse each day. Meanwhile, Remy is also expierencing similar problems, constantly flashing back to him being tortured by The Hellfire Club at the end of the third season, unable to get the memories out of his head. Because of this, Remy has become reckless and filled with rage, causing most of the X-Men to distrust him. Back with Essex, he comes across Apocalypse's tomb, only to mysteriously find that it's empty. Right at that moment, Essex hears a noise behind him, looking back to see that Apocalypse (Javier Bardem) has already awoken, now menacingly standing at Essex's back. CUT TO BLACK.

Episode 2 - Sweet Child O' Mine
Immediately after the ending of episode 1, Essex, rejoiced to see Apocalypse, kneels down to him, calling Apocalypse a god as he does. Essex asks Apocalypse what he can do for him, who, with a ominous and intimidating yet subtle voice, tells Essex that he is just a human, picking him up by the throat as he does. As he grasps for air, Essex agrees with Apocalypse telling him that he knows he's beneath Apocalypse, but will give anything to help Apocalypse achieve his goal of a world run by mutants. Apocalypse suddenly drops Essex, demanding to know why he shouldn't kill Essex right now. After catching his breath, Essex slowly gets up, telling Apocalypse that, "You're right. Mutants are a higher life form, and I should be killed simply for not being one. But I can guide you. I know it's been thousands of years since you last awoke, and you need someone to show you the world. After that, you can kill me. But let me help you; be your guide." After a moment of consideration, Apocalypse accepts Essex's offer, and a look relief appears in Essex's eyes. As they get out of the pyramid, Apocalypse uses his shape-shifting abilties to disguise himself as a human, ensuring that noone will even suspect him. That night, we see Hank McCoy (David Oyelowo), who continues to undergo extreme amounts of stress, anxiety, and paranoia despite stepping down as headmaster. Because of all of the stress that Hank's is going through, he often suffers from sleep paralysis, experiencing horrific hallucinations while not being able to move his body a single inch. But, although Hank is motsly used to this own, this particular time is much more vivid than the rest, in which a hairy, blue, monstrous creature appears. The creature, which Hank somehow finds eerily familar, slowly approaches Hank, grinning to reveal jagged teeth. The creature then climbs on top of Hank, putting its sharp claws on his face, and right at that moment, Hank fully wakes up, causing the creature to dissapate in an instant. In South Korea, Kurt Wagner (Choi Woo-Shik) works at a small circus, with his skin blue and covered with markings, a sharp tail, and a teleportation trick that nobody can figure out how Kurt does. Unknown to everybody, Kurt isn't wearing makeup, and is actually a mutant with the ability to teleport, knowing that if anybody figures this out he could potentially be killed. Back in New York, Alexander goes to a nearby bar with Remy, wanting to spend time with his freind while also needing to clear out his head. However, Remy begins flashing back to being tortured, and drinks as much alcohol as possible, getting extremely drunk. Alexander, disgusted by Remy's actions, tries to get him to stop drinking, but this is to no avail, resulting in Alexander punching Remy acorss the race. Drunken and enraged, Remy engages in a full fight with Alexander, using his mutant powers as everyone rushes out of the bar. Alexander demands for Remy to stop, narrowly dodging Remy's attacks and reluctantly fighting back, eventually knocking Remy unconscious. Afterwards, Alexander brings Remy back to his room, still in disbelief by Remy's recent actions and saddened to see one of his closest freinds mentally breaking down. As Alexander slams the door to Remy's room, we cut to Logan, who thinks back to what Stryker told him about his brother Victor. Logan comes to the conclusion that if he finds more about Victor he might finally be at peace, and this becomes Logan's new goal, consuming all of Logan's time and energy. That afternoon, Bobby, having a lot on his minds, goes to Hank, who he usually confides in and feels like he can trust. But, as Bobby talks, Hank, consumed by his own frustration and anxiety, becomes suddenly enraged, yelling at Bobby to get out and leave him alone, causing Bobby to feel even more angry and alone. Elsewhere, in a remote village in Africa, we're introduced to Ororo Iquadi (Danai Gurira), who's accepted her impoverished, beleiving that she has nowhere else to go. Currently, Ororo's village is going through a massive drought, and as sees a small child dying of thirst, she reluctantly uses her mutant powers to create a rainstorm, stopping the drought. As this happens, the voices in Alexander's head get louder following Apocalypse fully awakening, and he finally decides to tell Charles about them. Upon hearing about this, Charles attempts to read Alexander's mind, but he's mysteriously blocked out, greatly confusing both Charles and Alexander. Back with Kurt, the circus manager checks in on him, and after seeing that Kurt is still in his "makeup", realizes that Kurt normally looks like this, horryfing the manager, who register that Kurt is mutant. In response, the manager gathers an angry mob of people, who attempt to kill Kurt, chasing him out of town and forcing Kurt to escape into the sewers, who then collapses to the ground before bursting into tears. Several days later, Apocalypse hides out at an abonded warehouse along with Essex, and in return for showing him the modern world, Apocalypse hands Essex a mysterious diamond. All the sudden, the diamond grafts onto Essex's forhead, causing Essex to painfully lose all of his blood, which transfers into the diamond and turns it red. Essex, his skin now pale and vienny, begins to expierence telepathy and telekensis, discovering that at last, he's become a mutant. CUT TO BLACK.

Episode 3 - Dead Horse
Shortly after the events of episode 2, Essex rejoices in his new mutant powers, with this being the thing Essex wanted his entire life but thought he could never get. After testing out his new abilities, Essex kneels down before Apocalypse, asking what he can do in favor of this. Without hesitation, Apocalypse reveals that in order to achieve world domination, he must assemble a group of four mutants, which are known as The Four Horsemen Of The Apocalypse. Apocalypse then makes Essesx the Horseman of War, remarking that this is the first time someone has willingly become a horseman before telling himself, "One down, three left to go." Elsewhere, Scott sits alone in his room, cleary contemplating something with a great amount of thought and consideration. As the camera slowly pans towards Scott, we begin to notice that he's holding something, and before long, we can make out a black, box-like shape. We then cut to over Scott's shoulder, and we see that he's holding a small, black box with ring in it, intended for Jean. However, Scott is starting to have seconds thoughts on this, anxious that she'll reject him or that it's much too soon to be doing this as they've only been dating for about two years. Eventually, Scott decides against proposing to Jean, then putting the ring away and walking out of his room, with many thoughts still running through his head. Back with Apocalypse and Essex, Apocalypse uses his ability to track mutants in order to find the next horsemen, soon detecting a powerful mutant in an African village. Apocalypse, using his powers of flight, gets him and Essex to the village within a matter of minutes and begin searching for the mutant. All Apocalypse knows is that the mutant has weather-controlling powers, and we realize that the mutant is actually Ororo. Concurrently, Ororo watches from the shadows as Essex and Apocalypse, who's shape shifted into his human form, arrive, extremeley suspicous of both of them. Meanwhile, Hank attempts to calm his mind, but instead his rage only gets worse as he flashes back to a painful memory from his childhood. In the flashback, we see a teenage Hank being kicked out by his parents after he devolps monstrously large feet and hands, who call him a beast as they slam the door behind them. At the same time, Hank was forced to deal with the discrimination of not only being a mutant, but also being an African American during the 1950's. This all leads up to Hank suffering his first mental breakdown at the age of 23, and while Hank thought he was getting better, he's now once again having thoughts of anxiety, paranoia, and rage. Additionally, leading up to his mental breakdown, Hank experienced similar visions of a hairy, blue creature, and now that he's having the hallucinations again, Hank begins to worry about his mental health. As this happens, Booby, not able to find anyone to talk to about his problems, instead decides to sit in the school's garden and relfect on what's happened over the past few years. But, as Bobby sits down, he's suprised to find Logan there as well, who he hasn't really had much intercations with thusfar. Not really knowing what to say, Bobby asks Logan what he's doing here, to which Logan vaugly says that he needs to think about some things. The two then sit in silence for a couple seconds until Logan interjects, abrudtly telling Bobby that, "A couple months ago, I found out that I killed my brother." Following this, the two sit in silence for a little bit more before Bobby says, "My freind died because of me. I was in love with him, and I watched him die. I was litterally right there. I could've stopped it. I was so close... but I failed. And now he's dead, all because of me." In response, Logan silently nods, simply saying, "Yeah. I know how that feels. Sucks, doesn't it?" Logan waits for Bobby's response, who then unexpectedly hugs Logan with tears in his eyes, queitly telling him, "Yeah, it does suck." Logan then chuckles, looking into the distance with his arm around Bobby as they both think about the people they've lost. The following day, Jean notices that Scott seems stressed, and when she asks him why, he tells her that for the past few days, something seems to be happening to Alexander, and he's beggining to worry. Trying to calm Scott's nerves, Jean assures Scott that he's just being irrational and paranoid, neither of them knowing what's actually happening to Alexander. In Charles' office, he does everything he can to get through to the voice in Alexander's hand, but despite everything he does, Charles continues to fail every time. Simultaneously, Anna silently sits on her room, thinking back to her good memories with Warren and reminding herself of how happy he once was. Back in Africa, Apocalypse realizes that Ororo is the mutant, transforming back into his natural form as he and Essex face off against her. Having alresdy been supicous of the two, Ororo is prepared for battle and manages to get the upperhand at the beggining of fight, but is quickly overwhlemed and defeated. As Ororo lays beaten on the ground, her eyes suddenly glow white as Apocalypse causes her to rise up in the air, then brainwashing her into the second horseman: Famine. CUT TO BLACK.

Episode 4 - Paradise City
In the warehouse that acts as Apocalypse's base, Ororo slowly wakes up, having no recollection of who she is and only having one thought: to serve Apocalypse. At the same time, Apocalypse is constantly having to block out Ororo's memories and control her thoughts, with Apocalypse concentrating much of his energy on this. Close by, Essex sees a news report about Kurt Wagner being chased out of town, and after witnessiing Kurt's powers, Essex tells Apocalypse that they may have their Horseman of Pestilence. On the other side of the world, Anna sits on the doorstep of the school with a lot on her mind, while also smoking a ciggerate she stole from Logan. All the sudden, Anna's thoughts are interrupted when Remy walks out of the school in front of her, his bags packed and a dissapointed look on his face. Although she already knows, Anna calmy asks Remy what he's doing, to which Remy says that his entire life, he's left like an outcast. Now, he finally thought he had a place where he belonged, but he was wrong. After saying this, Remy prepares to walk out, but Anna gets up and stops him. As she backs Remy away from the gate, Anna tells him that she once felt the same way and considered leaving many times, but now, she truly feels like she belongs here. Holding back tears, Remy says that Anna has no idea what he's gone through, to which Anna says, "I know. But please... stay. Just stay." After a long moment of contemplation, Remy reluctantly decides to stay at the school, then heaidng back as Anna realizes there's other people undergoing the same things as she once did. As this happens, Bobby and Logan continue to share expirences of greif with eachother, helping both of them recover from their guilt, especially Bobby. Despite this, Logan still is desperate to find any information he can about his brother, needing closure and feeling as if things will be diffrent if he has it. In the his room, Logan reflects on all of this, then bursting into a fit of rage of how he killed his own brother, feeling extremley guilty even though he doesn't even remember it. Elsewhere, Alexander tells Charles that the voices in his head are continually getting louder, saying that he's worried this may cause him to lose control of his powers. Alexander then tells Charles that the students need to know what's happening before it could cause a danger to the school, and after some debate, Charles agrees. The following morning, Charles gathers everyone in the school to the confrence hall, telling them what's happened to Alexander and to not to worry, saying this is just information they should know. Upon hearing this, those close to Alexander - such as Scott, Jean, and Remy - goes into a state of shock, with Scott's paranoia taking over and thinking to the worse possible outcome. In a state of worry, Scott visits his brother, who's put himself in isolation out of fear that he could lose control of his powers, which would kill nearly everyone in the school. Scott asks Alexander how long this has been happening for, and Alexander admits that he's been eharing the voices ever since he came to the school. Enraged, Scott demands to know why Alexander never told anyone about this, who stays silent, reuslting in Scott angirly storming out of the room. Soon after this, Remy tearfully visits Alexander, apologizing for his recent actions and concluding by simply telling Alexander, "I just hope you'll be okay." Back with Anna, she thinks back to her conversation with Remy, happy to have helped someone and wanting to be there for people more. After thinking about how depressed Hank has been latley, she goes to comfort him, assuring Hank that everything will get better. However, Hank goes into a state of rage, yelling at Anna and saying, "I don't need anyone's goddamn help, so shut the hell up and leave!" Hurt, Anna quietly leaves the room, and as she does, we cut to Kurt in the sewers, now relying on rats and other small animals for food as he hides from the world. Suddenly, Apocalypse, Essex, and Ororo burst in, and Apocalypse demands for Kurt to come with him. Kurt immediatly tries to escape, prompting Apocalypse to brutally beat him before brainwashing him into the third Horseman, then remarking, "One left to go." Several hours later, as Apocalypse tries to find him, Alexander screams in pain, and Charles rushes him into his office, trying to read his mind one last time. Using the maximum potenital of his powers, Charles manages to get through ot the voices, but his eyes then widen as he quietly says, "No... tihs can't be real... he can't be real." Alexander nervously asks Charles what he's talking about, and a horrified Charles grabs Alexaner, telling him, "Apocalypse... he's here." Right at that moment, the camera slowly pans out of the school to reveal Apocalypse and his three horsemen arriving outside of the school. Apocalypse gives a sadistic smile, telling his three horsemen, "Give them time. Then, we crush them beneath our feet." CUT TO BLACK.

Next: Season 4 Part B
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2020.05.23 20:05 Bipedal-Moose [OC] 63 MVPs in 63 days, part 23: The 1979 MVP race

Hello everyone, and welcome back to part 23 of my series in which I’ll be researching and dissecting every single MVP race in NFL history. Today, we’re going to be looking into the 1979 race. But first, a look at the voting results from you for the 1978 race. 41 people voted, and here are the results:
  1. Roger Staubach: 22/41 votes (53.7%)
  2. Terry Bradshaw: 13/41 votes (31.7%)
  3. Earl Campbell: 4/41 votes (9.8%)
  4. Jim Zorn: 2/41 votes (4.9%)

1979 AP MVP: Houston Oilers RB Earl Campbell

Other notable candidates: San Diego Chargers QB Dan Fouts, Cleveland Browns QB Brian Sipe, Dallas Cowboys QB Roger Staubach, Pittsburgh Steelers QB Terry Bradshaw
The winner: After finishing 2nd in MVP voting his rookie season, Campbell reaches greater heights in his sophomore year, winning the first and only AP MVP of his career.
The race
Here are the stats for the notable contenders for MVP in 1979. Remember, though, that the context behind the stats is equally as important as the stats themselves, so I encourage you to read the player profiles below.
Campbell:
Rush Yds Rush TD YPC Rec Rec Yds Rec TD Yscrim Tot TDs Fumbles
368 1,697 19 4.6 16 94 0 1,791 19 8
Fouts:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
332/530 4,082 7.7 24 24 82.6 5.9 26-49-2 13
Sipe:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
286/535 3,793 7.1 28 26 73.4 4.9 45-178-2 10
Staubach:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
267/461 3,586 7.8 27 11 92.3 6.8 37-172-0 8
Bradshaw:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
259/472 3,724 7.9 26 25 77.0 5.9 21-83-0 10
Note: Bold indicates a league lead in that particular category. Italics indicate a league record.
The case for and against Campbell
In many ways, Campbell’s MVP case in 1979 was markedly better than his case in 1978. Firstly, and most obviously, he was more productive: he ran for nearly 250 more yards and accumulated nearly 300 more scrimmage yards, scored 6 more TDs, and fumbled one fewer time in 70 more touches. These numbers, placed in context, are extremely good. His nearly 1700 rushing yards led the league, and he ranked 4th in scrimmage yards. His 19 TDs also led the league, 3 touchdowns more than the next highest player. Campbell was seemingly able to score at will, only being held out of the end zone in four games: two of those were against the legendary Steel Curtain defense, one was against Miami in a game in which he still notched 32 carries for 120 yards in a win, and the other was in a game he got knocked out of early after just 3 carries. Campbell was a consensus first team all-pro and widely regarded as the top back in the league in 1979.
Campbell also received less help on the offensive side of the ball than he had the previous year. While the offensive line improved most notably with the addition of Leon Gray, one of the best tackles in the league at the time and a consensus first team all-pro, the passing game led by Dan Pastorini severely declined: after placing in the top 10 in ANY/A in 1978, Pastorini slid all the way down to 24th in 1979, and he only threw 14 TD passes. The Oilers ranked 25th out of 28 teams in passing yards, and it’s very evident that the team leaned on Campbell specifically on offense: he carried the ball 30+ times on 6 different games, and the Oilers’ other backs combined for 219 carries for 806 yards (3.7 YPC) and 5 TDs. Campbell’s 368 carries for 1,697 yards (4.7 YPC) and 19 TDs tower over those numbers. In a race crowded with QB talent, Campbell stood above his peers at RB higher than any of the QBs stood above theirs.
It’s worth noting that Campbell did still play on a legitimately good football team. As mentioned before, Leon Gray was a force on the offensive line, and while the Oilers’ passing game was lacking in general, the presence of WR Ken Burrough on the outside could at least keep defenses honest. The Oilers’ defense still had the trio of future Hall of Famers they had the previous year (Curley Culp, Elvin Bethea, and Robert Brazille), plus a first team all-pro in safety Mike Reinfeldt, who led the league with 12 interceptions; in fact, the Oilers forced a whopping 50 turnovers as a team, which led the league, and often set the Oilers’ offense up with great field position.
The case for and against Fouts
With the Mel Blount Rule being put in place the previous season, passing numbers were due for an explosion. 1978 saw a big jump in passing numbers from the previous season, and 1979 saw another leap forward, and at the center of it all was Dan Fouts and the Air Coryell offense. In 1978, Fouts enjoyed his best season as a pro, and he took it further in 1979, breaking the league’s passing yards record and becoming the first QB in NFL history to throw for 4,000 yards in a single season (remember: Joe Namath accomplished that in the AFL). It was the start of a 3-year stretch in which Fouts would break the league’s passing yardage record every year, and the first of a 7 year stretch in which Fouts would lead the league in passing yards per game 6 times.
But let’s zero in on his 1979 campaign: it was very, very good. Fouts’ record breaking performance netted him consensus first team all-pro honors, and the Air Coryell offense took the league by storm. The Chargers went 12-4 and made the playoffs, lighting up the scoreboard along the way. The team ranked 2nd in points scored on offense despite having one of the worst running games in the entire league (out of 28 teams, they ranked 27th in rushing yards and 26th in rushing yards per carry). This offense was hugely successful because of its revolutionary passing game.
There are some issues with Fouts’ candidacy. While the offense hadn’t yet reached the heights it would reach in the next couple of seasons, it still had a bevy of playmakers, such as future Hall of Famer Charlie Joiner, consensus first team all-pro John Jefferson, and even future HoFer Kellen Winslow at TE, though Winslow only played in 7 games. The Chargers also, surprisingly, had a very good defense that ranked 2nd in points allowed and had a future Hall of Famer in Fred Dean, plus other solid/great players in Gary Johnson and Glen Edwards.
Fouts himself also had issues in the form of turnovers: while his INT% was better than average, he did fumble 13 times, and while I can’t find exactly how many of those fumbles were lost, typically about half of fumbles get lost (~47%) so we can infer that at least a few of them were. That would give him at least 25 turnovers on the season. Fouts, breaking the passing yardage record notwithstanding, debatably wasn’t the best QB in football in 1979. There are others in this crowded race, which you will see below.
The case for and against Sipe
Sipe was drafted in the 13th round, 330th overall, by the Cleveland Browns in 1972, so needless to say, nobody expected him to be here. But he became the Browns’ starting QB in 1976, and by 1979 he was a solid QB: in 1979, though, Sipe and the Browns had a wild two-season run (including 1980) that is now famous in Browns lore.
Sipe served as the catalyst behind numerous fourth quarter comeback victories for the Browns; his late-game prowess and the Browns’ penchant for playing games down to the wire earned them the nickname of the “Kardiac Kids.” Sipe’s 7 game-winning drives led the league, and he was statistically successful in other areas, too: he ranked 2nd in the league in passing yards and T-1st in passing TDs, giving him some of the best volume in the game.
The biggest downsides to Sipe’s candidacy were his efficiency and team success. For the former, his efficiency was decent, but not exactly MVP caliber, as he ranked 13th in the league in both passer rating and ANY/A. He threw more INTs than anyone in the league as well, and fumbled 10 times, contributing heavily to the Browns having the 6th most turnovers as a team in the league. For the latter issue, even though the Browns had plenty of exciting wins, they did not have enough wins to make the playoffs, with their 9-7 record placing them out of Super Bowl contention. The Browns’ defense was very subpar and ought to shoulder much of the blame for that, but turning the ball over 44 times didn’t exactly help them.
The case for and against Staubach
Staubach, once again, was the most efficient QB in football in 1979, his final year as a professional football player. He was the most efficient by quite a bit, in fact: his 92.5 passer rating comfortably outpaced 2nd place Joe Theismann’s 83.9 mark, and his 6.8 ANY/A was the best in the league by nearly a full yard. For Staubach, this was practically business as usual: for his career, he has some of the best era-adjusted efficiency of all time.
It wasn’t just efficiency where Staubach excelled: he also ranked 7th in passing yards and 3rd in passing TDs. That, combined with his amazing efficiency, gave Staubach a TD-INT differential (+16) that was twice as good as any other QB in the league (Steve Grogan came in at 2nd with +8). Even though Staubach wasn’t named to an all-pro team, I see a lot of evidence here pointing to the fact that he could have been the best QB in the league in 1979. Staubach's lack of all-pros doesn't make sense this year, and it didn't in several prior seasons, either.
Staubach still had the great supporting cast he had in previous years: Tony Dorsett remained behind him, putting up good numbers in the running game, while Drew Pearson and Tony Hill reprised their role as Staubach’s top receiving weapons, giving Staubach one of the best stables of weapons in the game overall. His offensive line was still good, though notably, Rayfield Wright was no longer a fixture at tackle. The Cowboys’ defense, however, had fallen a fair bit from the height of their powers as the Doomsday Defense; even though Randy White was around, the Cowboys’ defense ranked 12th in points allowed and dead last in turnovers forced.
The case for and against Bradshaw
Bradshaw followed up his MVP win in 1978 with another great year in 1979, excelling in most statistical areas. He ranked 3rd in passing yards and T-4th in passing TDs, while his efficiency remained near the top of the league, ranking 2nd behind only Roger Staubach in ANY/A, and ranking 1st in NY/A. By now, Bradshaw’s early career struggles had felt like a distant memory, and it was clear that the Steelers were in possession of one of the best QBs in the game. Bradshaw was named 2nd team all-pro by NEA for his efforts.
Moreover, Bradshaw had to deal with an injury-riddled team around him, with the Steelers having injuries at practically every level of the game. On the offensive line, every player except Mike Webster missed multiple games. The Steelers began the season without top wideout Lynn Swann who made only 11 starts. RBs Franco Harris, Sidney Thornton, and Rocky Bleier all missed games. The defense was struck with injuries as well, with Mike Wagner, Jack Ham, and LC Greenwood all missing time. But Bradshaw stayed healthy, and the Steelers still went 12-4, with Bradshaw commanding the top scoring offense in the league, and against the NFL's toughest schedule.
Even with all the injuries, though, the Steelers still boasted one of the league’s most talented rosters: Franco Harris still ran for over 1,000 yards and double digit TDs, making the Pro Bowl once again. Lynn Swann was still productive while healthy, and the WR opposite of him, John Stallworth, played all 16 games and was a first team all-pro. The Steelers also had a top 5 defense once again, led by the same slew of Hall of Famers that dominated in previous years. Bradshaw, like Sipe and Fouts, also turned the ball over quite a bit, with 25 interceptions, and also 10 fumbles. Given the fact that his efficiency was still stellar, it’s clear he made enough plays to make up for the turnovers; still, those turnovers are noteworthy.

Voting

Vote for the player you think had the best case here after reading the post! Tomorrow we'll review the results in the 1980 post.
Click here for links to previous editions dating back to 1957!
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2020.05.20 19:06 Bipedal-Moose [OC] 63 MVPs in 63 days, part 20: The 1976 MVP race

Hello everyone, and welcome back to part 20 of my series in which I’ll be researching and dissecting every single MVP race in NFL history. Today, we’re going to be looking into the 1976 race. But first, a look at the voting results from you for the 1975 race. 37 people voted, and here are the results:
  1. Fran Tarkenton: 14/37 votes (37.8%)
  2. OJ Simpson: 12/37 votes (32.4%)
  3. Ken Anderson: 11/37 votes (29.7%)

1976 AP MVP: Baltimore Colts QB Bert Jones

Other notable candidates: Pittsburgh Steelers LB Jack Lambert, Oakland Raiders QB Ken Stabler, Minnesota Vikings QB Fran Tarkenton
The winner: Bert Jones enjoys his finest season as a professional and wins MVP.
The race
Here are the stats for the notable contenders for MVP in 1976. Remember, though, that the context behind the stats is equally as important as the stats themselves, so I encourage you to read the player profiles below.
Jones:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
207/343 3,104 9.0 24 9 102.5 7.8 38-214-2 4
Lambert:
2 interceptions, 32 return yards, 8 fumble recoveries, 36 return yards
Stabler:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
194/291 2,737 9.4 27 17 103.4 7.5 7--2-1 5
Tarkenton:
Comp/Att Yds Y/A TD INT Rate ANY/A Rush-Yds-TDs Fumbles
255/412 2,961 7.2 17 8 89.3 6.2 27-45-1 4
Note: Bold indicates a league lead in that particular category. Italics indicate a league record.
The case for and against Jones
A largely forgotten figure in pro football history, it may surprise people that Bert Jones posted one of the best QB seasons of all time in 1976. Jones’ rise to prominence elevated the Colts from a miserable team in the wake of Johnny Unitas’ retirement to a playoff contending one, and in 1976, Jones piloted the Colts to the #1 offense in the league, an 11-3 record, and a playoff appearance.
Jones’ 3,104 passing yards led the league, being the only QB surpassing 3,000 yards; his 24 TDs ranked 2nd; his TD-INT differential of +15 led the league, and was the highest differential since the merger. His Y/A ranked 2nd, his AY/A ranked 1st, his NY/A ranked 2nd, and his ANY/A ranked 1st. Jones’ era adjusted efficiency stacks up with the very best ever, even today: his 141 ANY/A+ ranks 6th all-time, behind only campaigns that had not happened yet. This made his ANY/A+ a league record, though it wasn’t one anyone knew about at the time.
Jones also accomplished all of this with a team that simply wasn’t very good. The only proven weapon on the Colts’ roster was their running back, Lydell Mitchell, and Mitchell’s prominence had a lot to do with his pass-catching ability, which, of course, was augmented by Jones’ presence. WR Roger Carr was good, but he accomplished little of note outside of ‘76. Their offensive line was mostly devoid of good players, outside of George Kunz. None of the players on the ‘76 Colts offense ended up making the Hall of Fame. This #1 ranked offense was obviously powered by the right arm of “The Ruston Rifle,” but not just his arm; he chipped in fairly significant production on the ground, too. Jones was immensely talented, and turned that talent into a remarkable 3 year stretch from 1975-1977, but 1976 was clearly the apex (and on a side note, it’s really a shame that injuries to his throwing shoulder ruined his career).
The Colts’ defense was a mediocre unit, to boot. Only DE John Dutton was recognized as either a Pro Bowler or an all-pro. The unit ranked middle-of-the-pack in almost every metric. Clearly, the success of this team was driven by their offense.
There aren’t a whole lot of holes to pick in Jones’ season. He was selected as first team all-pro QB by AP, NEA, and PFWA, and his stats back it up, despite a supporting cast not nearly on point with others we’ve seen in this series; especially compared to some of the players you’re about to see below.
The case for and against Lambert
The 1976 Steelers were defending champions, but the season did not start well for them. The team started just 1-4, with the defense surrendering 22 points per game. Making matters worse, Pro Bowl QB Terry Bradshaw went down due to an injury in the week 5 game vs the Browns following a brutal hit by Turkey Jones. So following week 5, the team was 1-4 and their QB was injured for several weeks. Jack Lambert called a players-only meeting, which players have since said went to the tune of, “we’re going to have to win games as a defense.”
What followed was one of the most impressive displays of defense the sport has ever seen. Over the final 9 games of the season, the Steelers surrendered just 28 combined points. They forced 5 shutouts. They won all 9 games, including all 6 of backup Mike Kruczek’s starts, in which Kruczek threw exactly 0 TDs. The Steelers finished with the league’s best defense, and certainly one of the best single season defenses of all time. Lambert was the best player on the defense that year, and was selected as AP Defensive Player of the Year and consensus first team all-pro.
The arguments against Lambert winning MVP all have to do with supporting cast. Lambert was absolutely incredible in 1976, but he certainly wasn’t the only impact player on that defense. The Steelers’ 1976 defense was absolutely littered with all-pros and Hall of Famers. Mean Joe Greene, Jack Ham, and Mel Bount were all all-pros in 1976 and all ended up being first ballot Hall of Famers. Safeties Mike Wagner and Glen Edwards were both all-pros. JT Thomas and LC Greenwood both made the Pro Bowl. Ernie Holmes, Dwight White, and Andy Russell were all very good, too. That’s literally the entire defense. There’s not really a weak link there. Could Lambert be the Most Valuable Player being surrounded by such a ridiculous collection of players?
Furthermore, the Steelers’ offense was still kept alive by its ground game in Bradshaw’s absence. Both running backs Franco Harris and Rocky Bleier eclipsed 1,000 yards, making them the second duo to ever do so (after the 1972 Dolphins), and they contributed to the Steelers’ #1 ranked rushing attack. The team still finished 5th in points scored. This team was simply so talented, it can be difficult to justify a defensive player winning the MVP award here.
The case for and against Stabler
While Bert Jones was considered by many to be the best QB in 1976, Stabler outpaced him statistically in some respects. He threw 3 more TD passes and scored 2 more TDs overall, despite attempting roughly 50 fewer passes. His passer rating was a smidge higher (103.4 to 102.5) and his Y/A and NY/A were both better. He led the league in each of these categories. The fact that Stabler statistically rivaled Jones, who posted one of the best seasons ever, is incredible, and Stabler was even selected as first team all-pro QB by PFW. In his 12 games, the Raiders went 11-1.
But while his stats were pretty close in stature to Jones’, his supporting cast absolutely was not; it was much, much better. The 1976 Raiders, along with the 1976 Steelers, were one of the most stacked football teams ever in terms of talent, featuring a whopping 8 Hall of Famers total. Stabler enjoyed throwing passes to Dave Casper and Fred Biletnikoff, both Hall of Famers, and Cliff Branch, who arguably should be in the Hall of Fame. Art Shell and Gene Upshaw made up the left side of the offensive lines, and both are Hall of Famers. The defense featured Ted Hendricks and Willie Brown, both Hall of Famers, plus some very good players in Phil Villapiano, George Atkinson, and Jack Tatum. Even the team’s punter was a Hall of Famer. It doesn’t get much more stacked than this, so it can be easy to see why Jones was selected as the more valuable of the two, especially considering the fact that the Raiders went 2-0 in their 2 games without Stabler; backup Mike Rae put up very good numbers, with a 6:1 TD-INT ratio and 5.8 ANY/A.
The case for and against Tarkenton
Tarkenton followed up his 1975 MVP win with another great year at the age of 36, leading the league in completions, and ranking 2nd in passing yards, T-6th in TDs, and T-3rd in TD-INT differential. His efficiency was also top-shelf, as he ranked 4th in ANY/A and 6th in passer rating. And once again, Tarkenton’s success was finally taking place on a good team that went 10-2-1 in his 13 starts, and the Vikings once again made the playoffs. At his old age, Tarkenton’s signature scrambling ability wasn’t all there anymore, and so all of his notable production came through the air, but that’s not such a bad thing when his aerial production was as good as it was.
Tarkenton’s supporting cast was very good, however; RB Chuck Foreman returned to the Pro Bowl with his obvious excellence as both a runner and a pass-catcher (1,722 scrimmage yards, 14 TDs), and he was once again an all-pro. Rookie WR Sammy White was also a formidable weapon and a Pro Bowler, who would go on to have a productive career. Future Hall of Fame linemen Mick Tingelhoff and Ron Yary were also still present and played all 14 games, and perennial Pro Bowl guard Ed White was also on the same line. This was an offense bountiful in good personnel, and the Vikings again had a great defense to match it, which ranked 2nd in points allowed.
But the most obvious issue is that Tarkenton's stats simply pale in comparison to Jones' and Stabler's. Stabler had the clear superior supporting cast, but Jones did not, and it's not evident at all that his supporting cast explained the statistical ravine between him and Tarkenton.

Voting

Vote for the player you think had the best case here after reading the post! Tomorrow we'll review the results in the 1977 post.
Click here for links to previous editions dating back to 1957!
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2020.05.02 23:03 nirbateman Looking for wants

Hey guys, I accumulated quiet a bit of wants and I would like to find most or all of them, so if you have one or more of those, I would love to hear from you! You can PM me here.
Audio wants
Assassins 1992, London Anthony Barclay -- Balladeer, Paul Bentley -- Pres. Gerald Ford, Cathryn Bradshaw -- Lynette (Squeaky) Fromme, Michael Cantwell -- John Hinckley, Jack Ellis -- Leon Czolgosz, Michelle Fine, David Firth -- John Wilkes Booth, Louise Gold -- Sara Jane Moore, Henry Goodman -- Charles Guiteau, Paul Harrhy -- Giuseppe Zangara, Ciaran Hinds -- Samuel Byck, Sue Kelvin -- Emma Goldman, The Paul Bentley -- Proprietor, Gareth Snook -- James Blaine, Kevin Walton -- David Herold *Soundboard

Camelot - 1/5/63 OBC Closing Night Julie Andrews (Guinevere), Robert Goulet (Lancelot), Richard Burton (Arthur), Roddy McDowal (Mordred)

A Chorus Line - 5/23/75 New York Renee Baughman (Kristine Urich), Kelly Bishop (Sheila Bryant), Pamela Blair (Valerie Clark), Wayne Cilento (Mike Costa), Kay Cole (Maggie Winslow), Ronald Dennis (Richie Walters), Patricia Garland (Judy Turner), Ron Kuhlman (Don Kerr), Nancy Lane (Bebe Benzenheimer), Baayork Lee (Connie Wong), Priscilla Lopez (Diana Morales), Robert LuPone (Zach), Cameron Mason (Mark Anthony), Donna McKechnie (Cassie Ferguson), Don Percassi (Alan DeLuca), Michel Stuart (Gregory Gardner), Thommie Walsh (Bobby Mills III), Sammy Williams (Paul San Marco), Clive Wilson (Larry)

A Chorus Line July 12, 1975 ~ Broadway Donna McKechnie (Cassie), Robert LuPone (Zach), Kelly Bishop (Shelia), Sammy Williams (Paul), Priscilla Lopez (Diana), Thommie Walsh (Bobby), Baayork Lee (Connie), Wayne Cilento (Mike), Patricia Garland (Judy), Don Percassi (Al), Renne Baughman (Kristine), Michael Stuart (Greg), Pam Blair (Val), Cameron Mason (Mark), Nancy Lane (Bebe), Ronald Dennis (Richie), Kay Cole (Maggie), Ron Khulman (Don), Clive Clerk (Larry)

A Chorus Line July 25, 1975 ~ Broadway Renee Baughman (Kristine Urich), Kelly Bishop (Sheila Bryant), Pamela Blair (Valerie Clark), Wayne Cilento (Mike Costa), Kay Cole (Maggie Winslow), Ronald Dennis (Richie Walters), Patricia Garland (Judy Turner), Ron Kuhlman (Don Kerr), Nancy Lane (Bebe Benzenheimer), Baayork Lee (Connie Wong), Priscilla Lopez (Diana Morales), Robert LuPone (Zach), Cameron Mason (Mark Anthony), Donna McKechnie (Cassie Ferguson), Don Percassi (Alan DeLuca), Michel Stuart (Gregory Gardner), Thommie Walsh (Bobby Mills III), Sammy Williams (Paul San Marco), Clive Wilson (Larry)

A Chorus Line April 24, 1976 ~ Broadway Robert LuPone (Zach), Clive Clerk (Larry), Ron Kuhlman (Don), Kay Cole (Maggie), Wayne Cilento (Mike), Baayork Lee (Connie), Michael Stuart (Greg), Donna McKechnie (Cassie), Kelly Bishop (Sheila), Thommie Walsh (Bobby), Nancy Lane (Bebe), Patricia Garland (Judy), Ronald Dennis (Richie), Don Percassi (Al), Renee Baughman (Kristine), Pamela Blair (Val), Cameron Mason (Mark), Sammy Williams (Paul), Priscilla Lopez (Diana)

A Chorus Line - 3/31/79 London closing night Petra Siniawski (Cassie), Geoffrey Webb (Zach), Wendy Baldock (Sheila), Graham Turner (Paul), Diane Langton (Diana), Linda Williams (Val), Leslie Meadows (Bobby), Jeffery Shankley (Al), Jo-Anne Robinson (Kristine), Richard Lloyd-King (Richie), Liz Bagley (Connie), Mark White (Mike), Judy Gridley (Judy), Nina Caie (Bebe), Susan Claire (Maggie), Lance Aston (Don), Peter Barry (Mark), Christopher Molloy (Greg), John Chester (Larry), Martin Baker (Roy), Thom Booker (Butch), Rachel Izen (Tricia), Peter Loury (Tom), June Ingrahm (Lois), Juliet Naylor (Vicki), Tracie Hart (Liza), Carla Farnsworth Webb (Paula), Julie Collins (Wendy)

A Chorus Line September 29, 1983 ~ Broadway Donna McKechnie, Ann Rienking, Cheryl Clark, Vicki Fredrick, Deborah Henry, Angelique Ilo, Wanda Richert, Ann Louise Schaut, Pam Sousa (Cassie), Eivind Harum, Joe Bennett (Zach), Kelly Bishop (Sheila), Sammy Williams, Tommy Agulair, Rene Clemente, Steve Crenshaw, Drew Geraci, Wayne Melendandri, Evan Pappas, George Pesaturo, Sam Viverito, Timpthy Wahrer (Paul), Priscilla Lopez, Chikae Ishikawa (Diana), Thommie Walsh (Bobby), Baayork Lee, Jennifer Ann Lee (Connie), Wayne Cilento (Mike), Patricia Garland, Sandahl Bergman (Judy), Don Percassi, Scott Plank (Al), Renne Baughman, Kerry Casserly (Kristine), Michael Stuart, Justin Ross (Greg), Karen Jablons, DeLee Lively, Mitzi Hamilton (Val), Cameron Mason, Timothy Scott (Mark), Terri Klausner (Bebe), Ronald Dennis, Gordon Owens (Richie), Kay Cole (Maggie), Ron Khulman, David Thomé (Don), Clive Clerk (Larry), The Current New York Company, The International Company, The National Company, The Bus & Truck Company, The Las Vegas Company, The Chicago Company and the Foreign Companies A gala performance featuring almost every cast member from every major production since 1975. Became the longest running musical in Broadway History on this date, and would hold that title until 2000 SOUNDBOARD

Evita London July 1978 Elaine Paige (Eva Perón), David Essex (Ché), Joss Ackland (Juan Perón), Siobhan McCarthy (Mistress), Mark Ryan (Magaldi) (Not the one with the last track patched from the album)

Evita 1980-01-22 – West End, Prince Edward Theatre, London, UK Elaine Paige (Eva Peron), John Turner (Peron), Gary Bond (Che)

Evita 1980-04-05 – West End, Prince Edward Theatre, London, UK Marti Webb (Eva Perón), Gary Bond (Ché), John Turner (Perón), Mark Ryan (Magaldi), Siobahn McCarthy (Perón's Mistress)

Follies February 20, 1971 ~ Boston (First Preview) Dorothy Collins, John McMartin, Gene Nelson, Alexis Smith, Yvonne DeCarolo Musical Numbers with some dialogue, Highlights Only.

Follies April 1972 ~ Broadway (Opening Night, Colonial Theatre, Original Broadway Production) Alexis Smith (Phyllis), Dorothy Collins (Sally), Gene Nelson (Buddy), John McMartin (Ben), Yvonne DeCarlo (Carlotta), Ethel Shutta (Hattie), Fifi D'Orsay (Solange), Justine Johnson (Heidi).Follies April 5, 1972 (Matinee) Young Phyllis — Alexandra Borrie;Young Ben — John Johann; Dmitri Weissman — Edwin Steffe (understudy); Emily Whitman — Camila Ashland; Theodore Whitman — Ted Lawrie; Christine Crane — Jan Clayton; Kevin — David Roman; Willy Wheeler — Donald Weissmuller; Meredith Lane — Marion Marlowe; Sandra Donovan — Sonja Levkova

Follies September 1972 ~ Los Angeles Janet Blair (Sally), Alexis Smith (Phyllis), Edward Winter (Ben), Gene Nelson (Buddy), Yvonne DeCarlo (Carlotta Campion), Ethel Shutta (Hattie Walker), Justine Johnston (Heidi Schiller), Mary McCarty (Stella Deems), Fifi D'Orsay (Solange LaFitte), Marti Rolph (Young Sally/Young Heidi), Suzanne Rogers (Young Phyllis), Kurt Peterson (Young Ben), Harvey Evans (Young Buddy), Camila Ashland (Emily Whitman), Ted Lawrie (Theodore Whitman), Helon Blount (DeeDee West), Sonja Levkova (Sandra Donovan), Terry Saunders (Meredith Lane), Jan Clayton (Christine Crane), Patrick Spohn (Vincent), Jayne Turner (Vanessa), Edwin Steffe (Dimitri Weissman), Michael Bartlett (Roscoe), John J. Martin (Max Deems), Joel Craig (Willy Wheeler), Roy Barry (Kevin), Candace Cooke (Roscoe's daughter), Jacqueline Payne (Young Hattie), David Evans (Young Vincent), Margot Travers (Young Vanessa), Joseph Nelson (Major-Domo), John Grigas (Chauffeur)

Follies July 1977 ~ Milwaukee, MI Dorothy Collins (Sally), Anne Jeffreys (Phyllis), Jack Washburn (Ben), Ted Lawrie (Buddy), Jill Corey (Carlotta Campion), Dorsey Vogt (Hattie Walker), Janet Baxter Peltz (Heidi Schiller), Honey Sanders (Stella Deems), Jo Fischer (Solange LaFitte), Alice Cannon (Young Sally), Kathy Taylor (Young Phyllis), Kevin Daly (Young Ben), Frank Root (Young Buddy), Marianne Challis (Young Heidi), Julie Jenner (Emily Whitman), Betty Wragge (Thea Whitman), David Curry (Vincent), Irma Curry (Vanessa), Paul Albrecht (Dimitri Weissman), Clyde Laurents (Roscoe), Cris Groenendaal (Max Deems), Joe Billone (Kevin), Gary Barker (Chauffeur), Jeanne Krempp (Young Carlotta), Diane Nicole (Young Hattie), Mib Bramlette (Young Stella), Judith Ann Conte (Young Solange), Ruth Anne McCoy (Young Emily), Jan Wahl (Young Thea)

Follies 1985 ~ Manchester Mary Millar (Sally), Josephine Blake (Phyllis), Kevin Colson (Ben), Bill Bradley (Buddy), Jeannie Harris (Carlotta Campion), Chili Bouchier (Hattie Walker), Betty Benfield (Heidi Schiller), Meg Johnson (Stella Deems), Monica Dell (Solange LaFitte), Liz Izen (Young Sally), Debbie Snook (Young Phyllis), Stephen Hale (Young Ben), Paul Burton (Young Buddy0, Meryl Richardson (Young Heidi), Shirley Greenwood (Emily Whitman), Bryan Burdon (Theodore Whitman), Peter Honri (Vincent), Marie Lorraine (Vanessa), David Scase (Dimitri Weismann), Joseph Powell (Roscoe), Les Want (Max Deems), Lorraine Croft (Young Stella), Mitch Sebastian (Young Vincent), Kim Ismay (Young Vanessa), Linda Jane Holmes (Francesca), David Morgan-Young (Kevin), Anthony O’Driscoll (Chauffeur), Anthony Thomas James (Photographer)

Guys and Dolls Revival 1992 ~ Broadway Peter Gallagher (Sky Masterson), Nathan Lane (Nathan Detroit), Faith Prince (Miss Adelaide), Josie de Guzman (Sarah Brown), Walter Bobbie (Nicely-Nicely Johnson), Eleanor Glockner (Agatha) SOUNDBOARD

Gypsy - Broadway - 1974 Angela Lansbury, Zan Charisse, Rex Robbins

Hello Dolly - Broadway - December 27, 1970 - Closing Night Ethel Merman, Jack Goode, Russell Nype, June Helmers, Danny Lockin, Georgia Engel

Hello Dolly - Broadway - 1978 Carol Channing (Dolly Gallagher Levi), Eddie Bracken (Horace Vandergelder), Florence Lacey (Irene Molloy), Lee Roy Reams (Cornelius Hackl), Robert Lydiard (Barnaby Tucker), Alexandra Korey (Minnie Fay), K.T. Baumann (Ermengarde), Michael C. Booker (Ambrose Kemper), Johan Anania (Rudolph), P.J. Nelson (Ernestina)

Into the Woods March 17 1993 - Sydney Judi Connelli (Witch), Simon Chilvers (NarratoA ComposeMysterious Man), Tony Sheldon (Baker), Geraldine Turner (Baker's Wife), Pippa Grandison (Cinderella), Dean McRae (Jack), Melissa Jaffer (Jack's Mother), Sharon Millerchip (Little Red Ridinghood), Phillip Quast (Cinderella's Prince/Wolf), D. J. Foster (Rapunzel's Prince), Leonie Cambridge (Rapunzel), Deborah Wells (Cinderella's Stepmother), Jenny Vuletic (Florinda/Snow White), Jacquline Linke (Lucinda/Sleeping Beauty), Susanne Towers (Cinderella's MotheGranny)

Into the Woods March 28, 2012 - Baltimore Lauren Kennedy (Witch), Jeffry Denman (Narrator), Erik Liberman (Baker), Danielle Ferland (Baker's Wife), Jenny Latimer (Cinderella), Justin Scott Brown (Jack), Cheryl Stern (Jack's Mother), Dana Steingold (Little Red Ridinghood), Nik Walker (Cinderella's Prince/Wolf), Britney Coleman (Rapunzel), Robert Lenzi (Rapunzel's Prince/Cinderella's Father), Alma Cuervo (Cinderella's StepmotheGrandmotheGiant), Nikka Lanzarone (Florinda), Eleni Delopoulos (Lucinda), Jeremy Lawrence (Steward/Mysterious Man) Nice to have an audio of Danielle Ferland (the original Little Red Ridinghood on Broadway) as the Baker's Wife. She's amazing in "Moments in the Woods"!

La Cage Aux Folles - London - July 24, 2009 Philip Quast, Roger Allam, Nolan Frederick, Ben Deery, Alicia Davies, Tracie Bennett, Iain Mitchell, Abigail McKern, Adrian Der Gregorian, Scott Spreadbury, Matt Krzan, Nicolas Cunningham, Darren Carnall, Gary Murphy, Ben Bunce, Leanne Harwood, Robert Maskell

Little Shop Of Horrors The Comedy Theatre London 12th August 1985 Seymour - Barry James, Mushnik - Harry Towb, Audrey - Claire Moore, Orin and others - David Burt, Crystal - Nicola Blackman, Ronnette - Dawn Hope, Chiffon - Shezwae Powell, Audrey II - Gary Martin Notes: The track with "The Meek Shall Inherit" contains the following scene which includes "Somminex" and "Somewhere That's Green (Reprise)."

A Little Night Music January 23, 1973 ~ Boston (Opening night) George Lee Andrews, Len Cariou, Despo, Patricia Elliott, Beth Fowler, Hermione Gingold, Laurence Guittard, Garn Stephens, Glynis Johns, Judy Kahan, Mark Lambert, Barbara Lang, Victoria Mallory, Teri Ralston, Benjamin Rayson, Elaine Tomkinson, Gene Varrone

A Little Night Music October 17, 1995 ~ London Judi Dench (Desirée Armfeldt), Siân Phillips (Madame Armfeldt), Laurence Guittard (Fredrik Egerman), Joanna Riding (Anne Egerman), Brendan O'Hea (Henrik Egerman), Lambert Wilson (Count Carl-Magnus Malcolm), Patricia Hodge (Countess Charlotte Malcolm), Issy van Randwyck (Petra), Claire Cox (Fredrika), Di Botcher, Louise Reckon-Richards, Kate Dyson, Tim Godwin, Sylvia Griffin, Stephen Hanley, Paul Kynman, Joe Maddison, John Owen-Jones, Ernestina Quarcoo, Morag McLaren

Oliver! January 1965 ~ Chicago Ronny Kroll (Oliver Twist), Davey Jones (The Artful Dodger), Robin Ramsey (Fagin), Judy Bruce (Nancy), Danny Sewell (Bill Sykes), Alan Crofoot (Mr. Bumble), Bram Nossen (Mr. Brownlow), Dawna Shove (Widow Corney), John Miranda (Mr. Sowerberry), Ruth Maynard (Mrs. Sowerberry)

On the Town 1971 ~ Broadway Ron Husmann (Gabey), Jess Richards (Chip), Remak Ramsay (Ozzie), Donna McKechnie (Ivy Smith), Phyllis Newman (Claire De Loone), Bernadette Peters (Hildy), Tom Avera (Pitkin), Marilyn Cooper (Lucy Schmeeler), Fran Stevens (Maude P. Dilly)

Promises, Promises - 1968 Broadway soundboard Jerry Orbach (Chuck Baxter), Jill O'Hara (Fran Kubelick)

Rebecca Caine: No, No, Cosette - London - March 25, 2012 Rebecca reveals her dark side. Music by Blitzstein, Vernon Duke, Turnage, Ravenhill/Offenbach, Kern, Porter, Novello, Yeston, Coward and more. With Nathan Martin on piano.

Rocky Horror June 22, 1991, London Anthony Head (Frank N Furter), Craig Ferguson (Brad Majors), Zalie Burrow (Janet Weiss), Tim Whitnall (Riff Raff), Kate O'Sullivan (The Usherette/Magenta), Vicky Licorish (Columbia), Ivan Kaye (Dr. Scott/Eddie), Adam Caine (Rocky), Peter Bayliss (The Narrator), Ian Good (Phantom), Julia Hampson (Phantom), Penelope McGhie (Phantom), Paul Reeves (Phantom), Stephen Thiebault (Phantom), Mark Turnbull (Phantom) *Final performance

Sunday in the Park with George 1990 West End Phillip Quast (George), Maria Friedman (Dot/Marie), Sheila Ballantine (Old Lady/Blair Daniels), Nuala Willis (Nurse/Harriet Pawling), Michael O'Connor (Franz/Dennis), Nicolas Colicos (A SoldieAlex), Gary Raymond (Jules/Bob Greenberg), Nyree Dawn Porter (Yvonne/Naomi Eisen), Michael Attwell (A Boatman/Lee Randolph), Megan Kelly (Celeste #1), Clare Burt (Celeste #2/Betty), Aneirin Huws (Louis), Di Botcher (Frieda/Elaine), Ellen van Schuylenburch (Woman Looking for a Glove), Barry Atkinson (Man Playing the Horn), Matt Zimmerman (Mr./Charles Redmond), Vivienne Martin (Mrs./Billie Webster), Buffy Davis (A Waitress), Simon Fielder (A Photographer) -Tracked

Sweeney Todd (Broadway Revival: 1989) Bob Gunton (Sweeney Todd), Beth Fowler (Ms. Lovett), Jim Walton (Anthony), Gretchen Kinglsey (Johanna), David Barron (Judge Turpin), Micahel McCarty (Beadle Bamford), Eddie Korbich (Tobias), SuEllen Estey (Beggar Woman), Bill Nabel (Pirelli)

Sweeney Todd - Melbourne, Australia - June 21, 2019 Anthony Warlow and Gina Riley

West Side Story - Scandinavian tour - Copenhagen, Denmark - March 16, 1962 - Soundboard David Holliday (Tony), Jill Martin (Maria), Carole Gray (Anita), Rikki Septimus (Bernardo), Gordon Wales (Riff)

Video wants
Anything Goes London -- July 17, 2004 Sally Ann Triplett, John Barrowman, Martin Marquez, Simon Day, Mary Stockley, Susan Tracey, Rachel Stanley Amazing quality with a lot of close-ups! Almost look like it's a proshot! 2 DVDs

Assassins 12/21/90 ~ New York Victor Garber,Terrence Mann, Jonathan Hadary, Lee Wilkof, Annie Golden, Debra Monk, Patrick Cassidy, Greg Germann From Playwrights Horizons; one head in the way and filmed from very close; upgraded copy with clearer picture and sound; a very nice video A
Into The Woods Nancy Dussault (Witch), Cynthia Sikes (Baker's Wife), Chip Zien (Baker), Kim Crosby (Cinderella), Edmund Lyndeck (NarratoMysterious Man), Robert Westenberg (Cinderella's Prince/Wolf), Ben Wright (Jack), Barbara Bryne (Jack's Mother), LuAnne Ponce (Little Red), Marin Mazzie (Rapunzel), Dean Butler (Rapunzel's Prince), Merle Louise (Cinderella's MotheGranny/Giant), Joy Franz (Stepmother), Kay McClelland (Florinda), Teresa Burrell (Lucinda), Adam Grupper (Steward) Complete recording of Nancy Dussault in the role of the witch. The recording looks like it was professionally shot with one camera, maybe for media purposes. It is completely watchable, but unfortunately there is a decent amount of generational loss. File Format: VOB, 1 Disc

Into The Woods 1989, Broadway Betsy Joslyn, Dick Cavett, Chip Zien, Chuck Wagner, Barbara Bryne, Ben Wright, Danielle Ferland, Kim Crosby Broadway Highlights nicely filmed, about an hour's worth of footage; Cavett was still new and didn’t know all of the lines yet. A little dark at times, but good quality overall! File Format: VOB, 1 Disc

Into The Woods 1993 ~ Wytenshaw, England Caroline O'Conner, Grania Renihan, Glyn Kerslake, Charles Foster, Fenton Gray, Barry James, Di Botcher, Lindsey Dawson Very well filmed, extremely clear video. Almost looks pro shot with nice closeups and good sound A

Into The Woods 1993, Sydney, Australia Judi Connelli (Witch), Simon Chilvers (NarratoA ComposeMysterious Man), Tony Sheldon (Baker), Geraldine Turner (Baker's Wife), Pippa Grandison (Cinderella), Dean McRae (Jack), Melissa Jaffer (Jack's Mother), Sharon Millerchip (Little Red Ridinghood), Phillip Quast (Cinderella's Prince/Wolf), D. J. Foster (Rapunzel's Prince), Leonie Cambridge (Rapunzel), Deborah Wells (Cinderella's Stepmother), Jenny Vuletic (Florinda/Snow White), Jacquline Linke (Lucinda/Sleeping Beauty), Susanne Towers (Cinderella's MotheGranny)

A Little Night Music 1995 ~ London Dame Judi Dench, Joanna Riding, Siân Phillips, Issy Van Randwyk, Patricia Hodge Highlights of this legendary, amazing production from the National Theatre, London; some generation loss but nice video with good sound and some closeups, shaky. B+

Merrily We Roll Along 1981 ~ Broadway (Lonny Price, Jim Walton,Ann Morrison, Jason Alexander) UPGRADED!!! Amazing video considering its age, great sound A

Miss Saigon 1989 ~ London Lea Salonga, Jonathan Pryce, Simon Bowman, Claire Moore, Peter Polycarpou, Keith Burns From the Theatre Royal Drury Lane; Act I is highlights only with an almost complete Act II. Generation loss and spotlight washout but watchable and clear sound B

Nine 1982 ~ Broadway Raul Julia, Anita Morris, Karen Akers Very old, good for its time, picture is grainy, good close-ups Upgraded video with commerical from Anita Morris at start explaining that about her censored scene from the show; better video A

Noises Off 1983 ~ Broadway Dorothy Louden, Victor Garber, Brian Murray, Linda Thornson, Paxton Whitehead, Deborah Rush, Jim Piddock, Douglas Seale, Amy Wright Nicely filmed from the balcony, with occasional heads at the bottom of the frame. Surprisingly good considering it's age, but some slight generational loss. A-

Nymph Errant London -- 1989 Kaye Ballard, Andrea McArdle, Alexis Smith, Larry Kert, Lisa Kirk, Patrice Munsel, Maureen McGovern, Liliane Montevecchi Star-studded London concert presentation of the rarely seen Cole Porter musical. Some slight generation loss, but a very good quality video with excellent zooms.

Rocky Horror Picture Show 1990 Piccadilly Theatre, London. Mary Maddox (Usherette/Magenta), Gina Bellman (Janet), Adrian Edmondson (Brad), Jonathan Adams (Narrator), Edward Tudor-Pole (Riff Raff), Linda Davidson (Columbia), Richard O'Brien/Tim McInnerny (Frank N Furter), Adam Caine (Rocky), Gordon Kennedy (Eddie/Dr Scott), Zalie Burrow, Ian Good, Kate O'Sullivan, Paul Reeves, Stephen Thiebault (Phantoms)

The Music Man 1980 ~ Broadway Revival Dick Van Dyke Camcorder video; some generation loss B

The Three Musketeers 11/17/84 ~ Broadway, Revival Brent Spiner, Ron Taylor, Chuck Wagner, Liz Callaway, Marianne Tatum Nicely filmed from the balcony of this show that closed after just 9 performances. Some generational loss; DVD also includes a TV review by Pia Lindstrom; nice video A-
Here is my list: https://musicalsforall.weebly.com/
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2020.04.29 03:16 BadBrohmance The College Football Birthday Ranking

The offseason means meaningless rankings, from Way-Too-Early Top 25s to ranking conferences as ska songs. It’s inevitable. So I thought I would offer my own made-up ranking, by trying to figure out which day on the calendar has given us the greatest amount of great players.
At first, I was just curious about Heisman winners and which day of the year had the most Heismans. What I ended up with was 8 days tied with 2 Heismans each (including both of Archie Griffin’s for August 21st). After that unsatisfying conclusion, I decided to expand my list to include all of the winners of the Bednarik, Biletnikoff, Bronko Nagurski, Burlsworth, Butkus, Davey O’Brien, Doak Walker, John Mackey, Lou Groza, Maxwell, Outland, Paul Hornung, Jim Thorpe, Ray Guy, Rimington, Walter Camp, and William V. Campbell awards. This gave me 449 players that won 640 awards. While this did give me a winner with 6 players born on July 31st who combined for 8 awards, could I really call it the greatest birthday in college football history when only 5 of the 18 awards had been given out before 1990? No, I could not. In order to represent all 150 years of college football, I decided to include all of the players in the College Football Hall of Fame whose birthday I could find as well. In the end, I had 1314 players that were either in the Hall of Fame or had won a major award born over 358 days to help me rank the greatest college football birthday in history.
With over 1300 players listed, you would think that one date would stand out above the rest. You would be mistaken. After days of sorting 1314 players by their date of birth, 3 days were tied with 10 players that had won an award or been inducted in the Hall of Fame. In the end, I decided to rank the birthdays using the following criteria: first by the number of combined Hall of Famers and Award Winners, then by the number of Award winners, and finally by the number of awards won.
Before getting to the top birthdays in college football history, I want to give recognition to the 8 days had no players inducted into the hall of fame or winning an award. Those dates are: March 25th, April 28th, June 16th, June 30th, July 19th, October 21st, October 28th, and November 14th. Congratulations to everyone born on those days that were not worthy of the Hall of Fame or a college football award, no one else was worthy, either. With that out of the way, let’s get into the Top 10:
September 15th
Player School HOF Induction Awards
Reds Bagnell Penn 1977 1950 Maxwell
John Green Army 1989 N/A
Chic Harley Ohio State 1951 N/A
Dan Marino Pitt 2002 N/A
Gene McEver Tennessee 1954 N/A
John McGovern Minnesota 1966 N/A
Dan Mozes West Virginia N/A 2006 Rimington
Merlin Olsen Utah State 1980 1961 Outland
Aaron Ross Texas N/A 2006 Jim Thorpe
Will Shields Nebraska 2011 1992 Outland
By having 5 award winners, the three-way tie for first is won by September 15th, even though it had the fewest number of Hall of Famers in the top three with 8 instead of 10. Reds Bagnell finished just shy of adding another award, finishing 3rd in the Heisman voting in 1950. Sports Illustrated also thought Chic Harley and Gene McEver would have won the Heisman in 1916 and 1929, respectively, had the award been given out those years.
January 5th
Player School HOF Induction Awards
John Beckett Oregon 1972 N/A
Al Blozis Georgetown 1986 N/A
Paul Governali Columbia 1986 1942 Maxwell
Tracy Ham Georgia Southern 2007 N/A
E.J. Holub Texas Tech 1986 N/A
Frank Sundstrom Cornell 1978 N/A
Arnold Tucker Army 2008 N/A
Hube Wagner Pitt 1973 N/A
Ed Widseth Minnesota 1954 N/A
Buddy Young Illinois 1968 N/A
On the strength of Paul Governali’s Maxwell award, January 5th takes the second spot.. Paul was also the first runner-up for the Heisman in 1942, after throwing for 1,442 yards and 19 touchdowns in 9 games that season.
March 17th
Player School HOF Induction Awards
Johnny Bailey Texas A&M-Kingsville 2000 N/A
Sammy Baugh TCU 1951 N/A
Ray Beck Georgia Tech 1997 N/A
Joe Donchess Pitt 1979 N/A
Bill Hartman Georgia 1984 N/A
Bill Morley Columbia 1971 N/A
Pat O’Dea Wisconsin 1962 N/A
John Outland Penn 2001 N/A
Joe Stydahar West Virginia 1972 N/A
Bob Suffridge Tennessee 1961 N/A
In third place is March 17th, with no major Division I award winners, with Sammy Baugh coming in 4th in the Heisman Trophy voting in 1936. Johnny Bailey is the only three-time winner of the Harlon Hill Trophy, winning it from 1987-1989. John Outland is the namesake of the Outland Trophy, which is given to the best interior lineman in college football, and he was voted the “Most Popular Man” at the University of Pennsylvania in 1898.
March 26th
Player School HOF Induction Awards
Marcus Allen USC 2000 1981 Heisman, Maxwell, Walter Camp
Kris Farris UCLA N/A 1998 Outland
Buck Flowers Georgia Tech 1955 N/A
Nate Kaeding Iowa N/A 2002 Lou Groza
Harry Kipke Michigan 1958 N/A
Lee “Bum” McClung Yale 1963 N/A
Von Miller Texas A&M N/A 2010 Butkus
Jonathan Nichols Ole Miss N/A 2003 Lou Groza
Wesley Walls Ole Miss 2014 N/A
Leading March 26th into 4th place was Marcus Allen, who rushed for 2,342 yards and 22 touchdowns during the 1981 season, on his way to winning the Heisman, Maxwell, and Walter Camp Awards. Joining Marcus as award winners are Kris Farris and Von Miller, along with Nate Kaeding and Jonathan Nichols, because kickers are people, too.
May 1st
Player School HOF Induction Awards
Stan Barnes California 1954 N/A
Cliff Battles West Virginia Wesleyan 1955 N/A
Chuck Bednarik Penn 1969 1948 Maxwell
Roger Brown Maryland Eastern Shore 2009 N/A
Chris “Red” Cagle Army 1954 N/A
Ollie Matson San Francisco 1976 N/A
Erny Pinckert USC 1957 N/A
Josh Reed LSU N/A 2001 Biletnikoff
Zach Terrell Western Michigan N/A 2016 William V. Campbell
Earning the 5 spot is May 1st, with “Concrete Charlie” Chuck Bednarik leading the way, winning the 1948 Maxwell and finishing third in the Heisman Trophy race that year as well. Adding to the hardware for May 1st is Josh Reed and his Biletnikoff, and Zach Terrell with his William V. Campbell, which is also known as the “Academic Heisman”
July 31st
Player School HOF Induction Awards
Forrest Behm Nebraska 1988 N/A
Gene Goodreault Boston College 1982 N/A
Antonio Langham Alabama N/A 1993 Jim Thorpe
Michael Muñoz Tennessee N/A 2004 William V. Campbell
Jonathan Ogden UCLA 2012 1995 Outland
Brian Orakpo Texas N/A 2008 Bronko Nagurski
Andre Ware Houston 2004 1989 Heisman, Davey O’Brien
Chris Weinke Florida State N/A 2000 Heisman, Davey O’Brien
Riding the strength of its 6 major award winners, July 31st ends up in sixth place. Andre Ware and Chris Weinke lead the way, with both of them winning the Heisman and Davey O’Brien awards.
October 11th
Player School HOF Induction Awards
Bobby Anderson Colorado 2006 N/A
Earl “Dutch” Clark Colorado College 1951 N/A
Marcus Harris Wyoming N/A 1996 Biletnikoff
Joel Hunt Texas A&M 1967 N/A
Billy Price Ohio State N/A 2017 Rimington
Chris Spielman Ohio State 2009 N/A
Terrell Suggs Arizona State N/A 2002 Bronko Nagurski
Steve Young BYU 2001 1983 Dave O’Brien
Until I reached 7th place, I thought my ranking system was working. Then October 11th and June 24th decided to have 8 combined players between the award winners and Hall of Famers, with 4 players winning 4 awards each. This meant I had to find another difference between the two dates, and Steve Young provided the answer by being the fifth Hall of Famer to June 24th’s four. So October 11th gets 7th.
June 24th
Player School HOF Induction Awards
Bradley Chubb NC State N/A 2017 Bronko Nagurski
Brad Craddock Maryland N/A 2014 Lou Groza
Hollie Donan Princeton 1984 N/A
Bill Kelly Montana 1969 N/A
Ron Kramer Michigan 1978 N/A
Gaylord Stinchcomb Ohio State 1973 N/A
John Urschel Penn State N/A 2013 William V. Campbell
Antoine Winfield Ohio State N/A 1998 Jim Thorpe
Per the October 11th summary, June 24th loses out due to only having 4 Hall of Famers. Maybe a fifth will be added someday.
January 1st
Player School HOF Induction Awards
Jack Cloud William & Mary 1990 N/A
Pierce Holt Angelo State 1997 N/A
Mike McKeever USC 1987 N/A
Century Milstead Yale 1977 N/A
Jackie Parker Mississippi State 1976 N/A
Vince Pazzetti Lehigh 1961 N/A
Derrick Thomas Alabama 2014 1988 Butkus
Doak Walker SMU 1959 1947 Maxwell, 1948 Heisman
January 1st rounds out the dates with 8 award winners/Hall of Famers, due to only Derrick Thomas and Doak Walker winning awards.
March 2nd
Player School HOF Induction Awards
Reggie Bush USC N/A 2005 Heisman, Doak Walker, Walter Camp
Howard “Hopalong” Cassady Ohio State 1979 1955 Heisman, Maxwell
Sebastian Janikowski Florida State N/A 1998, 1999 Lou Groza
Wayne Meylan Nebraska 1991 N/A
Mike Nugent Ohio State N/A 2004 Lou Groza
John Sciarra UCLA 2014 N/A
Tua Tagovailoa Alabama N/A 2018 Maxwell, Walter Camp
There was a 15-place tie for 10th place with the dates all having 7 award winners/Hall of Famers. March 2nd takes the final spot in the Top 10 due to its 5 award winners. The 10 awards won by players born on March 2nd is the highest out of any day of the year.
There were 14 more dates tied with March 2nd with 7 combined hall of famers and award winners. They are, from 11th place to 24th, October 10th, September 6th, December 5th, a three-way tie for 14th between November 6th, December 16th, and December 21st, May 15th, April 2nd, November 24th, February 5th, a three-way tie for 21st between April 4th, August 16th, and December 12th, and finally, February 15th to round out the Top 24.
27 dates had 6 winners/hall of famers, with March 22nd and December 26th tying for 25th place. 50 finished with 5 players on the list, 82 with 4, 78 had 3, 58 with 2, 39 had only 1 player make my list.
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2020.04.23 13:09 kittehgoesmeow What A Day: Azar-y State Of Affairs by Sarah Lazarus & Crooked Media (04/22/20)

"I like mayo." - Deep Thoughts by Mark Warner channeling his inner Jack Handey

Bright And Wrong

The Trump administration abruptly removed the doctor who led the federal agency working on a coronavirus vaccine because he pushed back against the administration's efforts to promote President Trump’s favorite unproven drugs. Now he has become a whistleblower: “I am speaking out because to combat this deadly virus, science — not politics or cronyism — has to lead the way."
In Congress, House Democrats have backed off of a plan to change the House rules to allow proxy voting tomorrow, after Republicans objected.
Remember during Trump’s impeachment, a mere 400 years ago, when we learned that Trump fired an experienced career diplomat because she wouldn’t go along with his corrupt Ukraine scheme? We’ve just seen him do the same thing to a career scientist in a key public health role, in the middle of the worst public-health crisis in our lifetimes. Somebody ask Susan Collins if she still thinks Trump learned his lesson.

Look No Further Than The Crooked Media

So far, Six Feet Apart with Alex Wagner has covered the way coronavirus has impacted grocery shopping and our food supply, the rituals we have around celebrating life and grieving death, and even buying drugs. And tomorrow we’ll have the latest episode on our hands about sports! Hear how elite athletes are keeping their minds sharp and muscles strong in a moment of social isolation and deferred dreams. Subscribe wherever you listen to podcasts →

Under The Radar

Incarcerated people who are already vulnerable to infection are being put to work in pandemic supply chains, leaving them at even higher risk. Though prisons across the country have become coronavirus incubators, where thousands of inmates have fallen ill, nearly every state has also drafted inmates into production lines for their pandemic responses. In New York, inmates are bottling hand sanitizer they’re not allowed to use. In Florida, they’re sewing masks for prison guards, but don’t yet have access to masks themselves. Federal prisons, which have been hit particularly hard and have implemented quarantine measures, are still sending inmates to work in factories that do not adhere to social-distancing guidelines. Those production lines will fuel disastrous outbreaks in the prisons themselves, which will inevitably spread to larger communities.

What Else?

Harvard University said it won’t take the $8.6 million it was allocated in stimulus funding, following President Trump’s demand that it return the money, after he apparently confused the CARES Act aid package for universities with the Payroll Protection Program. Meanwhile, the Education Department said it will prohibit colleges from distributing those relief funds to students who are DACA recipients, which seems like the more important fight to be having?
The death toll in Nova Scotia’s shooting over the weekend has climbed to 22. The gunman attacked at 16 locations over the course of 12 hours, and police warned the death toll would likely rise further as they continue to comb through homes that were burned down.
A new U.N. report warned that COVID-19 could double the number of people around the world facing food insecurity by the end of the year, and that swift action is needed to get food and humanitarian relief to at-risk regions.
Tyson Foods suspended operation at its largest pork plant, after over 180 coronavirus cases in Iowa were linked to the facility.
Rep. Donna Shalala (D-FL) violated federal law when she failed to disclose her 2019 stock sales, which is a little sticky for her appointment to the coronavirus-relief oversight panel, but evidently not sticky enough for House Speaker Nancy Pelosi to withdraw her nomination.
Missouri has become the first state to sue China for its handling of the coronavirus. Mississippi is angling to be the second. Congratulations to these states’ Republican attorneys general on their illustrious careers doing substance-free public-relations work for Trump.
South Africa has confronted its coronavirus outbreak by sending thousands of medical workers door to door, rather than wait for infections to start overwhelming the health-care system. Imagine having a “plan” for something like a “disease outbreak.” What a world!
Museums on Twitter are competing to share the creepiest items in their collections. Honestly the plague mask is a little on the nose.

What In The World?

President Trump tweeted that the Navy should fire on Iranian boats if they “harass” U.S. warships in the Persian Gulf, which is not how the Navy’s rules of engagement work. Sure, it’s been a few weeks since Trump gave us all a reason to worry about an impending war with Iran, why not now! The tweet followed on the heels of Iran’s announcement that it had launched the country’s first military satellite into orbit. Joint Chiefs Vice Chairman Gen. John Hyten told reporters that the tweet was just meant as a warning to Iran, and that Navy commanders know not to actually act on it. Former Navy Secretary Ray Mabus said Trump probably meant the tweet as a distraction from COVID-19, which sounds like the key takeaway here.

What A Sponsor

It's Earth Day’s 50th birthday! To celebrate, don’t be trash. Stay home (if you can), protect your community, and protect the planet. Let’s make sure it doesn’t take another 50 years to defend what we love for generations to come. We can’t afford to wait any longer.
Young Defend Our Future activists are fighting every day to build a future that works for everyone — whether demanding just relief from the coronavirus or fighting for lasting climate action. And now we’re finding new ways for young activists to raise their voices safely and effectively to demand the changes we need.
Bring some activist chic vibes to your FaceTime dates and Zoom parties. Chip in $20 to support these fierce young heroes with your own “Don’t Be Trash, Protect the Planet” t-shirt.

Is That Hope I Feel?

Stacey Abrams and Andrew Yang have launched a campaign to provide $1,000 in direct payments to 100,000 families receiving SNAP benefits.
A24 is auctioning off props to raise money for New York City charities. Buy the Midsommar dress to fight coronavirus! Wear the Midsommar dress in every Zoom meeting for the rest of quarantine! A win-win, here.
Spotify has made it possible for musicians to link to their own fundraisers, or to COVID-19 relief fundraisers, from their artist landing pages.
Urban animals are just having an incredible time.

Enjoy

shawn on Twitter: "It's a wee bit ironic, he's in scrubs and she's hanging out the passenger side of her best friend's ride trying to holler"
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2020.04.08 21:51 hockeyfranchisedraft Round KARL ALZNER

Please reserve top-level comments for picks only.
Please comment to make your pick (please reserve top level comments for picks, and whatever comments you wish to make as replies, so that we can keep the thread organized).
VERY IMPORTANT NOTE: PM the person up next after you pick or mention the person's username in your comment (e.g. "FranchiseDraft is on the clock") which automatically sends them a PM . If you cannot due to being on mobile, mention this in your comment so that someone else can. Also if you are able to, it's super nice to ping them (@their username) ONCE on discord, but this is not mandatory.
If you don't think you will make it for your pick, please PM the mods with a couple of names.
Note: this will not always be fully up-to-date; please check comments
Clock will run from 10 AM EST - 1 AM EST. Each person has 4 hours to make their pick.
Last Pick: PM Clock Ends: PM OTC:
Pick User Player Team
1 fortythreenine Travis Hamonic Calgary Flames
2 swimbozak Miles Wood New Jersey Devils
3 specmence Juuso Valimaki Calgary Flames
4 professorwhat Evan Barratt Penn State
5 flykessel Marc Arcobello HC Lugano
6 RytheGuy97 Jacob Larsson Anaheim Ducks
7 meatb4ll Jack Hughes USNTDP
8 Bnavis Alex Beaucage Rouyn-Noranda Huskies (Colorado Avalanche)
9 genosnipesgenos Teemu Pulkkinen Dynamo Minsk
10 smashbros13 Johnny Boychuck New York Islanders
11 Amk725 Tyler Benson Bakersfield Condors
12 Dylan1496 Austin Wagner Los Angeles Kings
13 react_and_respond Kent Johnson Trail Smoke Eaters
14 GLG1993 Ben Chiarot Montreal Canadiens
15 thefuckinwolves(FutureGeriatric active as interim) Cam Talbot Calgary Flames
16 Lp165 Pius Suter ZSC Lions
17 Sarcastic__ Josh Brook Laval Rocket
18 BTR-Piggy Brayden Tracey Victoria Royals (Anaheim Ducks)
19 axepig Klim Kostin San Antonio Rampage
20 Dont_Call_Me_John Nick Bonino Nashville Predators
21 Chief_Red_Tomato Jan Mysak Hamilton Bulldogs
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2020.04.08 08:24 RaniPuspita 12 Taboos About Lisa Bonet You Should Never Share On Twitter Lisa Bonet

Touchstone Pictures/Photofest
It’s been two decades back almanac abundance consumer Rob (John Cusack) anecdotal his pinnacle bristles breakups, as in a position-bodied as his accord in progress, in High Fidelity. Throughout the 2000 movie, Rob makes lists to assay rite bootless courting.
The cine turning into $forty seven.1 actor on the all-around container appointment afterward its March 31, 2000 launch. High Fidelity, based totally on Nick Hornby’s 1995 abnormal of the aforementioned call, becoming approximately absolute reviews from critics and has a 91 percent bloom appraisement on Rotten Tomatoes.
Jack Black, Lisa Bonet, Joan Cusack, Tim Robbins, Sara Gilbert, Iben Hjejle, Todd Louiso, Lili Taylor, Catherine Zeta-Jones and Natasha Gregson Wagner moreover first-rate in the film, which turned into co-written with the aid of D.V. DeVincentis, Steve Pink, John Cusack, Scott Rosenberg and directed with the aid of Stephen Frears.
The rite avalanche afterwards the February 2020 admission of the Hulu television adaption of the radical, which stars Bonet’s babe Zoe Kravitz as Robyn “Rob” Brooks. In the up to date, gender-swapped series, Rob recounts her antecedent relationships with a agnate “pinnacle five” listing. The alternation additionally stars Jake Lacy, Da’Vine Joy Randolph and David H. Holmes.
In account of the film’s anniversary, The Hollywood Reporter takes a attending at what John and Joan Cusack, Black, Bonet, Gilbert and introduced of the High Fidelity aggregation are carrying out now.
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2020.04.04 15:11 OutlawsHeels 2020 NBA Draft Decisions Thread

NBA DRAFT 2020
WHO'S GONNA BREAK YOUR HEART THIS YEAR?
Okay, here's the deal. No one knows how exactly the draft process is going to work this year with the current pandemic. I'll be creating and maintaining this thread like normal, and will create updates at the bottom for any significant draft news. Other than that, it's the same as every year. Who's gonna break your heart and who's coming back?
As always, this thread is ongoing and most certainly not 100% accurate or complete. I try my best to find good sources, but let me know if you see something wrong. Please include a source if you can!
DATES
All dates are taken from the NBA
April 26 -- NBA Early Entry Eligibility Deadline (11:59 p.m. ET)
May 19 -- NBA Draft Lottery 2020 [DELAYED]
May 21-24 -- NBA Draft Combine 2020 [DELAYED]
Aug 3/10 Days after NBA combine -- NBA Draft Early Entry Entrant Withdrawal Deadline (5 p.m. ET) UPDATE
October 15 -- NBA Draft 2020 1
OFFICIAL NBA EARLY ENTRY LIST
Declared - Staying in, not returning
Alabama - Kira Lewis 1
Arkansas - Mason Jones 1
Arizona - Nico Mannion 1, Josh Green 1
Arizona State - Romello White 1
Butler - Jordan Tucker 1
Colorado - Tyler Bey 1
Creighton - Ty-Shon Alexander 1
Dayton - Obi Toppin 1
Duke - Tre Jones 1, Cassius Stanley 1, Vernon Carey Jr 1
Florida State - Devin Vassell 1, Patrick Williams 1
Georgetown - Omer Yurtseven 1
Georgia - Anthony Edwards 1, Rayshaun Hammonds 1
Houston - Nate Hinton 1
Iowa State - Tyrese Haliburton 1
Kansas - Devon Dotson 1
Kentucky - Ashton Hagans 1, Tyrese Maxey 1, Immanuel Quickley 1, Nick Richards 1, EJ Montgomery 1
Louisville - Jordan Nwora 1, Jay Scrubb 1
LSU - Emmitt Williams 1
Marquette - Brendan Bailey 1
Maryland - Jalen Smith 1
Memphis - James Weisman 1, Precious Achiuwa 1
Michigan - Isaiah Todd 1
Mississippi State - Nick Weatherspoon 1, Reggie Perry 1
NC State/High School - Josh Hall 1
Nevada - Jalen Harris 1
North Carolina - Cole Anthony 1
Ohio State - Alonzo Gaffney 1
Saint Mary's - Malik Fitts 1
San Diego State - Malachi Flynn 1
Syracuse - Elijah Hughes 1
Temple - Nate Pierre-Louis 1
Texas Tech - Jahmi'us Ramsey 1, David Moretti 1
UCLA/High School - Dashien Nix 1
USC - Onyeka Okongwu 1
Vanderbilt - Aaron Nesmith 1, Saben Lee 1
Villanova - Saddiq Bey 1
Washington - Isaiah Stewart 1, Jaden McDaniels [1])https://twitter.com/EvanDaniels/status/1259942003485392896?s=20)
Declared - No agent or considering return
Alabama - John Petty 1
Arizona - Zeke Nnaji 1
Arizona State - Remy Martin 1, Alonzo Verge 1
Arkansas - Isaiah Joe 1
Auburn - Isaac Okoro 1
Baylor - Macio Teague 1, Jared Butler 1
Boise State - Derrick Alston 1
Cincinnati - Keith Williams 1, Chris Vogt 1
Colorado - McKinley Wright 1
Creighton - Denzel Mahoney 1
Dayton - Jalen Crutcher 1
Delaware - Nate Darling 1
DePaul - Paul Reed 1
Florida - Andrew Nembhard 1, Tre Mann 1
Georgetown - Mac McClung 1
Gonzaga - Corey Kispert 1, Filip Petrusev 1, Joel Ayayi 1
Houston - Dejon Jarreau 1
Illinois - Kofi Cockburn 1, Ayo Dosunmu 1
Iowa - Luka Garza 1
LSU - Trendon Watford 1, Darius Days 1, Javonte Smart 1
Michigan - Isaiah Livers 1
Michigan State - Xavier Tillman 1
Minnesota - Daniel Oturu 1
Mississippi State - Robert Woodard II 1
Missouri - Jeremiah Tilmon, Xavier Pinson, Mitchell Smith 1
NC State - DJ Funderburk, Devon Daniels 1
Ohio State - Kaleb Wesson 1
Oregon State - Ethan Thompson 1
Pepperdine - Colbey Ross 1
San Diego State - Matt Mitchell 1
Seton Hall - Sandro Mamukelashvili 1
SMU - Isaiah Mike 1
Stanford - Tyrell Terry 1
St Johns - LJ Figueroa 1
St Josephs - Ryan Daly 1
Tennessee - Yves Pons 1
Tulane - Teshaun Hightower 1
UCF - Collin Smith, Darin Green 1
UCLA - Chris Smith 1
UNCG - Isaiah Miller 1
USF - David Collins 1
Utah - Timmy Allen 1
Vermont - Stef Smith 1
Virginia - Jay Huff 1
VCU - Marcus Santos-Silva 1
Wake Forest - Chaundee Brown 1
Washington State - CJ Elleby 1
Wichita State - Dexter Dennis 1
Xavier - Naji Marshall 1
Notable players returning to school
Alabama - Herb Jones 1
Austin Peay - Terry Taylor 1
Baylor - Mark Vital 1
Buffalo - Jayvon Graves 1
Colgate - Jordan Burns 1
Clemson - Aamir Simms 1
Dayton - Kellan Grady 1, Ibi Watson 1
Detroit - Antoine Davis 1
Duke - Matthew Hurt 1, Wendell Moore 1
Eastern Kentucky - Jomaru Brown 1
Florida - Scottie Lewis 1, Keyontae Johnson 1
Houston - Quentin Grimes 1
Indiana - Trayce Jackson-Davis 1
Iowa - Joe Weiskamp 1
Kansas - Ochai Agbaji 1, Marcus Garrett 1
Kentucky - Keion Brooks 1
Marshall - Jarrod West 1
Memphis - Landers Nolley 1
Michigan - Franz Wagner 1
Mississippi State - Abdul Abo 1
North Carolina - Garrison Brooks 1, Armando Bacot 1
Ohio State - CJ Walker 1
Oklahoma State - Isaac Likekele 1
Rhode Island - Fatts Russell 1
Richmond - Jacob Gilyard 1, Blake Francis 1, Grant Golden 1
Saint Louis - Jordan Goodwin 1, Hasahn French 1
SMU - Feron Hunt 1
South Carolina - AJ Lawson 1
Stony Brook - Elijah Olaniyi Transfer
UCLA - Jalen Hill 1
Utah State - Neemias Queta 1
Valparaiso - Javon Freeman-Liberty 1
Villanova - Jeremiah Robinson-Earl 1
Washington - Naz Carter 1
West virginia - Derek Culver 1, Oscar Tshiebwe 1
Wichita State - Morris Udeze 1
Xavier - Paul Scruggs 1
Other Aggregate Lists
247 Sports NBA Entry Tracker
NBC Sports NBA Entry Tracker
WatchStadium NBA Entry Tracker
FAQ:
  1. What's an agent? - An agent is someone you pay to help you in becoming and being a professional basketball player. Essentially all players have these when they're pros. The significance of it to us is that per NCAA rules, once a player has signed with or given/received money from an agent, they FORFEIT any remaining college eligibility. They are no longer considered amateurs.
  2. What about the new NCAA Rules? - The NCAA has changed the above rule, a little. Players have the option now to retain an agent after the season. The agents can pay for players’ meals, lodging and travel during the negotiation period. The agents also must be certified by the NCAA, and the players have to terminate the relationship if they return to a school. Players can also now return to school after going undrafted without losing eligibility, but only if they participated in the NBA combine. For more info, check these articles by SI and USA Today
  3. A senior has reported signing an agent, what does that mean? - Not a thing for us. Seniors, or players who have played a full 4 years, no longer have any eligibility remaining, so they really don't have a reason to not sign an agent if they play to pursue a career in basketball. Since they can't return to school, their hiring of an agent or leaving for the draft isn't really news, and won't be listed here. This list is only for players making a choice to forgo playing more in college.
  4. I believe you've missed a player, can you add them to the list? - Yep, I'm sure I'll miss some people. Make a comment saying "u/OutlawsHeels - I think you've missed [player]" and I'll add them. Bonus points if you include a reputable source in your post.
  5. A players status has changed, how should I report this? - Same as above, just ping me.
  6. Why are most of these links just links to Jon Rothstein and Evan Daniels on twitter? - I just like & follow both reporters, plus they usually break a lot of news and are the first sources I can find.
LAST YEAR, 2018
submitted by OutlawsHeels to CollegeBasketball [link] [comments]


2020.03.19 15:00 netflix [NEWS] Everything Coming To Netflix Globally In April (2020)

NETFLIX ORIGINAL SERIES

April 1
Nailed It!: Season 4
The hosts you love, the hot messes you crave. Welcome back to the "Nailed It!" kitchens, where anyone — like, literally, anyone — can win.
Sunderland 'Til I Die: Season 2
After two consecutive seasons of failure, Sunderland hope to get things turned around as they face a new season in the third tier of English soccer.
April 3
La casa de papel/Money Heist: Part 4
Lives are on the line as the Professor's plan begins to unravel and the thieves must fend off enemies from both inside and outside the Bank of Spain.
April 7
TERRACE HOUSE: TOKYO 2019-2020: Part 3 (excluding: JP)
Life in Tokyo continues: doors open and close in the house, bonds are born and tested. As Ruka takes his next step, Hana meets new rivals.
April 10
Brews Brothers
These two estranged brothers know everything there is to know about brewing beer. If only they knew something about being a family.
April 15
Outer Banks
A tight-knit group of teens unearths a long-buried secret, setting off a chain of illicit events that takes them on an adventure they'll never forget.
April 16
Fary: Hexagone: Season 2
Fary returns to the stage to unpack his complicated feelings on faith, social media influencers, beat boxing and his native France.
Fauda: Season 3
Doron ensnares a determined young boxer when a months-long covert mission puts the team on the trail of a Hamas leader high on Shin Bet's wanted list.
April 17
#blackAF
Kenya Barris and Rashida Jones star in this family comedy series inspired by Barris's real life.
April 18
Hyena (ex APAC)
To survive in a dog-eat-dog world, two rival lawyers with high-class clientele tear apart anything that stands in the way of their ambitions.
April 20
Cooked with Cannabis
Chefs compete to get the hosts and special guests high on elevated cannabis cuisine with their artful use of leafy herb, THC infusions and CBD sauces.
The Midnight Gospel
Drawing on interviews from the “Duncan Trussell Family Hour” podcast, Pendleton Ward's new animated series follows a spacecaster who travels the galaxy searching for the meaning of life.
April 22
Absurd Planet
A cast of quirky critters and Mother Nature herself narrate this funny science series, which peeks into the lives of Earth’s most incredible animals.
Win the Wilderness (excluding: UK/IE)
Six couples vie for the deed to a remote Alaskan lodge by proving which is the fittest to survive in a breathtakingly pristine but rugged wilderness.
April 23
The House of Flowers : Season 3
The dark comedy series about a wealthy Mexico City family with secrets returns for Season 3.
April 24
After Life: Season 2
Set in the small fictitious town of Tambury, the comedy-drama series follows Tony (Ricky Gervais), a writer for the local newspaper whose life is upended after his wife dies from cancer. In series 2, whilst still struggling with immense grief for his wife, we see Tony try to become a better friend to those around him. Each grappling with their own problems and only to be intensified by the looming threat of the local newspaper being shut down. Will the town’s local Am-Dram show lift everyone’s spirits?
April 26
The Last Kingdom: Season 4 (excluding: IT, PL, MENA, ZA, Nordics)
As Edward and Aethelflaed spar over the future of Mercia and their father's dream of a united England, Uhtred tries to recover his lost birthright.
April 27
Never Have I Ever
A coming-of-age comedy series about the life of a modern first-generation Indian American teenage girl, inspired by Mindy Kaling's own childhood.
April 29
Extracurricular
Extracurricular is a story of high school students who become tangled in a series of conflicts and events that challenge human values and morality. Jisoo ends up committing a serious crime because of his determination to make college tuition money on his own, by any means. Minhee gets caught up in Jisoo's crime while Jisoo’s schoolmate Gyuri becomes involved in the same crime.
Nadiya’s Time to Eat (excluding: UK/IE)
On this cooking show, Nadiya Hussain serves up delicious shortcuts, vital ingredients and fast favorites — perfect for today's time-strapped families.
Summertime
Inspired by Federico Moccia's books, this series follows Summer, who longs to leave her small town and see the world, as she meets Ale, a motorcyclist.
April 30
The Forest of Love: Deep Cut
Nothing's as it seems when a charismatic conman and an aspiring film crew delve into the lives of two emotionally scarred women.
The Victims' Game
After discovering his estranged daughter's link to mysterious murders, a forensic detective with Asperger's syndrome risks everything to solve the case.

FILMS

April 3
Coffee & Kareem
While police officer James Coffee (Ed Helms) enjoys his new relationship with Vanessa Manning (Taraji P. Henson), her beloved 12-year-old son Kareem (Terrence Little Gardenhigh) plots their break-up. Attempting to scare away his mom’s boyfriend for good, Kareem tries to hire criminal fugitives to take him out but accidentally exposes a secret network of criminal activity, making his family its latest target.
Money Heist: The Phenomenon
This film takes a look at why and how "Money Heist" sparked a wave of enthusiasm around the world for a lovable group of thieves and their professor.
April 10
La vie scolaire
In one of the poorest areas of Paris, a school counselor devotes herself to working with disadvantaged students, while facing challenges of her own.
Love Wedding Repeat
In this innovative romantic comedy about the power of chance, alternate versions of the same wedding unfold as Jack (Sam Claflin) tries to make sure his little sister has the perfect wedding day. But he'll have to juggle an angry ex-girlfriend, an uninvited guest with a secret, a misplaced sleep sedative, and unexpectedly reuniting with the girl of his dreams who got away, Dina (Olivia Munn).
The Main Event
Using special powers from a magical mask, a young WWE fan causes chaos when he enters a wrestling competition and fights an intimidating rival.
Tigertail
In New York, Grover (Tzi Ma) reflects on the love of his past and his departure from Taiwan, which he revisits years later with his daughter Angela.
April 17
Betonrausch
Based on true events, this film charts the rise and fall of two real estate fraudsters in Germany, as they are caught in their own web of lies and deceit.
Earth and Blood (La terre et le sang)
After decades of successfully running a sawmill in the Ardennes, hiring ex-cons and young offenders, Said receives an unwelcome visitor: a cartel.
Legado en los huesos (excluding: DACH, ES, KR)
In this sequel to "The Invisible Guardian," Inspector Amaia Salazar investigates a suicide connected to a big murder case she had previously solved in Northern Spain.
Sergio
Charismatic and complex, Sergio Vieira de Mello (Wagner Moura) has spent the majority of his storied career as a top UN diplomat working in the world’s most unstable regions, deftly navigating deals with presidents, revolutionaries, and war criminals for the sake of protecting the lives of ordinary people. But just as he readies himself for a simpler life with the woman he loves (Ana de Armas), Sergio takes one last assignment — in Baghdad, newly plunged into chaos following the US invasion.
April 22
El silencio del pantano (excluding: ES)
A successful, cold-blooded crime novelist gets involved in a kidnapping case while uncovering the corrupt ties between politicians and the local mafia in Valencia, Spain.
The Plagues of Breslau
After a body is found sewn inside a cow hide, a Wrocław detective discovers a killer is recreating an 18th-century "plague" of criminal punishments.
April 24
Extraction
Tyler Rake (Chris Hemsworth) is a fearless black market mercenary with nothing left to lose when his skills are solicited to rescue the kidnapped son of an imprisoned international crime lord. But in the murky underworld of weapons dealers and drug traffickers, an already deadly mission approaches the impossible, forever altering the lives of Rake and the boy. An action-packed, edge-of-your-seat thriller directed by Sam Hargrave, EXTRACTION is an AGBO Films and TGIM Films, Inc. production, produced by Joe Russo, Anthony Russo, Mike Larocca, Chris Hemsworth, Eric Gitter, and Peter Schwerin.
April 30
Dangerous Lies
After losing her waitressing job, Katie Franklin (Camila Mendes) takes a job as a caretaker to a wealthy elderly man in his sprawling, empty Chicago estate. The two grow close, but when he unexpectedly passes away and names Katie as his sole heir, she and her husband Adam (Jessie T. Usher) are pulled into a complex web of lies, deception, and murder. If she's going to survive, Katie will have to question everyone's motives — even the people she loves. DANGEROUS LIES is directed by Michael Scott, and also stars Jamie Chung, Cam Gigandet, Sasha Alexander, and Elliott Gould.
Rich in Love (Ricos de Amor)
Working incognito at his rich dad's company to test his own merits, Teto falls for Paula and tells her he grew up poor, a lie that spins out of control.

DOCUMENTARIES

April 1
How to Fix a Drug Scandal
Two drug lab chemists' shocking crimes cripple a state's judicial system and blur the lines of justice for lawyers, officials and thousands of inmates.
April 10
LA Originals
Known for their ties to Chicano street life and hip hop, Estevan Oriol and Mister Cartoon trace their journey from gifted artists to cultural pioneers.
April 15
The Innocence Files
The Innocence Files shines a light on the untold personal stories behind eight cases of wrongful conviction that the nonprofit organization the Innocence Project and organizations within the Innocence Network have uncovered and worked tirelessly to overturn. The nine-episode series is composed of three compelling parts - The Evidence, The Witness and The Prosecution. These stories expose difficult truths about the state of America’s deeply flawed criminal justice system, while showing when the innocent are convicted, it is not just one life that is irreparably damaged forever.
Circus of Books
For nearly four decades, unassuming couple Karen and Barry Mason ran Circus of Books, an LA porn store that became a hub for the local gay community.
April 29
A Secret Love
A Secret Love tells an incredible love story between Terry Donahue and Pat Henschel, whose relationship spans nearly seven decades. Terry played in the women’s professional baseball league, inspiring the hit movie A League of Their Own. But the film did not tell the real-life story of the women who remained closeted for most of their lives. This documentary follows Terry and Pat back to when they met for the first time, through their professional lives in Chicago, coming out to their conservative families and grappling with whether or not to get married. Facing the hardships of aging and illness, their love proves resilient as they enter the home stretch.
Murder to Mercy: The Cyntoia Brown Story
After 16-year-old Cyntoia Brown is sentenced to life in prison, questions about her past, physiology and the law itself call her guilt into question.

COMEDY SPECIALS

April 1
David Batra: Elefanten I Rummet
Swedish stand-up David Batra gets personal as he playfully details the perks and pitfalls of being married to a recently resigned political leader.
The Iliza Shlesinger Sketch Show
Hold on to your top knot and grab your remote for the upcoming six-part sketch series, The Iliza Shlesinger Sketch Show. Executive produced and starring comedian Iliza Shlesinger who leads her ensemble cast in this hilarious satire-filled series packed with insane original characters who inhabit the landscape of all the content we love to consume and make fun of.
April 14
Chris D'Elia: No Pain
Stand-up comic, actor, writer, and host of the Congratulations podcast, Chris D’Elia returns for his latest Netflix comedy special, Chris D’Elia: No Pain.
April 16
Mauricio Meirelles: Levando o Caos
Brazilian comedian Mauricio Meirelles performs a stand-up special shot in São Paulo.
April 21
Middleditch & Schwartz
Thomas Middleditch and Ben Schwartz bring their two-person comedy show, Middleditch & Schwartz, to a global audience in a collection of three completely improvised Netflix comedy specials. Each performance is based entirely on a random audience suggestion. All three parts, each filmed at the NYU Skirball Center for the Performing Arts, will premiere on Netflix on April 21, 2020.
April 24
Yours Sincerely, Kanan Gill
Measuring his adult life against the goals set in a letter written as a teen to his future self, Kanan Gill’s takeaways get dark – yet oddly illuminating.

FAMILY

April 3
Spirit Riding Free: Riding Academy
A new chapter begins for Lucky and her friends as they leave Miradero behind to live and learn at the prestigious Palomino Bluffs Riding Academy.
StarBeam
A real kid with real superpowers has a tech-wiz best friend who becomes her sidekick. Together with their seagull pal, they protect their seaside city.
April 6
The Big Show Show
Former WWE wrestler The Big Show is out of the ring and ready for an even tougher challenge: raising three daughters with his wife in Florida.
April 17
The Last Kids on Earth: Book 2
Jack, June, Quint and Dirk set out to find missing zombies, reclaim their town and maybe — just maybe — finally score a seat at the cool table.
April 22
The Willoughbys
Convinced they’d be better off raising themselves, the Willoughby children hatch a sneaky plan to send their selfish parents on vacation. The siblings then embark on their own high-flying adventure to find the true meaning of family.
April 24
Hello Ninja: Season 2

ANIME

April 9
Hi Score Girl: Season 2 (excluding: JP)
They've leveled up to high school, training at arcade fighting games along the way. Now Haruo, Akira and their friends face their final level.
April 30
Drifting Dragons (excluding: JP)
Dragons are on the menu as the crew of the airship Quin Zaza sets out on a hunt. If they fail, empty stomachs will be the least of their worries.
submitted by netflix to NetflixBestOf [link] [comments]


2020.03.06 02:30 HockeyMod Game Thread: Toronto Maple Leafs (35-24-8) at Los Angeles Kings (25-35-6) - 05 Mar 2020 - 10:30PM EST

Toronto Maple Leafs (35-24-8) at Los Angeles Kings (25-35-6)

STAPLES Center, Los Angeles, CA, USA

Comment with all tables

Watch, Listen and Talk:

TV FS-W
Streams First Row - ATDHE - Vipbox - StreamHunter - LiveTV - /nhlstreams
Listen TOR - LAK
Other-Away Preview - Boxscore - Recap
Other-Home Preview - Boxscore - Recap
GameCenter On NHL.com

Projected Lineups

Left Center Right Left Center Right
Alex Iafallo Anze Kopitar Dustin Brown Zach Hyman Auston Matthews Mitch Marner
Adrian Kempe Blake Lizotte Martin Frk William Nylander John Tavares Alexander Kerfoot
Trevor Moore Gabriel Vilardi Trevor Lewis Kyle Clifford Jason Spezza Kasperi Kapanen
Nikolai Prokhorkin Mike Amadio Austin Wagner Pierre Engvall Frederik Gauthier Denis Malgin
Left D Right D Left D Right D
Ben Hutton Drew Doughty Martin Marincin Tyson Barrie
Mikey Anderson Matt Roy Travis Dermott Justin Holl
Kurtis MacDermid Sean Walker Calle Rosen Timothy Liljegren
Goalies Goalies
Jonathan Quick Frederik Andersen
Cal Petersen Jack Campbell

In-Game Updates

Time Clock
FINAL
Teams 1st 2nd 3rd OT SO Total
0 0 0 0 0 1
0 0 0 0 1 2
Team Shots Hits Blocked FO Wins Giveaways Takeaways Power Plays
36 14 12 44.9% 6 6 0/3
30 19 12 55.1% 8 10 0/3
Period Time Team Strength Description
SO 00:00 --- Adrian Kempe - Wrist Shot
SO 00:00 --- William Nylander - Backhand
SO 00:00 --- Anze Kopitar - Wrist Shot
Period Time Team Type Min Description
OT 00:31 Minor 2 John Tavares Hooking against Alex Iafallo
3rd 01:13 Minor 2 Adrian Kempe Slashing against William Nylander
2nd 16:24 Minor 2 Drew Doughty Tripping against John Tavares
1st 17:19 Minor 2 Timothy Liljegren Holding against Martin Frk
1st 14:23 Minor 2 Martin Marincin Slashing against Adrian Kempe
1st 08:33 Minor 2 Trevor Lewis Holding against William Nylander

Injuries

Player Injury Date Status
None
-- -- -- -- --
None

Thread Notes:

  • Please keep it civil
  • This thread is completely bot-generated, unfortunately it can only be as accurate as the sites it pulls data from
  • For streams, please check /NHLStreams

Join the leafs Discord Server!

Chat about the Leafs, hockey, and just about anything else whenever you want with other Leaf fans! Click the link above or use this alternative link: https://discord.me/rleafs

Go Leafs Go!

submitted by HockeyMod to leafs [link] [comments]


2020.02.22 17:05 bravo_delta_bot Spring Training Game 1: New York Mets (0-0) @ St. Louis Cardinals (0-0) [Saturday, February 22, 2020; 12:05 PM CT]

Linescore 1 2 3 4 5 6 7 8 9 R H E LOB
Mets 0 0 0 0 0 0 0 0 0 0 7 0 9
Cardinals 0 1 0 0 0 0 0 1 2 8 0 7
Mets Lineup
  1. Amed Rosario (R) DH -- .000/.000/.000 --- Wagner Lagrange (R) DH -- 1.000/1.000/1.000
  2. Brandon Nimmo (L) CF -- .000/.333/.000 --- Johneshwy Fargas (R) CF -- .000/.000/.000
  3. J.D. Davis (R) LF -- .500/.500/1.000 --- Jake Mangum (S) LF -- .500/.500/.500
  4. Dominic Smith (L) 1B -- .000/.000/.000 --- David Thompson (R) 1B -- .000/.000/.000
  5. Eduardo Nunez (R) 3B -- .000/.000/.000 --- Blake Tiberi (L) 3B -- .000/.000/.000
  6. Luis Guillorme (L) SS -- .500/.500/.500 --- Edgardo Fermin (R) SS -- .000/.500/.000
  7. Ryan Cordell (R) RF -- .000/.000/.000 --- Braxton Lee (L) RF -- .500/.500/.500
  8. Rene Rivera (R) C -- .000/.500/.000 --- Ali Sanchez (R) C -- .000/.000/.000 --- Patrick Mazeika (L) C -- .500/.500/.500
  9. Jake Hager (R) 2B -- .500/.500/.500 --- Luke Ritter (R) 2B -- .000/.000/.000
Starting Pitcher: Marcus Stroman, 6.75 ERA
Cardinals Lineup
  1. Dexter Fowler (S) RF -- .000/.000/.000 --- Nolan Gorman (L) 3B -- .333/.333/.333
  2. Matt Carpenter (L) 3B -- 1.000/1.000/1.000 --- Justin Williams (L) RF -- .000/.000/.000
  3. Paul Goldschmidt (R) DH -- .000/.500/.000 --- Austin Dean (R) DH -- .000/.000/.000
  4. Yadier Molina (R) C -- .000/.000/.000 --- Andrew Knizner (R) C -- .500/.500/1.500
  5. Tyler O'Neill (R) LF -- .500/.500/2.000 --- Dylan Carlson (S) CF -- 1.000/1.000/1.000
  6. Tommy Edman (S) SS -- .000/.000/.000 --- Yairo Munoz (R) LF -- .000/.000/.000
  7. Brad Miller (L) 2B -- .000/.500/.000 --- Max Schrock (L) 2B -- .000/.000/.000
  8. Rangel Ravelo (R) 1B -- 1.000/1.000/1.000 --- Edmundo Sosa (R) SS -- .000/.000/.000
  9. Lane Thomas (R) CF -- .000/.000/.000 --- John Nogowski (R) 1B -- .500/.500/.500
Starting Pitcher: Jack Flaherty, 0.00 ERA
Stats: BA/OBP/SLG
Links
Scoring Plays

FINAL: 2-0 Cardinals

Decisions
submitted by bravo_delta_bot to Cardinals [link] [comments]


2020.02.15 01:05 Nickbotic Update on 100% True: The History of Creepypasta and Internet Horror podcast!

Hi all!
If you're new around here, you likely haven't the foggiest of who I am. I'm Nick Botic, I used to be what could be referred to as a "prolific" poster in the strange, scary, beautiful place that is NoSleep. Over time, I have branched out into other ventures, one of which comes in the form of my forthcoming podcast, "100% True: The History of Creepypasta and Internet Horror"
Quick side note - I hate the term "creepypasta", fucking despise it. I take what I do seriously, and for whatever reason, 'creepypasta' just sounds like something that doesn't have to be taken seriously. It is absolutely a personal gripe, and if you like the term, I absolutely respect that. I just feel the need to be transparent.
I made a post a while back officially announcing the project, but since then, some things have fallen into place, and I wanted to give those few of you who were interested an update on the goings on!
For starters, I have been accepted into a podcast network, sight unseen. I'm working with some truly awesome folks, people I've worked with on various things in the past, who are going to get 100% True out to as many people as possible, which will only serve to help its longevity.
Now that that's out of the way, let's get to the part you care about: just what the hell is going to be talked about.
I've spoken to so many incredible people, some of whom who are legitimately inspirations to me, people that are unequivocally the reason I started writing. Let's go down the list.
Ted the Caver - I did an interview with the man who is credited with starting it all, the author of the first creepypasta ever made, Mr. Ted Heggeman himself.
The Expressionless - As a fan of internet horror, perhaps you're familiar with the classic image of hospital workers doing their damnedest to hold down a woman with a pale, blank face. This image and its accompanying story were put forth by my good friend, Reddit's own u/tjaylea! TJ and I have an awesome conversation on a variety of topics, including the creation of this classic creepypasta!
My Romantic Cabin Getaway Isn't Going Exactly As Planned - If you've ever looked at any OOC posts having to do with the subject of "What are your all time favorite NoSleep stories?", and followed the recommendations, then you've heard of this absolute classic. I was fortunate enough to speak with the incredible u/TheColdPeople about his series, and was truly honored that the author of what is MY favorite NoSleep entry of all time took the time to do so.
Jeff the Killer - That's right, that Jeff the Killer. That creepy ass, fuckin'...horrible picture that I hate with every fiber of my being, and the...admittedly lackluster stories attached to it. I was lucky enough to be put in contact with the creator of that image, who also happens to be the author of the ORIGINAL story attached to it, which is NOT the one you may be familiar with. I go into what the original idea for Jeff was, the impact it had, and what the future holds for Jeff.
Slender Man - I go into the history of what is arguably the most recognizable face (or lack thereof) in our little genre. From its humble beginnings in a Photoshop contest to the real-life act of violence the character inspired, I give as comprehensive a background on Slender Man as I can. I even get help from Troy Wagner, creator of the web series "Marble Hornets", one of the most well-known projects to spring from the creation of the pale, lanky sonofabitch.
Borrasca - Much like "Romantic Cabin Getaway", "Borrasca" is regarded as one of NoSleep's all-time greatest hits. The wonderful, astonishingly talented CK Walker, known around these ways as u/The_Dalek_Emperor, was kind enough to answer several questions for me, all of which provide an insight into her harrowing series that we as an audience haven't had the opportunity to ever before see.
Tales From the Gas Station - Thanks to the incredible u/GasStationJack, I'm able to bring you a wealth of background to one of NoSleep's favorite series!
Runners - A principle series that inspired me to start writing for NoSleep, "Runners" was written by u/iia, someone who was kind enough to discuss his work with me, providing never-before-heard details on his incredible work!
Channel Zero - Perhaps you've heard of the SyFy Network's TV series which ran for four seasons, each of which adapted a well-known creepypasta, including No-End House and Candle Cove (which I was fortunate enough to speak with the original writer of as well!)! I spoke to creator Nick Antosca (whose film "Antlers" releases in a couple months) and the star of seasons 3 & 4, Brandon Scott, about bringing these classic online horror stories to life!
NoSleep itself - With the help of its longest-serving moderator, the extremely helpful u/KBPrince0, I give you the history of NoSleep itself, from its early beginnings as a general horror board littered with low-quality posts, to the nearly 14-million member strong, thriving community of top shelf horror literature it is today!
There's more too. I'm in various stages of contact with so many more authors of the stories you love, and I can't wait to share this project with all of you. As of right now, there is no official release date, as the particulars with the podcast network are still being worked out. Just know that I'm hard at work reaching out, researching, writing, and recording.

Also, knowing what I have in store for you, I would love it if you guys could throw out some more suggestions for people you wanna hear from and stories you wanna hear about!

Thank you all for your patience as I polish everything and all the i's get crossed and t's get dotted. I really feel like this is gonna be something awesome.
I'll be back in touch as soon as I have a release date!
Nick Botic
nickbotic.com
submitted by Nickbotic to NoSleepOOC [link] [comments]


2020.01.16 00:34 tomhwm I’m SAD and MAD because this Bruins team is WEAK!

I assume all of us know Bruins are being taken advantage of the physical game ALL-SEASON LONG! While most of us are looking for a personnel change (which I don’t oppose), I think the MENTALITY part is equally a big problem if not more serious.
I understand they don’t want to bring up the physicality because they are usually the more skillful team and can win the game with that and some players on this team are injury-prone. But when the hame starts to get chippy, they need to RESPONSE! I just feel this team play with a mindset that if we don’t play physical then the other team won’t as well. WAKE THE FxxK UP! This is a game of hard physical battle, not a game to play for moral victory! People won’t be nice to you just because you’re weak. So many times this season we saw Bruins players get cheapshot (let alone in a situation it was your goaltender yesterday) but there’s no response at all! No fights and not even big hits later in the game. They keep playing like nothing has happened. This gives the other team the green light of knowing they don’t have to pay the price for crossing the line (also thanks to the refs). Despite the refs being terrible, you still need to stand up and defend yourself rather than waiting for the refs to bring the justice.
Also this team seems very reluctant to finish their checks and punish the opponent when the opportunities are there. When a defenseman is handling puck in his corners and you’re closing on him, you need to throw your body in there and slam him towards the board. When someone is bringing the puck through neutral zone with their heads down or looking for an outlet for the pass, you need to step up and deliver a hard check. I understand you want to curl back for the back-check or maybe don’t want to give up a breakaway for missing the hit, but you need to find a balance between the two instead of choosing the conservative one all the time not to mention most of the time doing that wouldn’t cause you defensively at all. When I watch games, sometimes I get so mad that I even want to trade a couple goals for some big hits. As you watch you can simply feel that lack of energy. It just feels bad to see players on your team get banged around and they can’t do it to the other team, no matter we win or lose.
Go back to the game against Washington before Christmas. After we blow them up they started to make things ugly. Of course that didn’t look good. But the way we did nothing after having nothing go our way and our goalie being knocked out by a dirty play looked way worse to me.
Two years ago (I understand we’re not the same team 10 years ago but this was only 2 years ago) when Charlie McAvoy was a rookie, he completed a Geordie Howe hat trick against the Blue Jackets with a fight win over Pierre-Luc Dubois (Yes, the same Blue Jackets team!). I remember Jack Edwards say the Bruins have coaching staffs down in Providence teaching young players how to fight when they turn pro. Two years later I don’t know if they still have that, but it seems the don’t even have someone on the team who teaches players how to hit or they maybe just tell the players not to throw hits. This is a very confusing and disappointing thing for me.
I’m also sad that Brett Ritchie is place on waiver yesterday, although he’s probably gonna clear and we’ll keep him in Providence. Yes he never succeeded in a role of a power forward who can provide some scoring alongside Krejci. But really that expectation from the first point was too high for him. However, he’s been doing a decent job in providing physicality, especially recently. You look at Bruins players’ hit stats, excluding Frederic (who played just 2 games), Ritchie’s hit/60 is No.1 at 19.01. After that is Brendan Gaunce (who played 1 game), then Chris Wagner at 13.27, followed by Connor Clifton and David Backes (both are mostly depth players now). Then it would be Nordstrom at 9.48, Kuraly at 8.86 and then McAvoy at 5.84. This guy is literally twice as effective as all of your other players except Wagner in body-checking yet they don’t want him just because he can’t reach whatever high expectation they have for him.
I’ve never thought this would ever be an area of concern for the BOSTON BRUINS. I know the “BIG BAD BRUINS” is kind of an out-of-date notion in current NHL but I don’t want this team to be a “GOOD WEAK BRUINS” at any point. COME ON BRUINS HAVE SOME ENERGY PLEASE!
submitted by tomhwm to BostonBruins [link] [comments]


2020.01.11 06:06 Test_bank_2019 Test Bank and Solution manual list 12 2020 - 2021

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Enger - Concepts in Biology - 13, ISBN 0073403431 Test Bank
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2019.12.29 16:03 HockeyMod Game Thread: Buffalo Sabres (17-15-7) at Boston Bruins (23-7-9) - 29 Dec 2019 - 07:00PM EST

Buffalo Sabres (17-15-7) at Boston Bruins (23-7-9)

TD Garden, Boston, MA, USA

Time

PT MT CT ET AT
04:00PM 05:00PM 06:00PM 07:00PM 08:00PM
Time Clock
FINAL
Teams 1st 2nd 3rd Total
0 1 1 2
1 0 2 3
Team Shots Hits Blocked FO Wins Giveaways Takeaways Power Plays
26 25 10 49.0% 10 13 0/3
22 28 13 51.0% 10 10 2/6
Period Time Team Strength Description
3rd 05:08 Even Curtis Lazar (2) Wrist Shot, assists: Rasmus Ristolainen (15), Jack Eichel (28)
3rd 02:55 Power Play Jake DeBrusk (11) Wrist Shot, assists: David Krejci (20), Steven Kampfer (2)
3rd 02:37 Power Play Jake DeBrusk (10) Deflected, assists: Steven Kampfer (1), David Pastrnak (29)
2nd 06:37 Even Rasmus Ristolainen (4) Snap Shot, assists: Sam Reinhart (19), Marcus Johansson (11)
1st 12:39 Even David Pastrnak (29) Wrist Shot, assists: Brad Marchand (39), Patrice Bergeron (18)
Period Time Team Type Min Description
3rd 19:43 Misconduct 10 Jack Eichel Misconduct
3rd 19:43 Minor 2 Sam Reinhart Slashing against Brandon Carlo
3rd 15:51 Minor 2 Brett Ritchie Tripping against Rasmus Dahlin
3rd 01:23 Minor 2 Johan Larsson Hooking against Brad Marchand
3rd 01:23 Minor 2 Johan Larsson Tripping against Jake DeBrusk
2nd 14:11 Minor 2 Evan Rodrigues Tripping against Steven Kampfer
2nd 11:02 Minor 2 Jimmy Vesey Delaying Game - Puck over glass
2nd 00:15 Minor 2 Henri Jokiharju Tripping against Brad Marchand
1st 16:35 Minor 2 Chris Wagner Tripping against Brandon Montour
1st 02:50 Bench Minor 2 Too many men/ice served by Jake DeBrusk

Projected Lineups

Left Center Right Left Center Right
Brad Marchand Patrice Bergeron David Pastrnak Victor Olofsson Jack Eichel Kyle Okposo
Jake DeBrusk David Krejci Danton Heinen Marcus Johansson Johan Larsson Sam Reinhart
Anders Bjork Charlie Coyle David Backes Zemgus Girgensons Curtis Lazar Evan Rodrigues
Joakim Nordstrom Sean Kuraly Chris Wagner Jimmy Vesey Rasmus Asplund Conor Sheary
Left D Right D Left D Right D
Zdeno Chara Brandon Carlo Jake McCabe Rasmus Ristolainen
Matt Grzelcyk Connor Clifton Marco Scandella Zach Bogosian
John Moore Steve Kampfer Rasmus Dahlin Colin Miller
Goalies Goalies
Jaroslav Halak Linus Ullmark
Tuukka Rask Carter Hutton

Injuries

Player Injury Date Status
Torey Krug Upper body 2019-12-27 Day-to-Day
Charlie McAvoy 2019-12-23 day-to-day
Karson Kuhlman Leg 2019-10-27 Day-to-Day
Kevan Miller Knee 2019-10-16 Day-to-Day
-- -- -- -- --
Jeff Skinner Upper body 2019-12-28 day-to-day
Marco Scandella Illness 2019-12-27 Day-to-day
Johan Larsson 2019-12-19 Day-to-Day
Vladimir Sobotka Knee 2019-11-27 Indefinitely
Tage Thompson Shoulder 2019-11-18 Week-to-Week
Matt Hunwick Neck 2019-10-01 Indefinitely

Watch, Listen and Talk:

TV ESPN+, NESN, MSG-B
Streams First Row - ATDHE - Vipbox - StreamHunter - LiveTV - /nhlstreams
Listen BUF - BOS
Other-Away Preview - Boxscore - Recap
Other-Home Preview - Boxscore - Recap
GameCenter On NHL.com
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